Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

Violoncello & Piano (Organ) + CD Play Back / Play Along - Grade 3, Grade 4

SKU: MA.EMR-33836

Romance / Ragtime Dance / Marche Militaire / Pavane / The Trout / Winter / Apres un reve / Badinerie / Anitra's Dance / Drunken Sailor Fantasy. Composed by John G. Mortimer. Violoncello & CD Playback (Play Along). 10 Titles. Score and parts. Duration 19'58. Editions Marc Reift #EMR 33836. Published by Editions Marc Reift (MA.EMR-33836).

Possible instrumentations:

Violoncello & CD Play Back / Play Along
Violoncello & Organ (+ Play Back / Play Along CD optional)
Violoncello & Piano (+ Play Back / Play Along CD optional).

(Violoncello and Piano With Marked and Unmarked String Parts). Composed by Edward Elgar (1857-1934). Edited by Claus Kanngiesser, Rolf Koenen, and Rupert Marshall-Luck. For Cello, Piano Accompaniment. Henle Music Folios. Softcover. 8 pages. G. Henle #HN1189. Published by G. Henle

By Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. For cello and orchestra. This edition: Urtext. Solo part and piano reduction. Opus 104. Published by Baerenreiter Verlag

(Cello and Piano Meditations). Composed by Elisabeth Boyle. String ensemble. For instrumental. Recordings. Listening CD. SoundForth #278887. Published by SoundForth

SST(A)TTB vocal soli or choir, ST(A)TB voices, 2 flutes, 2 oboes, 2 violins, 2 violas, cello, piano

SKU: CA.2100700

Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. This edition: Paperbound. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Full score. 68 pages. Duration 26 minutes. Carus Verlag #CV 21.007/00. Published by Carus Verlag (CA.2100700).

ISBN 9790007142179. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751.

Piano; Violin; Cello

SKU: AP.12-0571540805

Composed by Tom Coult. Piano Trio; Trio. Score. Faber Music #12-0571540805. Published by Faber Music (AP.12-0571540805).

ISBN 9780571540808. English.

Accelerati on, deceleration, and the inconsistent nature of time are at the heart of Piano Trio The Chronophage by Tom Coult. Throughout the 17-minute work, cello and piano lines constantly speed up or slow down relative to one another, while the violin has only one role---to accelerate throughout. The listener feels clunky gear changes, as previously reliable demarcations of time seem unsteady, even unsafe. The trio's subtitle comes from The Corpus Clock in Cambridge, a clock that plays with exactly this perception. Completely accurate every five minutes, the clock lurches unevenly from second to second, the grinding mechanism driven by the terrifying metal insect escapement known as the Chronophage (from the Greek meaning of time-eater).

By Antonio Vivaldi. Edited by Hoffmann, Bettina. For Violoncello, Basso continuo. Score; Set of Parts (paperbound). RV 39-47. Published by Baerenreiter-Ausgaben (German import). ISBN M006520596.

37 Entertaining Pieces from Classical Music to Pop for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. String. Classical, Folk, Funk, Jazz, Latin, Pop, Rock, Tango. Softcover. 120 pages. Schott Music #ED23042. Published by Schott Music

(Cello Part And Piano Score)

SKU: HL.132438

Composed by E. Dunkler. PWM. Classical. Polskie Wydawnictwo Muzyczne #9230020. Published by Polskie Wydawnictwo Muzyczne (HL.132438).

UPC: 884088972721.

By Pam Wedgwood. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. Published by Faber Music

Soprano voice, cor anglais, viola, cello and piano (P/ST) - difficult

SKU: HL.49033261

Composed by Ekkehard Jost. This edition: Saddle stitching. Sheet music. Edition Schott. Score and Parts. Composed 1999. 50 pages. Duration 12'. Schott Music #ED 9740. Published by Schott Music (HL.49033261).

ISBN 9790001136679. German.

Ein Liebespaar, unter deren Gier der Boden nachgibt und deren Lust zu Treibholz wird: dies ist das Herz von Hans Thills Gedicht Paradox und stellt den ersten Moment der Inspiration fur Christian Jost dar, diesem Text musikalische Gestalt zu verleihen. Die reduzierte Sprache des Gedichts, seine surreale erotische Welt, eroffnet Raume, in denen Satze zu Romanen und einzelne Worter zu endlosen Linien werden. Kompositorisch hat dies fur Jost nicht nur die Moglichkeit geschaffen, eine Geschichte hinter der Geschichte zu erzahlen, sondern auch jedes einzelen Wort in Klange einzuschweissen, deren Richtung er bestimmt. Folgerichtig ist demnach im Text und nicht an ihm entlang komponiert worden. Was bedeutet: der ohnehin zerschnittenen Sprache wurde eine weitere Ebene hinzugefugt, indem die jeweiligen Textschwerpunkte in verschiedene Klangbilder gefasst wurden, deren Summe dann die Dramaturgie des Ganzen bestimmt hat. Dadurch haben sich grossere atmosplarische Unterschiede und Spannungen ergeben, als das sehr lyrische Gedicht vermuten liesse. So aber konnte der Komponist eine Dichte an Ausdruck und Intensitat entwickeln, die bereits im Text enthalten sind, auch wenn er sich in ein lyrisches Gewand verkleidet hat.

Composed by Reza Vali (1952-). LKM Music. Softcover. Lauren Keiser Music Publishing #X531025. Published by Lauren Keiser Music Publishing (HL.276073).

From The Barber of Seville . Composed by Gioachino Rossini (1792-1868). Edited by Gregor Piatigorsky. Arranged by Mario Castelnuovo-Tedesco. With Standard notation. Carl Fischer #B002670. Published by Carl Fischer (CF.B2670).