Chamber Music Cello, Piano

SKU: PR.114418630

Composed by Stacy Garrop. Set of Score and Parts. With Standard notation. 24+8 pages. Duration 13 minutes. Theodore Presser Company #114-41863. Published by Theodore Presser Company (PR.114418630).

ISBN 9781491114063. UPC: 680160642724. 9 x 12 inches.

The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fatale”), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.
In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black film”). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fatale”), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron; and it also published for Double Bass and Piano (114-41811). The cello version is transcribed by the composer.-- Stacy Garrop.

With online audio of piano accompaniments. By Various. By Various. For Classical Players. Broadway. Softcover Audio Online. 64 pages. Published by Hal Leonard

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

(Book with Online Audio). Composed by Ludovico Einaudi. For Cello, Piano Accompaniment. Music Sales America. Softcover Audio Online. 56 pages. Chester Music #CH82357. Published by Chester Music

With online audio of piano accompaniments. Composed by Richard Rodgers and Oscar Hammerstein. Broadway, Movies, Musicals. Softcover Audio Online. 60 pages. Published by Hal Leonard

(Original Version Violoncello and Piano Reduction). By Pyotr Ilyich Tchaikovsky. Edited by Thomas Kohlhase. Score and Parts. String. Softcover. 34 pages. Schott Music #CB215. Published by Schott Music

Cello and Piano

SKU: HL.14006097

Composed by Per Norgard. Music Sales America. Classical. Book and Part(s). Music Sales #KP00873. Published by Music Sales (HL.14006097).

ISBN 9788759872222. Danish.

Programme Note CANTICA for cello and piano (1977)When in 1975 I had finished composing my Symphony no. 3 (begun in 1973), I wrote three simple melodies for two psalm texts by Ole Sarvig: The Year and Choral Hymn. These three tunes were derived from the same material as the second movement of the symphony and could be harmonized together in several different tempo relationships, like proportional canons. For this reason they inspired me to write several choral and instrumental works in the following decade: Frost Psalm, Winter Cantata, the tuba octet Now all the earth is white with snow, Canticles (and others).Cantica, meaning song or singing, was composed (forthe Danish musicians Hans Erik Dechert og Kjeld Hansen) as a instrumental little brother the long, polyphonic choral pieces. As in these the canonical melodies in Cantica drift from foreground to background, from cello to piano. The melodies are simple, diatonic and in traditional rhythms and the surface of the music in a way traditional. The intention of the composer with this easily understood expression is to lead the listeners ears to the many internal, proportional developments. The story is in a way hidden between the lines. In the myriads of rhythmic and tempo relations the Golden Mean (near to 2:3:5:8: et cetera) plays an important role, like in nature. Among the experiences giving by this natural phenomenon are - perhaps - the musical points to be found (?).Per Norgard(1997).

50 Popular Classics in Easy Arrangements. Composed by Various. Arranged by Barrie Carson Turner. String. Softcover Audio Online. 56 pages. Schott Music #ED13862. Published by Schott Music (HL.49045387).

Composed by Various. Softcover Audio Online. 48 pages. Published by Hal Leonard

Cello with Piano Reduction. Composed by Peter Ilyich Tchaikovsky (1840-1893). Instrumental. Ballet, Christmas, Classical. Softcover Audio Online. 64 pages. Published by Hal Leonard

Chamber Music Cello, Piano

SKU: PR.114415500

For Cello and Piano. Composed by Eric Ewazen. Christmas and Holiday. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. 16+8 pages. Theodore Presser Company #114-41550. Published by Theodore Presser Company (PR.114415500).

UPC: 680160607280. 8.5 x 11 inches.

Another commissioned work has Ewazen borrowing from his own The Eternal Dance of Life for a special new gift for cello and piano. The composer says it best: As a former cellist in my youth, have always loved the instrument, and have enjoyed writing for it. The work contains swirling arpeggiated gestures, a lilting compound meter and a real sense of expressivity, allowing the cello to sing with soaring lines and genuine lyricism. For advanced performers.

Urtext. Composed by Pauline Viardot-Garcia (1821-1910). Edited by Miriam-Alexandra Wigners. Breitkopf and Haertel #EB 8887. Published by Breitkopf and Haertel

Violin, cello and piano (P/ST) - difficult

SKU: HL.49030480

Composed by John Casken. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 2000-2002. 68 pages. Duration 20'. Schott Music #ED 12775. Published by Schott Music (HL.49030480).

ISBN 9790220122415.

For Cello and Piano with Recorded Accompaniments. Composed by John Williams. For Classical Players. Classical, Movies. Softcover Audio Online. 72 pages. Published by Hal Leonard

Music from All Nine Films. Composed by John Williams. Instrumental Play-Along. Disney, Movies. Softcover Audio Online. 24 pages. Published by Hal Leonard

Piano; Violin; Cello

SKU: AP.12-0571540805

Composed by Tom Coult. Piano Trio; Trio. Score. Faber Music #12-0571540805. Published by Faber Music (AP.12-0571540805).

ISBN 9780571540808. English.

Accelerati on, deceleration, and the inconsistent nature of time are at the heart of Piano Trio The Chronophage by Tom Coult. Throughout the 17-minute work, cello and piano lines constantly speed up or slow down relative to one another, while the violin has only one role---to accelerate throughout. The listener feels clunky gear changes, as previously reliable demarcations of time seem unsteady, even unsafe. The trio's subtitle comes from The Corpus Clock in Cambridge, a clock that plays with exactly this perception. Completely accurate every five minutes, the clock lurches unevenly from second to second, the grinding mechanism driven by the terrifying metal insect escapement known as the Chronophage (from the Greek meaning of time-eater).

With online audio of piano accompaniments. Composed by Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

21 Pieces for Cello Players Cello and Piano. Composed by Katherine and Hugh Colledge. Edited by Sheila Nelson. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 44 pages. Boosey and Hawkes #M060135453. Published by Boosey and Hawkes

26 Pieces for Cello Players Cello and Piano. Composed by Katherine and Hugh Colledge. Boosey and Hawkes Chamber Music. Classical. Softcover Audio Online. 32 pages. Boosey and Hawkes #M060135484. Published by Boosey and Hawkes

Cello - Intermediate

SKU: CZ.9798879554489

Composed by Various. Arranged by Larry Newman. Book. Children's Music Workshop #9798879554489. Published by Children's Music Workshop (CZ.9798879554489).

ISBN 9798879554489.

Disc over Jazz Hymns – where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.
This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.
Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.
Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influences
Jazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.

Cello and Piano

SKU: HL.14028648

Composed by Aulis Sallinen. Music Sales America. 20th Century. Book [Softcover]. 52 pages. Music Sales #NOV121253. Published by Music Sales (HL.14028648).

ISBN 9781846092244. 9.0x12.0x0.175 inches.

Sallinen's Sonata For Cello And Piano Op.86 was commissioned by the Naantali Music Festival, Finland in 2004. It was first performed by Arto Noras and Rolf Gothoni at Naantali Church on 10th June 2005 as part of the festival. The piece is structured across four movements, a Barcarola, a Serenata, a Scherzo and an Epilogue.

Composed by Renata Bratt and Bert Ligon. For cello. Saddle-stitched. Beginning-Intermediate. Book and online audio/PDF. Published by Mel Bay Publications, Inc