Composed by Dmitri Kabalevsky (1904-1987). Instrumental solo book for cello and piano accompaniment. With introductory text. G Minor. Composed 1948. 39 pages. Published by International Music Co.

Cello & piano

SKU: HH.HH286-FSP

Composed by Anton Eberl. Edited by Christopher Hogwood. Cello & Piano. This is a very interesting sonata as it bridges the gap between the cello/continuo sonatas and the ones by Beethoven. Eberl's part for violin is also included. Full score and parts. Edition HH Music Publishers #HH286-FSP. Published by Edition HH Music Publishers (HH.HH286-FSP).

ISBN 9790708092254.

A true Grand Duo for cello and piano to provide a much needed connection between the first sonatas for this combination -- by Beethoven -- and the later 19th century repertoire. Eberl's heroic style provides a masterly alternative to the over familiar works, with the balance of power between the two players scrupulously maintained throughout, and ingenious formal innovations. The Rhapsodie finale in particular, with sections in varying metres and moods, resolves in an elegant Pastorale, an entirely new format for this combination. The composer thoughtfully provided an adaptation of the cello part for violin containing many differences which will be of interest to players of both instruments; both string parts are included in this publication.

By Arnold Schoenberg. For oboe, clarinet, violin, cello and piano. This edition: SCORE. 20th Century. For oboe, clarinet, violin, cello and piano. Score. Published by Belmont-Universal Edition.

Soprano voice, flute, clarinet, saxophone, violin, cello and piano (Score & Parts)

SKU: HL.49045225

Soprano, flute, clarinet, saxophone, violin, cello and piano. Composed by Thierry Pé and cou. This edition: Saddle stitching. Sheet music. Ensemble. Softcover. Composed 2015. 44 pages. Duration 9'. Schott Music #ED22340. Published by Schott Music (HL.49045225).

ISBN 9790001129602. 9.0x12.0x0.122 inches. French.

If a chanson is combined with a birthday celebration (in this case, that of the Ensemble Utopik who commissioned this new work), this inevitably brings back scenes of childhood. For me, Adieu Madras conjures up memories of the homeland of my family, and in particular Henri and Jacqueline Salvador whose wonderful TV programmes I watched during the 1970s. It is without doubt thanks to Henri Salvadors wonderful interpretation that this old chanson from Martinique, dating from the late eighteenth century and almost a national anthem both in Martinique and Guadeloupe, has also gained such popularity in France. Thierry Pecou.

Cello and piano

SKU: BR.EB-9406

Urtext. Composed by Joachim Raff. Edited by Claus Kanngiesser. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 80 pages. Duration 27'. Breitkopf and Haertel #EB 9406. Published by Breitkopf and Haertel (BR.EB-9406).

ISBN 9790004188804. 9 x 12 inches.

Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the circumstances of its genesis and possible performances. Since Raff did not dedicate this sonata to any distinguished artist, unlike most of his other chamber works, it apparently lacked a drawing card for distribution. While Raff composed several well-known works for violin and piano, the present cello sonata is one of his few outstanding works for cello and piano. Incidentally, in the first edition, the score is headed for piano and cello, as was quite often the case in the 19th century, for instance also with Brahms's sonatas. This is also evident in the music: Cello and piano are equal partners that develop the musical material and are challenged both technically and artistically. This current edition contains an Urtext cello part as well as a part with markings by Claus Kanngiesser. In collaboration with the Joachim-Raff-Archiv Lachen (CH)

With a preface by Severin Kolb. Contains 2 cello parts.

Cello (cello part and piano score)

SKU: HL.48180232

Composed by Luigi Boccherini. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL16769. Published by Alphonse Leduc (HL.48180232).

UPC: 888680795016. 9.0x12.0x0.04 inches.

As a prestigious composer of the late 18th century, Luigi Boccherini's (1743-1805) Rondo, transcribed for the cello by Paul Bazelaire, contains many features which continue to make the composer's music popular and loved to this day. Known for his courtly, gallant style, Rondo, originally composed for violin and harpsichord, clearly exemplifies these qualities through the 2/4 time signature, flourishing cello lines and evocative, chordal and rhythmic Piano accompaniment. Moreover, syncopation rhythms and ornamentation heard throughout the piece create further excitement. All of these musical elements combine to create a highly enjoyable piece for the cello repertoire. In addition, the clear print of separate cello and piano parts in this edition of Rondo add to this irresistable purchase for budding cellists.

Violin, Viola, Cello and Piano

SKU: HL.14029171

Composed by Gerard Schurmann. Music Sales America. 20th Century. Set. Music Sales #NOV120877. Published by Music Sales (HL.14029171).

ISBN 9781844492718.

This work was commissioned by the Arizona Friends of Chamber Music for their 50th Music season, and 5th Tucson Winter Chamber Music Festival. The first performance was given by the Los Angeles Piano Quartet in Tucson, Arizona in March 1998.

Violin 1 (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-15

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Part. 12 pages. Duration 23'. Breitkopf and Haertel #OB 5283-15. Published by Breitkopf and Haertel (BR.OB-5283-15).

ISBN 9790004332832. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.

Violin 2 (solo: vc - 2.2.2.2 - 2.2.0.0 - timp - str)

SKU: BR.OB-5283-16

Urtext. Composed by Robert Schumann. Edited by Joachim Draheim. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). A key work of the romantic concerto repertoirePiano reduction annotated by Robert Schumann. Solo concerto; Romantic. Part. 12 pages. Duration 23'. Breitkopf and Haertel #OB 5283-16. Published by Breitkopf and Haertel (BR.OB-5283-16).

ISBN 9790004332849. 10 x 12.5 inches.

Robert Schumann's Violoncello Concerto op. 129 can be regarded as the first great concerto for this instrument's repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Dusseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann's Cello Concerto finally made its breakthrough as a repertoire piece. The Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison. The internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. With his comments, Schiff also provides valuable tips on the interpretation of the work.

A key work of the romantic concerto repertoireThe piano reduction by Robert Schumann contains the unsigned solo part as well as the solo part arranged and annotated by Heinrich Schiff.