| Franz Liszt - Csardas Obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment SKU:
HL.50512037 Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037). ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky. The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+. $27.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Csardas obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14779 Composed
by Franz Liszt. Book
Only. Composed 2011. 16
pages. Editio Musica
Budapest #EMBZ14779.
Published by Editio
Musica Budapest
(BT.EMBZ14779).
The arranger of
this work (a well-known
Hungarian composer living
in Romania) writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the latter
suggests the description
of a type of behaviour,
the emotional state of a
dancer's inner frame of
mind abstracted into
movements, expressed in
dance movements, and this
is a fascinating
interpretation. The
demonstration ofstubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
in Transylvania. At that
time, I asked the
composer, Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartókian false
relations that keep
recurring in the work,
the B-E flat-G, etc. That
foreshadows Debussy,
creating harmonic thrills
that, when I hear the
work, keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the cello.
The arranger of
this work, the well-known
Romania-based Hungarian
composer Cs ky
Boldizsár writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinateone, may refer
to its ostinato
character, this is close
to Liszt's programme
concept, but the French
word 'obstiné' is
closer in meaning to
stubborn. There is just a
shade of difference, but
to me it is important,
because the
lattersuggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of
stubbornresistance ,
defiance to the point of
exhaustion, was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán
Kocsis played the piece
here in Transylvania
(Romania).
Der
Bearbeiter des Werkes,
der renommierte
ungarische Komponist aus
Rumänien, schreibt:
Dieses Stück reizte
immer schon meine
Phantasie, sogar in
vielerlei Hinsicht. Als
erstes sein Name. Der
deutsche Titel
‚Hartnäckiger'
kann auf den ihm
innewohnenden ostinativen
Charakter hinweisen, was
der Liszt'schen
Programm-Konzeption
näher kommt, das
französische
,obstiné' steht jedoch
eher dem Wort
‚dickköpfig'
nah. Das sind nur
geringfügige
Unterschiede, mir ist das
dennoch wichtig, weil aus
Letzterem die Darstellung
eines Verhaltens, der in
Tanzgesten
ausgedrückte, zur
Bewegung abstrahierte
innere emotionale Zustand
eines Tänzers
durchscheint, und das ist
eine überaus
beeindruckendeErklärun
g. Die Demonstration des
bis zur Erschöpfung
reichenden Trotzes, der
störrischen Kraft
erscheint bei Liszt
selten. Der zweite
Aspekt: Zu Beginn der
70er Jahre spielte bei
uns Zoltán Kocsis das
Stück. Schon damals
(und seitdem) frage ich
den Komponisten:. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sepulchral City: Music For B-flat Clarinet, Cello And Piano Score And Parts Violoncelle, Piano [Conducteur et Parties séparées] Schott
Clarinet in Bb, cello and piano - difficult SKU: HL.49017074 Music for...(+)
Clarinet in Bb, cello and
piano - difficult SKU:
HL.49017074 Music
for Clarinet in Bb, Cello
and Piano. Composed
by Christian Jost. This
edition: Saddle
stitching. Sheet music.
Misc. Score and parts.
Composed 2007. 52 pages.
Duration 12'. Schott
Music #ED 20369.
Published by Schott Music
(HL.49017074). ISBN
9790001151573.
9.0x12.0x0.182
inches. In this
trio, as in most of his
compositions, Jost has
pictures and associations
with true incidents,
films and novels in his
mind. What inspired him
to write this piece was
Joseph Conrad's novel
'Heart of Darkness' in
which the protagonist
Marlow says about the
city of Brussels: 'In a
few hours I arrived in a
city that always make me
think of a whited
sepulchre.'In 'Sepulchral
City', a work
commissioned to mark the
tenth anniversary of the
Jerusalem Chamber Music
Festival, however, the
title refers to
Jerusalem, the city of
white tombs. The topic of
Jost's trio is a travel
into the soul and living
spirit of a city, with no
physical movement being
needed to find the heart
of impenetrable darkness:
It lies within the city
walls.In this respect,
'Sepulchral City' equals
a compositionally
unfolded funeral bell.
Even the animated middle
section rather has
insisting than
progressive power. At the
end, the only thing to do
is to inhale and
exhale. $29.99 - Voir plus => Acheter | | |
| Territorialsang Violoncelle, Piano [Conducteur] Music Sales
Bass Clarinet, Cello, Piano Chamber SKU: HL.14033080 Player's Score(+)
Bass Clarinet, Cello,
Piano Chamber SKU:
HL.14033080
Player's Score.
Composed by Pelle
Gudmundsen-holmgreen.
Music Sales America.
Classical. Score. 22
pages. Music Sales
#KP01076. Published by
Music Sales
(HL.14033080). ISBN
9788759869840.
Danish. Territorial
Song - Clarinet Trio no.
2 for Bass Clarinet,
Cello and Piano was
composed by Pelle
Gudmundsen-Holmgreen in
1995-97. Programme Note:
Signals, expressions and
sounds (not necessarily
pleasant ones) in
different layers - that
is to say in different
tempi or polyrhythms - is
what one can hear in
Territorial Song. The
experience of nature's
diversity and the living
being's tendency to hold
their own and to
territoralise is
surprising and forever
inspiring. And this
experience does not make
one think of European,
classical form! Pelle
Gudmundsen-Holmgreen
 . $24.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| El-metfarnageen For Marimba, Violin, Viola, Cello, Piano Score And Parts Violoncelle, Piano Schott
Marimba, violin, viola, cello and piano SKU: HL.49019626 For Marimba, ...(+)
Marimba, violin, viola,
cello and piano SKU:
HL.49019626 For
Marimba, Violin, Viola,
Cello and Piano.
Composed by Mohamed Saad
Basha. This edition:
Saddle stitching. Sheet
music. Ensemble.
Softcover. Composed 2009.
60 pages. Duration 7'.
Schott Music #ED21631.
Published by Schott Music
(HL.49019626). ISBN
9790001193252. UPC:
888680071165.
9.0x12.0x0.2
inches. 'El-Metfarn
ageen' is the first piece
by the young Egyptian
composer and
percussionist Mohamed
Saad Basha published by
Schott Music.In the
Egyptian colloquial
language,
'El-Metfarnageen' refers
to a person who, strongly
influenced by the Western
way of living, has almost
forgotten his/her true
origin. As a consequence,
the piece's musical
motifs critically examine
the influence of Western
culture in North Africa
while at the same time
emphasizing the origins
of Egypt's own musical
culture shaped over
millennia.'El-Metfarnagee
n' was commissioned by
the world-famous
Bibliotheca Alexandrina
and performed for the
first time in its
historic rooms. $46.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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