By John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Cell...(+)
By John Williams,
arranged by Bill
Galliford, Ethan Neuburg,
Tod Edmondson. Cello solo
book and accompaniment CD
for cello solo and piano
accompaniment. 72 pages.
Published by Alfred
Publishing.
Composed by Ralph Vaughan Williams (1872-1958). Instrumental Solo, Bestseller. 2...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Instrumental Solo,
Bestseller. 20th Century
and British. Score and
set of solo parts. Galaxy
Music Corporation
#1.5124. Published by
Galaxy Music Corporation
For Cello and Piano with Recorded Accompaniments. Composed by John Williams. ...(+)
For Cello and Piano with
Recorded Accompaniments.
Composed by John
Williams.
For Classical Players.
Classical, Movies.
Softcover
Audio Online. 72 pages.
Published by Hal Leonard
Violoncelle, Piano - Avancé IMC (International Music Co.)
Composed by William Henry Squire (1871-1963), edited by Pierre Fournier. Instrum...(+)
Composed by William Henry
Squire (1871-1963),
edited by Pierre
Fournier. Instrumental
solo book for cello and
piano. With standard
notation and piano
accompaniment. D Minor.
11 pages. Published by
International Music Co.
Composed by William Henry Squire (1871-1963). Set of performance parts for cello...(+)
Composed by William Henry
Squire (1871-1963). Set
of performance parts for
cello and piano. With
bowings and fingerings.
10 pages. Published by
Carl Fischer.
Composed by William Henry Squire (1871-1963). Set of performance parts for cello...(+)
Composed by William Henry
Squire (1871-1963). Set
of performance parts for
cello and piano. With
bowings and fingerings.
13 pages. Published by
Carl Fischer.
Elegy for Cello and Orchestra. (Cello with Piano Reduction). By John Williams. F...(+)
Elegy for Cello and
Orchestra. (Cello with
Piano Reduction). By John
Williams. For Cello,
Piano Accompaniment. John
Williams Signature
Edition - Strings. 8
pages. Published by Hal
Leonard
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.48024773 Cell...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.48024773
Cello
and Piano. Composed
by Harrison Birtwistle.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. 76 pages.
Boosey & Hawkes
#M060136283. Published by
Boosey & Hawkes
(HL.48024773).
ISBN
9781540063755. UPC:
888680964122. 9.0x12.0
inches.
Lied ohne
Worte was commissioned by
the Ruhr Piano Festival
for Alfred Brendel's 75th
birthday. First performed
(as Lied) on 9 August
2006 with Adrian Brendel
and Till Fellner,
Wuppertal, Historische
Stadthalle, Germany.
Variationen was
commissioned by Adrian
Brendel. First performed
by Adrian Brendel and
Till Fellner on 14
October 2007, Wigmore
Hall, London. Bogenstrich
was commissioned by
Winery Alois Lageder and
Cheltenham Music
Festival. World premiere
of complete cycle on 22
May 2009 with Roderick
Williams (baritone),
Adrian Brendel (cello),
Till Fellner (piano),
Margreid, Alto Adige,
Italy.
Music by John Williams. For cello solo and piano accompaniment. Includes instrum...(+)
Music by John Williams.
For cello solo and piano
accompaniment. Includes
instrumental solo book
and accompaniment CD.
With solo part, standard
notation, bowings, piano
accompaniment and black
and white photos. Movies.
66 pages. Published by
Alfred Publishing.
Cello and Piano SKU: HL.50563904 Cello and Piano. Composed by Adri...(+)
Cello and Piano
SKU:
HL.50563904
Cello
and Piano. Composed
by Adrian Williams.
Editions Durand.
Classical. Score Only.
Composed 2001. Editions
Durand #ME0906000.
Published by Editions
Durand (HL.50563904).
Composed by Ralph Vaughan Williams (1872-1958). Edited by Julian Lloyd Webber. F...(+)
Composed by Ralph Vaughan
Williams (1872-1958).
Edited by Julian Lloyd
Webber. For solo cello
and orchestra. Level A-B
(very easy to easy).
Cello part and piano
reduction. 36 pages.
Duration 15 minutes.
Published by Oxford
University Press
Music from All Nine Films. Composed by John Williams. Instrumental Play-Along....(+)
Music from All Nine
Films.
Composed by John
Williams.
Instrumental Play-Along.
Disney, Movies. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
Cello Concerto Violoncelle, Piano [Reduction] Oxford University Press
By William Walton (1902-1983). For Cello and piano. William Walton Edition. Piec...(+)
By William Walton
(1902-1983). For Cello
and piano. William Walton
Edition. Pieces and
Studies. Cello and piano
reduction. 68 pages.
Duration 27'. Published
by Oxford University
Press
Salut D'amour-vc/pn Violoncelle, Piano - Intermédiaire EMB (Editio Musica Budapest)
Violoncello and Piano - Grade 3 SKU: HL.50510867 MM-25. By Arpad P...(+)
Violoncello and Piano -
Grade 3
SKU:
HL.50510867
MM-25. By Arpad
Pejtsik. By William
Edward Elgar. Arranged by
Fitzenhagen Pejtsik. 20th
Century. EMB. Book Only.
Op. 12. Editio Musica
Budapest #Z13884.
Published by Editio
Musica Budapest
(HL.50510867).
ISBN
9790080138847. UPC:
073999348422. Bach (23 x
30,2 cm) inches. William
Edward Elgar; Arpad
Pejtsik.
The series
Moments Musicaux contains
popular and well-known
short masterpieces and
transcriptions. An
admitted aim of the
publisher was to release
high-standard editions of
these popular pieces for
a moderate price. Each
piece of the series may
be performed on
violoncello solo with
piano accompaniment.
Cello and piano - Medium-easy / medium-easy acc. SKU: JK.09178 Composed b...(+)
Cello and piano -
Medium-easy / medium-easy
acc.
SKU: JK.09178
Composed by William J.
Kirkpatrick. Arranged by
Joseph Hoffman.
Difficulty Easy Medium,
Instrumental Cello,
Seasonal Music Christmas,
Christmas. Christian,
Inspirational. Duration
2:45. Jackman Music
Corporation #09178.
Published by Jackman
Music Corporation
(JK.09178).
Luke 2:7,
Luke
18:15-17.
Christmas
carol arranged for cello
and piano accompaniment,
moving arpeggios tie
beautifully to the simple
melody and spirit of the
carol. Composer:
William J.
Kirkpatrick Arranger:
Joseph Hoffman
Difficulty: Medium-easy /
medium-easy acc.
Performance time:
2:45 References: Luke
2:7, Luke 18:15-17.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still†provide
the perfect bookendsfor
two larger sections of
the poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,â€
are overlapped as
different layers of
voices enterand sustain.
A fifth and sixth voice,
the cello and
pianoaccompaniment take
part in these layers as
well.The words “be
still†are very
much a part of the
moodeach time as the
everlasting voices become
quietand still.The two
verses feature different
voices within the
SSAAchoir. Verse 1, the
sopranos, and verse 2 the
altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival
women’s
chorus.
Decalage Violoncelle, Piano [Reduction] Theodore Presser Co.
For Violoncello and Piano. By William Bolcom. For Cello, Piano. This edition: sc...(+)
For Violoncello and
Piano. By William Bolcom.
For Cello, Piano. This
edition: score and part.
Classical. Solo part with
piano reduction. Composed
1962. 16 pages. Duration
9:00. Published by
Theodore Presser Company.