Cello; Piano - easy to intermediate Cello and Piano. Composed by Ludwig van Beethoven (1770-1827). Arranged by Julius Berger. This edition: Saddle stitching. Sheet music. String. Classical. Softcover. 16 pages. Schott Music #CB239. Published by Schott Music

Cello and Piano. Composed by Alexander Rosenblatt. This edition: Saddle stitching. Sheet music. Cello Library. Softcover. 12 pages. Duration 12'. Schott Music #CB 227. Published by Schott Music (HL.49019346).

By Pam Wedgwood. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. Published by Faber Music

By Pat Legg. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. Elementary. Published by Faber Music

By Pat Legg. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition

Arranged by Julian Lloyd Webber. For Cello, Piano. Book. 56 pages. Published by Kevin Mayhew Publishers

First Edition by Marina Lobanova. Composed by Nikolai Andreyevich Roslavets (1881-1944). Edited by Marina Lobanova. This edition: Saddle stitching. Sheet music. Schott. Composed 1922. 74 pages. Duration 13'. Schott Music #ED 8039. Published by Schott Music (HL.49007737).

(Cello Part And Piano Score)

SKU: HL.48186482

Composed by Reynaldo Hahn. Leduc. 24 pages. Alphonse Leduc #AL30749. Published by Alphonse Leduc (HL.48186482).

Reynaldo Hahn: Works for cello and piano [AL 30 749] For quite some time, posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette, overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus, cellist Steven Isserlis, in his preface, hastens to hail the first modern edition of these two scores, which he regularly plays in recital, so much does their beauty enchant the audience. Published in 1911, the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). These folk themes come from the collection Songs of Old Ireland, published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly, The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree, the lover begs his beloved in vain to take him in her arms one last time before he lies down, lifeless, in the shade of the tree. Beyond this sensitive exploration of the Irish soul, Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli?s opera Xerse. In this aria (1660 version: Act IV, sc. 6), Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ?to which the gods have destined him?. Reynaldo Hahn?s variations succeed in maintaining the sweet simplicity of this theme, as noble as it is refined. Let us wager that this publication will delight cellists and pianists alike: it contains some nuggets. Deux improvisations sur des airs irlandais (The Little Red Lark, The Willow-Tree) Variations chantantes sur un air ancien.

Cello & piano

SKU: HH.HH286-FSP

Composed by Anton Eberl. Edited by Christopher Hogwood. Cello & Piano. This is a very interesting sonata as it bridges the gap between the cello/continuo sonatas and the ones by Beethoven. Eberl's part for violin is also included. Full score and parts. Edition HH Music Publishers #HH286-FSP. Published by Edition HH Music Publishers (HH.HH286-FSP).

ISBN 9790708092254.

A true Grand Duo for cello and piano to provide a much needed connection between the first sonatas for this combination -- by Beethoven -- and the later 19th century repertoire. Eberl's heroic style provides a masterly alternative to the over familiar works, with the balance of power between the two players scrupulously maintained throughout, and ingenious formal innovations. The Rhapsodie finale in particular, with sections in varying metres and moods, resolves in an elegant Pastorale, an entirely new format for this combination. The composer thoughtfully provided an adaptation of the cello part for violin containing many differences which will be of interest to players of both instruments; both string parts are included in this publication.

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Lloyd Webber. For solo cello and orchestra. Level A-B (very easy to easy). Cello part and piano reduction. 36 pages. Duration 15 minutes. Published by Oxford University Press

By Claude Debussy. Edited by Gregor Piatigorsky, Jeffrey Solow. Arranged by Gregor Piatigorsky. For cello and piano. Published by Theodore Presser Company.

(for Violoncello and Piano) Composed by David Popper, edited by Martin Rummel. Score; Single Part for cello and piano. First modern edition of the complete suite; Two cello parts, one with Popper's fingering and bowing and one modified for the modern cello; With helpful performance tips by the editor. Published by Baerenreiter-Ausgaben (German import). ISBN M006531936.

Cello and piano

SKU: M7.SAE-22-01

Composed by Lucian Moraru. Sheet music. Piano reduction with solo part. 16 pages. SonArt Edition #SAE 22-01. Published by SonArt Edition (M7.SAE-22-01).

ISBN 9790707651551.

This is a unique improvisation for Cello and Piano based on a theme by Erik Satie and to which other original themes have been added. The work will certainly be a delight for the public because the sound material is treated in both classical and jazzy style. Certainly this is a piece to be enjoyed by the players, but audiences have shown that they too share the same pleasure, for sure it is a smart choice for the players that want to achieve the acclaim from the audience. This piece of music is suitable both for concerts given by professionals and for auditions in schools, colleges, conservatories or can be used in various other private events.

Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #09008. Published by Jackman Music Corporation

Violoncello and Piano

SKU: AP.36-M368991

Arranged by Claude Debussy and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions. Book. LudwigMasters Publications #36-M368991. Published by LudwigMasters Publications (AP.36-M368991).

ISBN 9798892704151. UPC: 659359551123. English.

This is the first of Debussy's three sonatas for cello. Composed in three movements of varying styles, this beautiful and interesting piece became one of the most performed cello sonatas of the 20th century.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Cello and Piano

SKU: HL.14030693

Composed by Ernest John Moeran. Music Sales America. Post-1900. Book [Softcover]. Music Sales #NOV120092. Published by Music Sales (HL.14030693).

8.25x11.75x0.466 inches.

In the second half of his life, Moeran greatly extended his sensibilities and his musical palate to include more energetic and vigorous rhythms, harmonic colours and tonalities. In the Sonata for ViolonCello and Piano, the listener will find grandeur in the first movement and an intricate rondo in the finale. It is a piece by a composer who has taken an expansive step beyond his immediate surroundings and first influences.E J Moeran was a 20th century British composer of Anglo-Irish background who spent his early years in Norfolk and influences of folksong and programmatic elements can be easily heard in this composer's main body of work. Moeran tended toward thesmaller ensembles in his compositions, which gave an appropriate frame for his lyric gifts.

Chamber Music & Piano Accompaniment 1 Cello 1 Piano - Grade 2

SKU: FL.FX073555

Composed by Pascal Saint-Leger. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 15 seconds. FLEX Editions #FX073555. Published by FLEX Editions (FL.FX073555).

The young musicians will love playing this piece that will find its place in an exam or a concert. - Pascal SAINT-LEGER ;

A piece that can be played from 2 years of instrument practice ; Instruments: 1 Cello 1 Piano; Difficuly Level: Grade 2.

Cello and Piano

SKU: AP.36-M385591

Arranged by Johannes Brahms and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions. Book. LudwigMasters Publications #36-M385591. Published by LudwigMasters Publications (AP.36-M385591).

ISBN 9798892704243. UPC: 659359801839. English.

Brahms famously described this piece as certainly not difficult to play, and while easier than some of his other very challenging works, it is still a quality performance piece. The SONATA NO 1 is written as a solo with more of a duet feel between the cello and piano, creating a beautiful interweaving of harmony and melody. This piece written in three movements shows Brahms' influence by Bach in it's more classical and structured style. A beautiful selection to add to any cellist's repertoire.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Cello and Piano - Grade 4.5

SKU: AP.36-52730107

Composed by Lynne Latham. Method/Instruction; Reference Textbooks; Solo Small Ensembles. Ludwig Masters. Wedding. Book. Latham Music Enterprises #36-52730107. Published by Latham Music Enterprises (AP.36-52730107).

ISBN 9781628761467. UPC: 679360706503. English.

This second volume of wedding favorites is perfect for the working cellist looking to enhance and expand their repertoire for preludes and services. Players must be comfortable with thumb position and tenor clef.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

50 Popular Classics in Easy Arrangements. Composed by Various. Arranged by Barrie Carson Turner. String. Softcover Audio Online. 56 pages. Schott Music #ED13862. Published by Schott Music (HL.49045387).