A
special piece - a special
story: In 2020, a
renowned architect
approached a composer to
create a new piece of
music for his daughter's
wedding, which the happy
father could give to the
young couple as a wedding
present. In earlier eras
of private patronage,
such a story would have
been natural, but in the
21st century it is an odd
story. The composition
subtly alludes to the
occasion: against the
background of the piano,
a duet of two instruments
tells the story of a
serene love (the piece
can either be performed
with a bassoon and a
violoncello, or with two
violoncellos). Mate
Bella, who moves at home
among different musical
styles, shapes the song
of lovers longing for
each other in a way
reminiscent of barcarolas
sung by Venetian
gondoliers.
Winter Rondo Violoncelle, Piano Theodore Presser Co.
Chamber Music Cello, Piano SKU: PR.114415500 For Cello and Piano. ...(+)
Chamber Music Cello,
Piano
SKU:
PR.114415500
For
Cello and Piano.
Composed by Eric Ewazen.
Christmas and Holiday.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. 16+8
pages. Theodore Presser
Company #114-41550.
Published by Theodore
Presser Company
(PR.114415500).
UPC:
680160607280. 8.5 x 11
inches.
Another
commissioned work has
Ewazen borrowing from his
own The Eternal Dance of
Life for a special new
gift for cello and piano.
The composer says it
best: As a former cellist
in my youth, have always
loved the instrument, and
have enjoyed writing for
it. The work contains
swirling arpeggiated
gestures, a lilting
compound meter and a real
sense of expressivity,
allowing the cello to
sing with soaring lines
and genuine lyricism. For
advanced performers.
(for Cello and Piano). Composed by Abdullah Ibrahim. For Cello, Piano Accompanim...(+)
(for Cello and Piano).
Composed by Abdullah
Ibrahim. For Cello, Piano
Accompaniment. String.
Softcover. 12 pages.
Schott Music #ED21862.
Published by Schott Music
Cello and piano (VC/PF) - intermediate to advanced SKU: HL.49008105 14...(+)
Cello and piano (VC/PF) -
intermediate to advanced
SKU: HL.49008105
14 Pieces. Edited
by Barbara Heller and Eva
Rieger. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. 128
pages. Schott Music #ED
8628. Published by Schott
Music (HL.49008105).
ISBN 9790001115964.
UPC: 196288077473.
9.0x12.0x0.355
inches.
(Book with Online Audio). Composed by Ludovico Einaudi. For Cello, Piano A...(+)
(Book with Online Audio).
Composed by Ludovico
Einaudi.
For Cello, Piano
Accompaniment. Music
Sales
America. Softcover Audio
Online. 56 pages. Chester
Music #CH82357. Published
by
Chester Music
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
From Jewish Life Violoncelle, Piano Guitare classique Carl Fischer
Chamber Music Cello, Piano SKU: CF.BF141 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello,
Piano
SKU:
CF.BF141
Composed by
Ernest Bloch. Edited by
Julian Schwarz. 12+8
pages. Carl Fischer Music
#BF141. Published by Carl
Fischer Music (CF.BF141).
ISBN 9781491159989.
UPC:
680160918584.
The
three pieces From Jewish
Life were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.
The
first movement, Prayer,
is a deeply heartfelt
plea to the almighty. As
Neil W Levin writes, The
initial four-note motive
in the minor mode,
together with its
elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt
pathos.
The second
movement, Supplication
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish
experience.
The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917.
Though
the popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance. The first
movement, Prayer, is a
deeply heartfelt plea to
the almighty. As Neil W
Levin writes, The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max Janowski's
(1912-1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu. This prayer has
special meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both Prayer
and Janowski's Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos. The
second movement,
Supplication (the act of
begging humbly), has more
angst, almost a sense of
urgency as a result of
the rhythmic motor in the
piano. The third
movement, Jewish Song,
evokes a quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience. The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of Bloch's most
celebrated work, Schelomo
in 1917. Though the
popularity of Bloch's
oeuvre has been dominated
by works of Jewish
connection, we should not
forget that Bloch had
many other stylistic
periods, including
Franco-Belgian, modal,
serial, and even American
folk. In 1927, he was
awarded Musical America's
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music. The three
pieces From Jewish Life
were composed by
Swiss-American composer
Ernest Bloch in 1924, the
same year he took U.S.
citizenship. Though
clearly inspired and
influenced by Jewish
experience, they are
purely concert pieces,
and do not provide any
specific liturgical
significance.The first
movement,
“Prayerâ€, is
a deeply heartfelt plea
to the almighty. As Neil
W Levin writes,
“The initial
four-note motive in the
minor mode, together with
its elaboration in the
ensuing phrases, sounds
as if it might have
served as the skeletal
model for Max
Janowski’s
(1912–1991) now
well-known setting of the
High Holyday prayer Avinu
Malkenu.†This
prayer has special
meaning in my own
spiritual life, as I have
been singing it since my
childhood. Both
“Prayer†and
Janowski’s Avinu
Malkenu are cantorial in
nature, to be sung with
heartfelt pathos.The
second movement,
“Supplicationâ€
(the act of begging
humbly), has more angst,
almost a sense of urgency
as a result of the
rhythmic motor in the
piano. The third
movement, “Jewish
Songâ€, evokes a
quintessentially
Eastern-European
melancholy. Its falling
motives with bent
intonation might
represent the pain of the
Jewish experience.The
works were dedicated to
Dutch-American cellist
Hans Kindler, a highly
influential musician of
his time, and founder of
the National Symphony
Orchestra in Washington,
D.C. Mr. Kindler was the
soloist for the world
premiere of
Bloch’s most
celebrated work, Schelomo
in 1917.Though the
popularity of
Bloch’s oeuvre has
been dominated by works
of Jewish connection, we
should not forget that
Bloch had many other
stylistic periods,
including Franco-Belgian,
modal, serial, and even
American folk. In 1927,
he was awarded Musical
America’s
composition prize in a
unanimous vote, despite
being regarded as an
outsider by American
music writers at the
time. His winning work
America (1928) was
performed by every major
orchestra and conductor
in the following seasons.
May we be proud of his
contributions to American
music.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48024838 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48024838
Cello
and Piano Reduction.
Composed by Magnus
Lindberg. Boosey & Hawkes
Chamber Music. Classical.
Softcover. 100 pages.
Duration 1500 seconds.
Bote & Bock #M060123436.
Published by Bote & Bock
(HL.48024838).
ISBN
9780851627946. UPC:
840126908787.
9.0x12.0x0.256
inches.
Commissione
d by the Orchestre de
Paris, and first
performed by them in 1999
with soloist Anssi
Karttunen, conducted by
Esa-Pekka Salonen. The
work is cast in a
25-minute span punctuated
by an improvised cadenza.
Performers not wishing to
improvise may substitute
Boria from Lindbergs solo
cello suite Partia, which
is included in the
publication. Diapason
commented, The writing is
homogeneous, virtuosic,
energetic, with the cello
up near the bridge almost
without interruption in a
highly taut style which
travels at a quickstep
through all the
possibilities of the
instrument. Those
possibilities include
scordatura (for both
soloist and orchestral
cellos) and the so-called
'seagull' glissando.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Cello; Piano - easy to intermediate Cello and Piano. Composed by Ludwig van Beet...(+)
Cello; Piano - easy to
intermediate
Cello and Piano. Composed
by Ludwig van Beethoven
(1770-1827). Arranged by
Julius Berger. This
edition: Saddle
stitching. Sheet music.
String. Classical.
Softcover. 16 pages.
Schott Music #CB239.
Published by Schott Music
Cello and Piano. Composed by Alexander Rosenblatt. This edition: Saddle s...(+)
Cello and Piano.
Composed by Alexander
Rosenblatt. This edition:
Saddle stitching. Sheet
music. Cello Library.
Softcover. 12 pages.
Duration 12'. Schott
Music #CB 227. Published
by Schott Music
(HL.49019346).
Cello - difficult SKU: HL.49016913 Composed by Olli Mustonen. This editio...(+)
Cello - difficult
SKU:
HL.49016913
Composed
by Olli Mustonen. This
edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical.
Score and part. Composed
2006. 40 pages. Duration
15'. Schott Music #CB193.
Published by Schott Music
(HL.49016913).
ISBN
9790001147620. UPC:
884088262228.
9.0x12.0x0.127
inches.
Mustonen
belongs to the young
generation of composing
piano virtuosos. What is
remarkable is that 'his
instrument' is not placed
in the foreground of his
works. He rather composed
pieces for strings,
sonatas with piano
accompaniment, orchestral
works and even a piece
for guitar referring to
the history of his home
country Finland.The cello
sonata was premiered by
Mustonen with the cellist
Daniel Muller-Schott in
Hamburg. No special
emphasis is given to
polyphonic coexistence;
instead, the piano,
playing chordally, acts
as a real accompaniment
most of the time.
Cantilenas of the cello,
tricky rhythms, and
almost symphonic sound
eruptions make the piece
a sure-fire hit with the
public.
First Edition by Marina Lobanova. Composed by Nikolai Andreyevich Roslave...(+)
First Edition by
Marina Lobanova.
Composed by Nikolai
Andreyevich Roslavets
(1881-1944). Edited by
Marina Lobanova. This
edition: Saddle
stitching. Sheet music.
Schott. Composed 1922. 74
pages. Duration 13'.
Schott Music #ED 8039.
Published by Schott Music
(HL.49007737).
Plus Ultra Violoncelle, Piano Editorial de Musica Boileau
Cello and piano SKU: BO.B.3724 Composed by J. Cassado/M. Mestre. Publishe...(+)
Cello and piano
SKU:
BO.B.3724
Composed by
J. Cassado/M. Mestre.
Published by Editorial de
Musica Boileau
(BO.B.3724).
Cassado could
be considered are the
first great Catalan
symphonist of the 19th
Century and one of the
first pre-coursers of
Nationalism in our
country. His is a
Nationalism that is
solidly based on central
European traditions,
mainly Germanic in
its.
Plus Ultra
is a special case in
which the desire to
exhibit his deepest
Nationalist sentiments
took a second place to a
more global style into
which he incorporated
harmonies and melodic
turns that recall
Rachmaninoff more than
Albeniz. Plus Ultra can
be considered as a
musical thought which, in
spite of references or
paraphrases of some
typical aspects of
Spanish music of the era,
is an authentic lied in
which the cello sings
out, using maximum of its
expressive possibilities,
with a piano
accompaniment of the
first order.
In
this work Cassado makes
more extensive use of
pianissimo, which is more
typical of the French
school, than in any other
of his works. Through the
use of gestures which are
almost Impressionist, as
well as refined and
tasteful harmonies, the
composer divides the
musical discourse between
the two instruments
creating a fantastic work
which his son Gaspar
performed in
concerts.
Cello; Piano Accompaniment SKU: HL.50499441 Cello with Piano Reduction...(+)
Cello; Piano
Accompaniment
SKU:
HL.50499441
Cello
with Piano Reduction.
Composed by Aram Ilyich
Khachaturian. String.
Classical. Softcover. 68
pages. Sikorski #SIK6112.
Published by Sikorski
(HL.50499441).
9.0x12.0x0.2
inches.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Cello; Piano Accompaniment SKU: HL.50601313 Cello and Piano Reduction<...(+)
Cello; Piano
Accompaniment
SKU:
HL.50601313
Cello
and Piano Reduction.
Composed by Nikolai
Miaskovsky. String.
Classical. Softcover. 53
pages. Sikorski #SIK6937.
Published by Sikorski
(HL.50601313).
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
Fingerprints for Cello and Piano. (Grade 1-4). For Cello and Piano. Book; Method...(+)
Fingerprints for Cello
and Piano. (Grade 1-4).
For Cello and Piano.
Book; Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Published by
Faber Music