| Unbeaten Tracks (Cello
And Piano) Violoncelle, Piano [Partition] - Facile Faber Music Limited
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Unbeaten Tracks , for Cello and P...(+)
Isserlis Steven (Editor). Par ISSERLIS STEVEN. Unbeaten Tracks , for Cello and Piano, comprises eight contemporary graded pieces grades 4 and 7 in standard. These contemporary eight pieces in this volume are written in an array of musical styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire for players of intermediate level upwards. Handy Biopics collect small details about various composers giving an insight into the inspiration and mood of the music. The solo cello part is also included on a separate insert. / Niveau : Assez Facile / Date parution : 2000-08-17/ Recueil / Violoncelle et Piano
14.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur | |
| Les Filles du Forgeron Violoncelle, Piano [Partition] Bote and Bock
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who mov...(+)
Suite pour violoncelle et piano. Par LAKS SIMON. Simon Laks (1901-1983), who moved from Warsaw to Paris in 1926 at the age of 25, belonged to the large group of composers from Central and Eastern European countries who went down in 20th-century music history as the „École de Paris“. Slavic temperament amalgamated in their music with French esprit, the folklore of their native countries combined with the stylistic elements of neoclassicism and jazz typical of the time. As a member of the „Association of Young Polish Musicians“, Laks quickly made his way into French musical life. However, his career was ended with the beginning of World War 2 due to the collaboration of the Vichy government with Nazi Germany. Internment in 1941 was followed by deportation to Auschwitz in 1942. Laks survived the Shoah as a member and later leader of a camp band in Birkenau, which he testified to in his moving book Music in Auschwitz. After the traumatic experiences, Laks did not return to regular compositional activity until the 1960s, producing an opera, songs, and chamber music works, some of which were awarded important composition prizes. At the peak of this optimistic creative phase, he composed incidental music for Peretz Hirschbein's famous Yiddish comedy Dem Schmids Techter (The Blacksmith's Daughters), which premiered in New York in 1918, for a new production of the play at the Théâtre de l’Entrepôt in Paris. Along with Prokofiev's Overture on Hebrew Themes and Shostakovich's cycle From Yiddish (Jewish) Folk Poetry, it is one of the most significant 20th-century explorations of art music with Jewish folklore – homage to a culture irreparably destroyed. From the original score, Holger Groschopp compiled two suites, for violoncello and piano and piano solo, that capture the essence of Lak‘s enchanting drama music. The premiere recording of the suites with Holger Groschopp and Adele Bitter was awarded the Opus Klassik 2023 in the category Editorial Achievement of the Year. . / Date parution : 2024-01-06/ Répertoire / Violoncelle et Piano
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| Chant
Hébraïque
(CASTELNUOVO-TEDESCO
MARIO) En Français Violoncelle, Piano Leduc, Alphonse
Par CASTELNUOVO-TEDESCO MARIO.
Born into a family of bankers that had lived in ...(+)
Par CASTELNUOVO-TEDESCO MARIO.
Born into a family of bankers that had lived in Florence since the expulsion of the Jews from Spain in 1492, Mario Castelnuovo-Tedesco (1895-1968) studied under Pizzetti at the city'
s Conservatoire. He soon became one of the leading members of the young Italian school, which broke with the tyranny of bel canto to return to the instrumental tradition of the Italian masters from the Baroque era.
In 1928, Amédée-Landély Hettich, a vocal teacher in Paris, asked Castelnuovo-Tedesco to write a vocalise for the Répertoire moderne de Vocalises-E
tudes, the publication of which he was supervising at Leduc. Castelnuovo-Tedesco'
s contribution, entitled Vocalise-E
tude for Medium Voice, became so popular that it was immediately transcribed several times over.
The present adaptation for cello and piano, was created, with prior consent from the composer, by the famous Catalan cellist Gaspar Cassadó in 1930. The works opens with a poignant lamento that grieves the tragic fate of the Jewish people- it is followed by a folk dance whose '
brisk and stubborn” movement marks, with panache, an imperious refusal to yield to resignation. The composer adopted the same proactive stance himself when in 1939, fleeing Mussolini'
s antisemitic laws, he decided to emigrate to the United States, a land of refuge to which he would remain faithful until his death some thirty years later./ Répertoire / Violoncelle et Piano
14.09 EUR - vendu par LMI-partitions Délais: En Stock | |
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