Par WEILL KURT. 10 songs from three of Kurt Weill's most famous stage works are presented here in easy arrangements for cello and piano. Players of any age will relish the chance to play these famous tunes. The CD provides invaluable listening material and an alternative accompaniment in the absence of a pianist. Includes: The Ballad of Mack the Knife, Polly's Song (The Threepenny Opera) Alabama Song, Jenny's Song (Rise and Fall of the City of Mahagonny) Don't be Afraid, The Liquor Dealer's Dream (Happy End )… and more./ Recueil / Violoncelle et Piano

Arrangement: Legg Pat. Par LEGG PAT. Le monde glamour de la comédie musicale a un appel unique et irrésistible. Dans ce volume 10 grands succès de Broadway et West End de Londres sont classés ici pour violon et piano. Ces chansons connues par les mondes plus beaux montrent écrivains offrent une excellente occasion pour les jeunes musiciens de modeste capacité à jouer les classiques populaires à un stade relativement précoce. Parfait comme charges de concert ou juste pour le plaisir ! / Date parution : 1998-09-17/ Recueil / Violoncelle et Piano

Original Version - Edition for Cello and Piano. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer’s manuscript held in the Biblioteka Jagiellonska in Kraków. This Full Score matches the separately available edition for Cello and Piano (EP 73488). Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann’s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Cello and piano edition available separately from Edition Peters: orchestral parts available for rental Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann’s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann’s original conception of the work – not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann’s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiellonska in Kraków, to reveal Schumann’s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann’s original conception of the work as a Concertstück and restores Schumann’s musical text, free of posthumous interventions. ‘My ultimate wish,’ says the editor, ‘is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character – one that is lighter and happier, even “cheerful”, as Schumann himself described the work.'/ Répertoire / Violoncelle et Piano

This volume from the popular 'Cellissimo' series contains 37 popular recital pieces from classical to pop music. It is suitable for lessons, performances and competitions. As there is little literature for the cello in jazz and pop style, this volume has a special focus on modern styles such as blues, jazz, pop, rock, funk, folk, Latin, or tango. The selection motivates and introduces to playing techniques of pop music (slide, hard chop etc). Many pieces can be played in the 1st - 4th position, while some also use harmonics or the 5th - 7th position. Entertaining music has existed at all times, so the volume also contains arrangements of popular classics: 'Eine kleine Nachtmusik' by Mozart, 'An der schönen blauen Donau' by Johann Strauß, 'Pomp and Circumstance' by Edward Elgar, or 'The Entertainer' by Scott Joplin. The motivational package for cello lessons!/ Recueil / Violoncelle et Piano

Compositeur : Beethoven, Ludwig van
Instrumentation : Violoncello and Piano
Editeur Musicologique : Zimmermann, Ewald
Couverture Reliée
Contenu :
12 Variations on Ein Mädchen oder Weibchen from Mozart's Zauberflöte F major op. 66
12 Variations on a theme from Händel's Oratorio Judas Maccabäus G major WoO 45
7 Variations on Bei Männern, welche Liebe fühlen from Mozart's Zauberflöte E flat major WoO 46

In the Summer of 2008, the long-awaited Indiana Jones And The Kingdon Of The Crystal Skull hit our cinemas. Filled with the intrigue and drama characteristic of all the classic Indiana Jones films, Harrison Ford once again reprised his role as our adventerous hero. This book includes selections from that film arranged for cello with a fully orchestrated CD accompaniment as well as a piano accompaniment part. The book contains a carefully edited part that is appropriate for the intermediate level player. The CD includes a demo track, which features a live instrumental performance, followed by the play-along track itself. Also included are eight pages of colour photographs from the movie.Raider's March; Marion's Theme; The Adventures Of Mutt; Irina's Theme; The Journey To Akator.

A New Tune A Day propose la même logique, le rythme doux et attention aux détails qui ont fait les éditions précédentes afin énormement populaire et réussie. Effacer des schémas explicatifs et de photographies vous guider à travers les leçons et de réaliser le meilleur dans le ton, la technique et la posture. La sélection de la musique est fraîche et passionnante, y compris des duos et des tours d'inspirer les étudiants et s'assurer que ces heures de pratique vitale ne sont jamais ennuyeux! / Violoncelle

16 leichte Popstücke in der 1. - 4. Lage. Par KOEPPEN GABRIEL. An absolute must for modern cello lessons: Hot Cello is a varied mixture of pieces from pop, rock, blues and jazz music. Volume 1 is very easy and limited to the first position. Students are gradually introduced to technical and musical problems. The second part is intended for the teacher or advanced students. The pieces in Volume 2 are musically and technically more demanding and assume an ability to play in 1st-4th position. All pieces are included on the accompanying mp3 pack. / Date parution : 2023-10-31/ Répertoire / Violoncelle et Piano