Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Arrangement for Violoncello and Piano by the Composer. By Edward Elgar. Edited b...(+)
Arrangement for
Violoncello and Piano by
the Composer. By Edward
Elgar. Edited by Jonathan
Del Mar. For Cello Solo,
piano. Piano
Reduction/Vocal Score;
Urtext Edition. Op. 85.
Duration 25'. Published
by Baerenreiter-Ausgaben
(German import). (BA9040
90)
For cello (bass), piano. Instrumental collections, Play along. Instrumental, Pla...(+)
For cello (bass), piano.
Instrumental collections,
Play along. Instrumental,
Play along. Intermediate.
Book and accompaniment
CD. Published by
SoundForth . book and
accompaniment CD.
Instrumental, Play along.
Soprano voice, flute, clarinet, saxophone, violin, cello and piano (Score & Part...(+)
Soprano voice, flute,
clarinet, saxophone,
violin, cello and piano
(Score & Parts)
SKU:
HL.49045225
Soprano, flute,
clarinet, saxophone,
violin, cello and
piano. Composed by
Thierry Pé and cou.
This edition: Saddle
stitching. Sheet music.
Ensemble. Softcover.
Composed 2015. 44 pages.
Duration 9'. Schott Music
#ED22340. Published by
Schott Music
(HL.49045225).
ISBN
9790001129602.
9.0x12.0x0.122 inches.
French.
If a
chanson is combined with
a birthday celebration
(in this case, that of
the Ensemble Utopik who
commissioned this new
work), this inevitably
brings back scenes of
childhood. For me, Adieu
Madras conjures up
memories of the homeland
of my family, and in
particular Henri and
Jacqueline Salvador whose
wonderful TV programmes I
watched during the 1970s.
It is without doubt
thanks to Henri Salvadors
wonderful interpretation
that this old chanson
from Martinique, dating
from the late eighteenth
century and almost a
national anthem both in
Martinique and
Guadeloupe, has also
gained such popularity in
France. Thierry
Pecou.
Cello and piano SKU: BR.EB-32083 Urtext. Composed by Camillo Schum...(+)
Cello and piano
SKU:
BR.EB-32083
Urtext. Composed
by Camillo Schumann.
Edited by Maria Kliegel.
Solo instruments;
stapled. Edition
Breitkopf.
With
supplementary violoncello
part marked by Maria
Kliegel
Sonata;
Late-romantic. Score. 108
pages. Breitkopf and
Haertel #EB 32083.
Published by Breitkopf
and Haertel
(BR.EB-32083).
ISBN
9790004186299. 9 x 12
inches.
There are
many composers about whom
it is believed, today,
that they composed
conservatively, or
against the taste of
their time. The question
is also raised, today,
which extract of this
large amount of effective
and high-quality music,
unknown for the most
part, should receive our
attention; which of it is
worth rediscovering or
re-editing. Camillo
Schumann is one of the
most important
representatives of these
composers, but his works
are still largely unknown
today. He was born on 10
March 1872 in Konigstein,
Saxony. His musical
language combines the
sound world of Brahms
with the grand,
late-romantic Liszt
School. He wrote piano
parts of incredible power
and virtuosity,
approaching the sounds of
Rachmaninoff. His
wonderfully individual
melodic language makes
these works a valuable
testimony to a composer
who never had his due
recognition. The cello
sonatas Opp. 59 (EB
32082) and 99 (EB 32083)
are the first of three
works for this
combination. Op. 59 was
composed around 1905/06,
Op. 99 followed in 1932.
Nothing is known so far
of the circumstances of
the composition of this
work, including for whom
it was composed. However,
it is quite evident that
Schumann wrote it, like
most of his works,
primarily for his own
concerts and befriended
musicians. The extensive
entries in the piano part
bear witness to a
considerably practical
approach. Crossed-out
bars, notes added or
crossed out in chords as
well as a number of
revisions of other kinds
are more the rule than
the exception. The
composer's own fingerings
written in the piano part
also underline this
assumption. The present
edition contains two
solo-parts each. One
clean Urtext-part free of
any additions from the
editor and a second one
with bowing marks and
fingerings by Maria
Kliegel who recorded both
sonatas for the first
time with the label
Naxos. Both sonatas show
evident resemblance to
the works of this
combination by Johannes
Brahms and are therefore
a must have for ambitious
cellists.
With
supplementary violoncello
part marked by Maria
Kliegel.
Play Gershwin for Cello by George Gershwin (1898-1937). Arranged by Alan Gout. F...(+)
Play Gershwin for Cello
by George Gershwin
(1898-1937). Arranged by
Alan Gout. For Cello and
Piano. Book; Masterworks;
String - Cello Studies or
Collection. Faber
Edition. 20th Century;
Masterwork Arrangement.
Published by Faber Music
Cello; Piano Accompaniment (Score and Solo Part) SKU: HL.50600437 Drei...(+)
Cello; Piano
Accompaniment (Score and
Solo Part)
SKU:
HL.50600437
Drei
mal vier. Composed by
Krzysztof Meyer. String.
Classical, Contemporary.
Softcover. 28 pages.
Sikorski #SIK1495.
Published by Sikorski
(HL.50600437).
8.0x11.75
inches.
For cello
and piano. “This
work was the result of a
collaboration with my
wonderful friend, the
outstanding cellist
Julius Berger. Several
years ago, his
exceptional
interpretation of my
Concerto for violin and
violoncello impressed me
deeply. Later, when he
played my 2nd Sonata for
violoncello solo, a work
written for him, my
enthusiasm became even
greater. In my new piece,
composed on the occasion
of his 60th birthday, I
intended to write kind of
music in which not only
virtuosity but also a
beautiful sound should
stand at the forefront.
Above all, however, I
wanted to please Julius
with it and also give
enjoyment to the
audience. The title
'three times four'
describes the basic idea
of the work: three
musical characters are
varied in four different
respective forms. Or put
the other way round: four
characteristic sound
designs appear in three
different shapes. It is
difficult to say more
about the piece than
that. My ideal is music
that is sufficient unto
itself, a kind of music
that requires no
commentary - that itself
says so much that all
commentary becomes
superfluous.â€
(Krzysztof Meyer).
Violoncello & Piano or CD Play Back / Play Along - Grade 2 SKU: MA.EMR-49901<...(+)
Violoncello & Piano or CD
Play Back / Play Along -
Grade 2
SKU:
MA.EMR-49901
Composed
by Bertrand Moren.
Violoncello & CD Playback
(Play Along). Score and
parts. Duration 19'31.
Editions Marc Reift #EMR
49901. Published by
Editions Marc Reift
(MA.EMR-49901).
1. Once Upon A
Time In A Wonderful
Kingdom / 2. Celtic
Variations / 3. Caribbean
Adventure / 4. Ancient
Dances / 5. A Fairy
Tale.
Violoncello & Piano or CD Playback / Play Along - Grade 2+ SKU: MA.EMR-63194<...(+)
Violoncello & Piano or CD
Playback / Play Along -
Grade 2+
SKU:
MA.EMR-63194
Composed
by Gilles Remy and Rene
Willener. Arranged by
Jirka Kadlec. Score and
parts. Duration 34'21.
Editions Marc Reift #EMR
63194. Published by
Editions Marc Reift
(MA.EMR-63194).
1. Hello
Christmas 2. Divine
Christmas 3. Sweet
Christmas Night 4. Jingle
Bells 5. The Snow Angels
6. The Three Little
Reindeer 7. Silver Bells
8. My Beautiful Christmas
9. Noel en Caleche 10.
White Xmas 11. Wonderful
Christmas 12. Peaceful
Christmas.
Cello SKU: HL.49047032 Cello and Piano. Composed by Johann Friedri...(+)
Cello
SKU:
HL.49047032
Cello
and Piano. Composed
by Johann Friedrich
Justus Dotzauer. Edited
by Tobias Bonz. String
Method. Classical, Etude.
Softcover. 76 pages.
Schott Music #ED23573.
Published by Schott Music
(HL.49047032).
UPC:
196288108702.
Dotza
uer etudes have been part
of the standard
repertoire in cello
lessons for generations.
Friedrich Dotzauer
(1783-1860) was amongthe
major cellists and cello
pedagogues of the 19th
century and knew what
makes a good etude: it
should deal specifically
with a certain technical
problem and at the same
time not be monotonous,
but musically appealing.
The cellist of the
Leipzig Gewandhaus and
the Dresden Hofkapelle
managed to do that in an
exemplary manner. 24
Caprici in tutti tuoni
Op. 35 (1816) is
Dotzauer's
masterpiece,wonderfully
showing off the varied
tone colours and playing
techniques of the
violoncello. Demanding
etudes for lessons and
performances, with
beautiful melodic and
harmonic ideas, some with
slow expressive
introductions, some with
artistic arpeggios or
contrapuntal polyphony.
Our new edition follows
the original sources and
contains the original
text.