Chamber Music cello, piano SKU: PR.114413830 Reflections On A Memorial...(+)
Chamber Music cello,
piano
SKU:
PR.114413830
Reflections On A
Memorial Service At The
Riverside. Composed
by Robert Maggio.
Premiere: cellist
Michelle Djokic and
pianist Gail Niwa, Martin
W. Luther memorial
service. Contemporary.
Set of Score and Parts.
With Standard notation.
Composed 5-Mar. 16+4
pages. Duration 9
minutes. Theodore Presser
Company #114-41383.
Published by Theodore
Presser Company
(PR.114413830).
UPC:
680160587315. 8.5 x 11
inches.
Maggio was
moved during a riverside
memorial service to write
his new cello solo, using
the hymn At the River as
his basis. Subtitled
Reflections on a Memorial
Service at the Riverside,
We Gathered At the River
is a powerful tribute and
a moving memorial in its
own right.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edwar...(+)
(Violoncello and Piano
With Marked and Unmarked
String Parts). Composed
by Edward Elgar
(1857-1934). Edited by
Claus Kanngiesser, Rolf
Koenen, and Rupert
Marshall-Luck. For Cello,
Piano Accompaniment.
Henle Music Folios.
Softcover. 8 pages. G.
Henle #HN1189. Published
by G. Henle
Ekah Violoncelle, Piano [Conducteur et Parties séparées] Subito Music
Violoncello & Piano SKU: SU.94010750 For Violoncello & Piano. Comp...(+)
Violoncello & Piano
SKU: SU.94010750
For Violoncello &
Piano. Composed by
James Lee III. Strings,
Cello. Accompanied by
piano. Score & Parts.
Subito Music Corporation
#94010750. Published by
Subito Music Corporation
(SU.94010750).
Ekah is the
Hebrew word for
Lamentations, as in the
book of Lamentations in
the Bible. The literal
translation of this word
would be How or Ah! How.
When the cellist, Inbal
Segev asked me to write a
new piece for cello and
piano, and as a part of
our discussion, I decided
to compose a new piece
that reflected on the
immense challenges that
the year 2020 has
presented. The hows and
lamentations in this
piece might be: how can
there still be so much
hate in the world since
we are all equal and
created in the image of
God? How can there be
such police brutality in
2020? How and why is the
whole world suffering
with the Coronavirus
(COVID-19)? How can our
mental health, cities,
and communities be so
desolate? We can hope,
pray, and do our
responsible part to make
our life on this planet
meaningful during these
challenging times of the
year 2020. — James
Lee III Violoncello &
Piano Duration: 6'
Composed: 2020 Published
by: Subito Music
Publishing.
Cello & Piano 1 Violoncelle, Piano - Intermédiaire EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14636 By Arpad Pejtsik. ABRSM Cello Exam Piec...(+)
Cello and Piano
SKU:
BT.EMBZ14636
By Arpad
Pejtsik. ABRSM Cello Exam
Pieces 2016-2019.
Educational Tool. Book
and Part(s). Composed
2008. 144 pages. Editio
Musica Budapest
#EMBZ14636. Published by
Editio Musica Budapest
(BT.EMBZ14636).
ABRSM Syllabus
title - Grades 5, 6, 8The
two volumes contain a
selection from 200 years
of music. Eight Baroque
sonatas are included,
apart from the famous D
minor one by Corelli
there are some that are
appearing in a modern
edition for the first
time in 300 years. In
addition to cyclical
works (Haydn: Sonatina,
Mozart: Divertimento,
Vivaldi: Concerto) and
sets of variations
(Beethoven, Tartini)
there are many shorter
pieces as well, not only
the famous minuets by
Boccherini, Mozart and
Beethoven but also works
published for the first
time here. Virtuoso
pieces are represented by
Goltermann s
Etude-caprice and
Jenkinson s Dance of the
sylphids, the lighter
kind includeJoplin s
Ragtime. This colourful,
ample selection provides
a good basis for a
music-lover s library.
ABRSM Cello Syllabus
title - Grade 5, 6, 8.
Die zwei Bände
präsentieren eine
Auswahl an Musik aus
zweihundert Jahren. Sie
beinhalten acht
Barocksonaten, neben der
berühmten Corelli in
d-Moll auch solche, die
nach 300 Jahren erst
jetzt in einer modernen
Ausgabe erscheinen. Es
kommen neben zyklischen
(Haydn: Sonatine, Mozart:
Divertimento, Vivaldi:
Concerto) und
Variationswerken
(Beethoven, Tartini),
auch mehrere kleinere
Stücke wie die
berühmten Mozart-,
Boccherini- und
Beethoven-Menuette sowie
solche vor, die hier das
erste Mal erscheinen. Die
virtuosen Stücke
werden durch Goltermanns
Etüde-Caprice und
Jenkinsons Tanz der
Sylphiden, die leichtere
Gattungen von Joplins
Ragtime vertreten. Die
reichhaltige, bunte
Auswahlkann für
Musikliebhaber zur
Grundlage einer
Notensammlung werden.
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Score and Parts Chamber Ensemble (Score & Parts) SKU: HL.49046417 Viol...(+)
Score and Parts Chamber
Ensemble (Score & Parts)
SKU: HL.49046417
Violin, Cello and
Piano Score and
Parts. Composed by
Anno Schreier. String
Ensemble. Classical.
Softcover. 60 pages.
Duration 900 seconds.
Schott Music #ED23191.
Published by Schott Music
(HL.49046417).
ISBN
9781540090553. UPC:
840126915457.
The
Seven Ballet Scenes have
been extracted from a
ballet music that I
composed in 2008. The
basic idea was to use
different combinations of
the three instruments and
to get very different
characters and forms of
movement, which
nevertheless form a
whole. There is a piece
for cello solo, one for
violin and piano, one for
violin and cello etc. At
the beginning, in the
middle and at the end
there are different
variants of a fast
movement for all three
instruments, which form a
kind of refrain. Anno
Schreier.
By Louise Farrenc (1804-1875). Edited by Bella and Semjon Kalinowsky. For viola ...(+)
By Louise Farrenc
(1804-1875). Edited by
Bella and Semjon
Kalinowsky. For viola and
piano. Viola.
Instrumental Music.
Intermediate. Score and
parts. Composed 1861.
Published by Furore
Verlag
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Sonata Violoncelle, Piano [Conducteur et Parties séparées]
Cello & Piano SKU: SU.28170150 For Cello & Piano. Composed by Bria...(+)
Cello & Piano
SKU:
SU.28170150
For
Cello & Piano.
Composed by Brian Nabors.
Strings, Cello.
Accompanied by piano.
Score & Parts. Raphael
Press #28170150.
Published by Raphael
Press (SU.28170150).
Exploring the
extremes of cello and
piano respectively, this
work is a deep journey,
from its contemporary,
thorny outer movements,
to its very romantic
middle movement. There is
a spectrum of harmonic
and rhythmic complexity
throughout the
work’s venturesome
landscape.Cello, Piano
Duration: 21’
Composed: 2017 Published
by: Raphael Press.
Petite Suite Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ13622 By Miklos Perenyi. By Claude Debussy an...(+)
Cello and Piano
SKU:
BT.EMBZ13622
By
Miklos Perenyi. By Claude
Debussy and Zoltan
Kocsis. Classical. Book
Only. Composed 1989. 38
pages. Editio Musica
Budapest #EMBZ13622.
Published by Editio
Musica Budapest
(BT.EMBZ13622).
PETITE SUITE Violoncelle, Piano EMB (Editio Musica Budapest)
Violoncello and Piano (VIOLONCELLO) SKU: HL.50487683 By Miklos Perenyi. B...(+)
Violoncello and Piano
(VIOLONCELLO)
SKU:
HL.50487683
By Miklos
Perenyi. By Claude
Debussy. Romantic. EMB.
Classical. Book Only.
Editio Musica Budapest
#Z13622. Published by
Editio Musica Budapest
(HL.50487683).
ISBN
9790080136225.
9.0x12.0x0.124 inches.
French. Claude Debussy;
Zoltan Kocsis; Miklos
Perenyi.
Debussy's
Small Suite written for
piano duet in 1889 is
being published by Editio
Musica Budapest in a
transcription for cello
and piano for the first
time. A guarantee for the
quality of the
transcription is the name
of the two outstanding
artists Zoltan Kocsis and
Miklos Perenyi who make
us forget the difficulty
of the task and exploit
the full capabilities of
their respective
instruments, enchanting
thereby the audience.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano).
Composed by Edward
Gregson. For Cello, Piano
Accompaniment. Music
Sales America. 52 pages.
Novello and Co Ltd.
#NOV958089. Published by
Novello and Co Ltd.
Piano Accompaniment; Viola (Viola With Piano Accompaniment) SKU: HL.48025329<...(+)
Piano Accompaniment;
Viola (Viola With Piano
Accompaniment)
SKU:
HL.48025329
Viola
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202536513. Published by
Bote & Bock
(HL.48025329).
UPC:
196288175490.
Note
by the composer:
“This piece was
written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Book with Audio Online Cello; Piano Accompaniment (Cello Part And Piano Score) <...(+)
Book with Audio Online
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047366
Cello
and Piano Book with Audio
Online. Composed by
Various. Edited by
Katharina Deserno and
Rainer Mohrs. String
Solo. Classical, Concert,
Recital, Renaissance.
Softcover Audio Online.
60 pages. Schott Music
#ED22216D. Published by
Schott Music
(HL.49047366).
ISBN
9783795731823. UPC:
196288207634.
9.0x12.0x0.207
inches.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025315 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025315
Cello
and Piano. Composed
by Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Duration 420
seconds. Bote & Bock
#M202535912. Published by
Bote & Bock
(HL.48025315).
UPC:
196288175193.
Note
by the composer:
“This piece was
written in 2006 (for
violoncello and piano)
for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Soprano voice, violin, cello and piano - difficult SKU: HL.49018711 Fo...(+)
Soprano voice, violin,
cello and piano -
difficult
SKU:
HL.49018711
For
soprano and piano
trio. Composed by
Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
Score and parts. Composed
2002. 86 pages. Duration
15'. Schott Music
#ED20066. Published by
Schott Music
(HL.49018711).
ISBN
9790001145190. UPC:
884088794019.
9.25x12.0x0.244 inches.
English.
In a
magazine with reports on
mental institutions,
Thomas Larcher came
across interviews with
patients: 'These
sentences are of a strong
inner power, yet do not
claim to convey an
overall picture of these
people. There rather
appear snatches from
their world like a
stroboscope.' The soprano
part in Larcher's
composition attends to
these texts in a very
restraint, often
introverted manner, but
they continue to have an
effect in the
instrumental parts, like
catalysts of seemingly
disturbing processes. The
world premiere with
Juliane Banse, Christian
Tetzlaff, Nikolaj
Schneider and the
composer on the piano
took place at the
renowned festival
'Spannungen' in the power
station of Heimbach in
2002. Recently, a
recording has been
released by ECM New
Series.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49047040 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49047040
30
Concert and Salon Pieces
for Cello and Piano.
Composed by Various.
Edited by Beverley Ellis
and Rainer Mohrs. String.
Classical. Softcover. 192
pages. Schott Music
#ED22414. Published by
Schott Music
(HL.49047040).
ISBN
9783795711436. UPC:
196288116332.
9.0x12.0x0.535
inches.
Score and Parts Piano Trio (SCORE+PARTS) SKU: HL.48025316 Piano Trio S...(+)
Score and Parts Piano
Trio (SCORE+PARTS)
SKU: HL.48025316
Piano Trio Score and
Parts. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 20 pages.
Duration 420 seconds.
Bote & Bock #M202535936.
Published by Bote & Bock
(HL.48025316).
ISBN
9783793142904. UPC:
196288175209.
9.0x12.0x0.091
inches.
Note by the
composer:“This
piece was written in 2006
(for violoncello and
piano) for an exhibition
dedicated to artists
suffering from
schizophrenia. The basis
of the piece is a
sequence of four chords,
very simple and
minimalistic. A person
with schizophrenia hears
voices that can be very
disturbing; there is a
longing for silence. I
wrote this piece so that
my son Alex, who suffers
from the illness, could
hear silence and
meditation from it. It's
called Blue Silence
because blue is sometimes
associated with
healing.†Elena
Kats-Chernin.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.