Cello and piano SKU: BR.EB-32072 Urtext. Composed by Eduard Franck...(+)
Cello and piano
SKU:
BR.EB-32072
Urtext. Composed
by Eduard Franck. Solo
instruments; stapled.
Edition Breitkopf.
For Sonata No.
1 in D major Op. 6 please
click he
re.
Sonata;
Romantic. Score. 60
pages. Breitkopf and
Haertel #EB 32072.
Published by Breitkopf
and Haertel
(BR.EB-32072).
ISBN
9790004186619. 9 x 12
inches.
Eduard
Franck's two Violoncello
Sonatas opp. 6 and 42
were published in 1843
and 1882, respectively,
thus, almost 40 years
apart. Although no
authentic manuscripts
sources are extant, the
sonatas were likely
composed fairly close to
the years of their
publication. That for
decades Eduard Franck was
reluctant to publish some
of his works is well
known; this then led him,
only a few years before
his death, to pour out a
cornucopia of new
compositions, some of
them composed decades
earlier. With this new
edition of the two
sonatas we are offering
an important addition to
the field of romantic
cello sonatas.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Piano Trio SKU: HL.48186475 Composed by Gaussin Allain. Leduc. 80 pages. ...(+)
Piano Trio
SKU:
HL.48186475
Composed
by Gaussin Allain. Leduc.
80 pages. Alphonse Leduc
#AL30735. Published by
Alphonse Leduc
(HL.48186475).
UPC:
888680828189. 9.5x12
inches.
“Alla
in Gaussin: Les
céphéides,
trio for violin, cello
and piano - AL 30 735 For
more than forty years,
Allain Gaussin,
fascinated by
astrophysics, has found a
major source of
inspiration in observing
the cosmos, as attest a
number of works going
from Vent solaire (1974)
to Philae (2015), by way
of L'Harmonie des
sphères (2006).
Ten years later, the
'Messiaen du Pays de la
Meije' Festival hosted
the first performance of
the piano trio Les
Céphéides.
The musical journey
enables the listener to
enter a space 'just as
impalpable and fragile'
as that in which moves
each Cepheid variable '
this star whose
brightness varies over
regular periods according
to two elements: the
diameter of the heavenly
body and the temperature
reading of its
surface.
12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
12 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
16/23/21 pages pages.
Published by Baerenreiter
Verlag
Cello and Piano SKU: BT.EMBZ2990 Für Violoncello (Viola) und Klavie...(+)
Cello and Piano
SKU:
BT.EMBZ2990
Für
Violoncello (Viola) und
Klavier. Composed by
Ferenc Farkas. Book Only.
Composed 1960. 6 pages.
Editio Musica Budapest
#EMBZ2990. Published by
Editio Musica Budapest
(BT.EMBZ2990).
Arioso for
cello and piano by Ferenc
Farkas (1905-2000) is one
of the composer s
earliest-known
compositions. He wrote
the piece in 1926 during
his student years,
although it was
originally intended to be
the slow movement of a
viola sonata which was
never published. Only
later did Farkas rework
it as a stand-alone work
for cello. The
composition, like
Kodály's Adagio which
was published 20 years
prior and also written
for cello, focuses on the
singing melody of the
string instrument while
simultaneously showing
Farkas creative
preference for
Mediterranean colors and
Latin proportion.
Cello & Piano 1 Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14636 By Arpad Pejtsik. ABRSM Cello Exam Piec...(+)
Cello and Piano
SKU:
BT.EMBZ14636
By Arpad
Pejtsik. ABRSM Cello Exam
Pieces 2016-2019.
Educational Tool. Book
and Part(s). Composed
2008. 144 pages. Editio
Musica Budapest
#EMBZ14636. Published by
Editio Musica Budapest
(BT.EMBZ14636).
ABRSM Syllabus
title - Grades 5, 6, 8The
two volumes contain a
selection from 200 years
of music. Eight Baroque
sonatas are included,
apart from the famous D
minor one by Corelli
there are some that are
appearing in a modern
edition for the first
time in 300 years. In
addition to cyclical
works (Haydn: Sonatina,
Mozart: Divertimento,
Vivaldi: Concerto) and
sets of variations
(Beethoven, Tartini)
there are many shorter
pieces as well, not only
the famous minuets by
Boccherini, Mozart and
Beethoven but also works
published for the first
time here. Virtuoso
pieces are represented by
Goltermann s
Etude-caprice and
Jenkinson s Dance of the
sylphids, the lighter
kind includeJoplin s
Ragtime. This colourful,
ample selection provides
a good basis for a
music-lover s library.
ABRSM Cello Syllabus
title - Grade 5, 6, 8.
Die zwei Bände
präsentieren eine
Auswahl an Musik aus
zweihundert Jahren. Sie
beinhalten acht
Barocksonaten, neben der
berühmten Corelli in
d-Moll auch solche, die
nach 300 Jahren erst
jetzt in einer modernen
Ausgabe erscheinen. Es
kommen neben zyklischen
(Haydn: Sonatine, Mozart:
Divertimento, Vivaldi:
Concerto) und
Variationswerken
(Beethoven, Tartini),
auch mehrere kleinere
Stücke wie die
berühmten Mozart-,
Boccherini- und
Beethoven-Menuette sowie
solche vor, die hier das
erste Mal erscheinen. Die
virtuosen Stücke
werden durch Goltermanns
Etüde-Caprice und
Jenkinsons Tanz der
Sylphiden, die leichtere
Gattungen von Joplins
Ragtime vertreten. Die
reichhaltige, bunte
Auswahlkann für
Musikliebhaber zur
Grundlage einer
Notensammlung werden.
18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited b...(+)
18 Recital Pieces in
First
Position for Cello and
Piano
or Two Celli. Edited by
Christoph Sassmannshaus /
Melissa Lusk. Stapled.
Baerenreiter's
Sassmannshaus.
Performance score, parts.
22/24/17 pages pages.
Published by Baerenreiter
Verlag
Red Sombrero Violoncelle, Piano - Intermédiaire De Haske Publications
Cello and Piano - intermediate SKU: BT.DHP-1175829-401 Composed by Pascal...(+)
Cello and Piano -
intermediate
SKU:
BT.DHP-1175829-401
Composed by Pascal
Proust. De Haske String
Series. Book and Part(s).
Composed 2017. 12 pages.
De Haske Publications
#DHP 1175829-401.
Published by De Haske
Publications
(BT.DHP-1175829-401).
ISBN 9789043153034.
English-German-French-Dut
ch.
To the beat of
the Habanera rhythm, our
young cellists will
travel to the land of
multi-coloured hats.
Composer Pascal Proust
has many years of
experience as a musician
and music teacher. His
work includes several
hundred compositions for
the most diverse
instrumentations. He
wrote Red Sombrero
for cellists with an
ability of approximately
3 4 years’
experience. He paid
special attention to an
easy-to-follow,
attractive musical style.
Red Sombrero is an
ideal performance or
competition work for
young
musicians.
Op het
ritme van de Habanera,
reizen onze jonge
cellisten naar het land
van de kleurrijke
hoeden. De componist
Pascal Proust kan bogen
op een jarenlange
ervaring als muzikant en
muziekdocent. Zijn oeuvre
omvat honderden
composities voor de meest
diverse instrumentaties.
Hij schreef Red
Sombrero voor
cellisten die ongeveer
drie tot vier jaar les
hebben gehad, waarbij hij
speciaal aandacht heeft
besteed aan een makkelijk
te volgen, aantrekkelijke
muziekstijl. Daardoor is
Red Sombrero een
ideaal voordrachts- of
wedstrijdstuk voor jonge
muzikanten.
In
einem Habanera-Rhythmus
unternehmen die jungen
Cellisten eine Reise ins
Land der bunten
Hüte. Der
Komponist Pascal Proust
kann aus seiner
langjährigen Erfahrung
als Musiker und
Musikpädagoge
schöpfen, sein Oeuvre
umfasst mehrere hundert
Kompositionen für
verschiedenste
Besetzungen. Er schrieb
Red Sombrero
für Cellisten mit
ungefähr 3 4 Jahren
Unterrichtserfahrung und
legte besonderes
Augenmerk auf einen
leicht verständlichen,
attraktiven musikalischen
Stil. Dadurch eignet sich
Red Sombrero ideal
als Vortrags- und
Wettbewerbsstück
für junge
Musiker.
Autumn Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano (VIOLONCELLO) SKU: HL.50511723 Composed by Gabor Lisznyay...(+)
Cello and Piano
(VIOLONCELLO)
SKU:
HL.50511723
Composed
by Gabor Lisznyay. EMB.
Pedagogical performance
pieces. Book [Softcover].
8 pages. Editio Musica
Budapest #Z2525.
Published by Editio
Musica Budapest
(HL.50511723).
ISBN
9790080025253. UPC:
884088402907.
8.25x11.75x0.052 inches.
Hungarian,
English.
ABRSM
Cello Syllabus title -
Grade 7.Gabor Lisznyay
Szabo (1913-1981) was a
pupil of Ernst von
Dohnanyi at the Music
Academy in Budapest and
he later worked for
decades as an organist.
The years he spent
studying in Belgium left
a significant mark on his
composition style. His
work entitled Autumn also
captures the French
essence: the cello's
flowing melody is
reminiscent of the
noblest chansons and
filled with emotion, and
as such it is akin to the
Adagio that Zoltan Kodaly
wrote for cello during
his younger years as a
composer.
Cello and Piano SKU: BT.EMBZ2525 Composed by Gabor Lisznyay. Educational ...(+)
Cello and Piano
SKU:
BT.EMBZ2525
Composed
by Gabor Lisznyay.
Educational Tool. Book
Only. Composed 1958. 8
pages. Editio Musica
Budapest #EMBZ2525.
Published by Editio
Musica Budapest
(BT.EMBZ2525).
English-Hungarian.
ABRSM Cello Syllabus
title - Grade 7.Gábor
Lisznyay Szabó
(1913-1981) was a pupil
of Ernst von Dohnányi
at the Music Academy in
Budapest and he later
worked for decades as an
organist. The years he
spent studying in Belgium
left a significant mark
on his composition style.
His work entitled Autumn
also captures the French
essence: the cello's
flowing melody is
reminiscent of the
noblest chansons and
filled with emotion, and
as such it is akin to the
Adagio that Zoltán
Kodály wrote for cello
during his younger years
as a composer.
Cello and Piano SKU: BT.EMBZ14832 Composed by Nicola Porpora. Educational...(+)
Cello and Piano
SKU:
BT.EMBZ14832
Composed
by Nicola Porpora.
Educational Tool. Book
Only. Composed 2012. 48
pages. Editio Musica
Budapest #EMBZ14832.
Published by Editio
Musica Budapest
(BT.EMBZ14832).
The source of
this publication was
issued in London in 1745
by John Walsh Jr. Walsh s
publication contains six
four-movement works,
originally written for
violin, solo cello, a
keyboard instrument and a
second cello to reinforce
the bass of the latter,
but the role of the
violin is insignificant,
so these works can be
regarded as pieces for
cello. Of the six works,
the arranger of the
volume was publishing the
three most suitable ones
to that as cello
concertos the piano part
incorporates both the
violin interludes and the
continuo. In the cello
part higher positions do
occur, but they do not
necessarily require use
of the thumb they are
playable after 4-5 years
intensivestudy of the
instrument.
Die
1745 in London
veröffentlichten
Stücke waren
ursprünglich für
Geige, Solo-Cello, ein
Tasteninstrument und ein
zweites Cello
geschrieben. Die Rolle
der Geige war jedoch so
unwesentlich, dass es
sich im Grunde um
Cellowerke handelt. Von
den ursprünglich sechs
Werken hat der Arrangeur
die drei geeignetsten
ausgewählt, wobei die
Klavierstimme die Geigen-
und die Continuostimme in
sich vereint. Die
Cellopassagen sind für
fortgeschrittene Spieler
geeignet.
Score & Parts Cello SKU: HL.51481132 For Violoncello and Piano. Co...(+)
Score & Parts Cello
SKU: HL.51481132
For Violoncello and
Piano. Composed by
Jean-Louis Duport. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 42 pages. G.
Henle #HN1132. Published
by G. Henle
(HL.51481132).
UPC:
840126989656.
9.0x12.0x0.35
inches.
“More
than 20 years ago I was
called upon by friends,
artists, and aficionados
to write about fingerings
for the
violoncello,â€
then-famous Berlin
cellist Jean-Louis Duport
thus opens his
“Essai†from
1806, dedicated to
“Professeurs de
Violoncelle.†His
methodology
revolutionized cello
technique, and the 21
etudes printed in its
appendix are still
regarded today as perhaps
the most important set of
studies for all budding
cellists. Modelled after
the volumes of etudes for
violin, Henle is also
issuing the Urtext here,
together with all
original fingerings and
bowings, while also
offering alternatives by
the famous cellist and
teacher Wolfgang Emanuel
Schmidt. This edition
also offers a second
cello part provided by
Duport for
accompaniment.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
6 Easy Concert Pieces. Composed by Arnold Trowell. Edited by Beverley Ellis. ...(+)
6 Easy Concert Pieces.
Composed by Arnold
Trowell.
Edited by Beverley Ellis.
This edition: Saddle
stitching. Sheet music.
Schott Student Edition. 6
leichte Stucke fur
Violoncello und Klavier.
Classical. Softcover. Op.
4/7-12. 40 pages. Schott
Music #SE 1050. Published
by
Schott Music
(Easy Piano Arrangements with Optional Cello Parts). By The Piano Guys. For ...(+)
(Easy Piano Arrangements
with
Optional Cello Parts). By
The
Piano Guys. For Cello,
Piano/Keyboard. Easy
Piano
Personality. Softcover.
106
pages. Published by Hal
Leonard
Set of Parts Cello; Chamber Music; Piano Accompaniment; Violin (Ensemble) SKU...(+)
Set of Parts Cello;
Chamber Music; Piano
Accompaniment; Violin
(Ensemble)
SKU:
HL.51481532
Set of
Parts for Violin, Cello
and Piano. Composed
by Felix Bartholdy
Mendelssohn. Henle Music
Folios. Classical.
Softcover. G. Henle
#HN1532. Published by G.
Henle (HL.51481532).
UPC: 840126989298.
9.25x12.25x0.357
inches.
After the
great success of his
first Piano Trio in d
minor op. 49, some five
years passed before
Mendelssohn set to work
on a new composition for
this formation. But then
the c-minor Trio came
into being in a
relatively short period
in March/April 1845 and
was published around a
year later. Much more
sombre in character than
the sibling work, this
second trio is also
considered much more
difficult in terms of
technique (above all in
the piano part). Thus, it
has always stood somewhat
in the shadow of the
earlier trio. However,
chamber music aficionados
generally regard it as
the more mature and
challenging work in terms
of compositional
technique. The trio,
taken from the volume
Mendelssohn • Piano
Trios HN 957, is now
available from Henle for
the first time also as a
practical single
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.49046442 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.49046442
Cello
and Piano. Composed
by Richard Strauss.
String Solo. Classical.
Softcover. 80 pages.
Duration 1560 seconds.
Schott Music #CB301.
Published by Schott Music
(HL.49046442).
ISBN
9781540094780. UPC:
842819113003.
The
Cello Sonata Op. 6 was
composed over an
apparently frequently
interrupted period of
three years, an
extraordinarily long time
for Strauss's early
creative phase. The
compositional process
spawned two independent
versions of the work, the
first of which is
published for the first
time on the basis of the
text in the Critical
Edition of the Works of
Richard Strauss in the
current editionas a
practical musical text.
The genesis of the two
versions and the reasons
for revision can only be
reconstructed in part:
only one of the surviving
autographs bears a date
and the second version
only survives in printed
form. What is more,
Strauss did not
communicate in greater
detail on this
composition in
correspondence with his
family and friends. There
are enormous differences
between the two versions
of the Sonata: Strauss
deleted the entire second
and third movements
Larghetto and Allegro
vivace, replacing them
with a newly composed
Andante and Finale. In
the first movement,
Allegro con brio, Strauss
retained the
thematic-motivic material
and compositionally
complex passages such as
the three-voice fugue in
the developmentsection
(from bar 241 in the
first version and bar 275
in the second version)
almost intact in the new
version of the sonata,
but also undertook
extensive alterations,
particularly in the
structure of the piano
part, the
motivic-thematic
development of the
movement and its harmony
which became far more
ambitious.12 Particular
attention should be drawn
to the repetitive
accompaniment of the con
espressione theme
beginning in bar 32 and
the significantly shorter
development in the first
version. The current
printed edition of the
first version of Richard
Strauss's Cello Sonata
now makes it possible to
follow Strauss's
compositional development
during this period. The
significance of the
differences between the
versions also mean that
two sonata compositions
for violoncello and piano
by Richard Strauss with
fundamental disparities
in their underlying
character are now
available for
performance.
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa /
Kate Bennett Wadsworth.
For cello and piano. This
edition: Urtext edition.
Stapled. With an Urtext
solo part by Clive Brown
and a solo part with
bowing and fingering by
Kate Bennett Wadsworth;
Fingering in the piano
part by Neal Peres Da
Costa; Performance
Practice Commentary by C.
Brown, N. P. Da Costa and
K. B. Wadsworth. Level 3.
Score and part. Text
Language: German/English.
Opus 38. Published by
Baerenreiter Verlag