(Book with Online Audio). Composed by Ludovico Einaudi. For Cello, Piano Accompaniment. Music Sales America. Softcover Audio Online. 56 pages. Chester Music #CH82357. Published by Chester Music

Cello and Piano

SKU: HL.14041367

Composed by Per Norgard. Music Sales America. Classical. Piano Reduction. 38 pages. Edition Wilhelm Hansen #WH31033C. Published by Edition Wilhelm Hansen (HL.14041367).

ISBN 9788759818893. 10.0x14.0x0.436 inches.

This is the Piano reduction for Momentum - Cello Concerto No. 2 for Violoncello Solo and Chamber Orchestra by Per Nørgård (2009).

Full Score: WH31033

 

Composed by Ludwig van Beethoven (1770-1827). For cello and piano. Format: piano/cello book (two editions needed for performance). With full score notation. Classical Period and Romantic Period. 162 pages. 938x1214 inches. Published by Dover Publications.

Composed by Antonin Dvorak (1841-1904). Edited by Klaus Doge. Arranged by Klaus Doege. Romantic. Full score and part. With Standard notation. 72 pages. Wiener Urtext/Vienna Urtext #UT50244. Published by Wiener Urtext/Vienna Urtext

Choral Cello, Piano, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9625

Composed by Jimmy Baas. Sws. Performance Score. 16 pages. Duration 3 minutes, 49 seconds. Carl Fischer Music #CM9625. Published by Carl Fischer Music (CF.CM9625).

ISBN 9781491156988. UPC: 680160915545. 6.875 x 10.5 inches. Key: Bb major. English, English. William Butler Yeats.

The Everlasting Voices is the perfect blend of textural variety and harmonic interest for the advanced treble ensemble. Employing a powerful text, Baas' vocal layering coupled with piano and optional cello make this compelling piece a programming must!.
O sweet everlasting Voices, be still; Go to the guards of the heavenly fold And bid them wander obeying your will, Flame under flame, till Time be no more; Have you not heard that our hearts are old, That you call in birds, in wind on the hill, In shaken boughs, in tide on the shore? O sweet everlasting Voices, be still. This SSAA choral work by Jimmy Baas was comissioned by the Lumberton HS Varsity Treble Choir. The opening and closing lines of the poem, O sweet everlasting voices, be still provide the perfect bookends for two larger sections of the poem. These two sections are equally divided into verses. The opening line is used once again as a transition between the verses. The previously mentioned lines, O sweet everlasting voices, are overlapped as different layers of voices enter and sustain. A fifth and sixth voice, the cello and piano accompaniment take part in these layers as well. The words be still are very much a part of the mood each time as the everlasting voices become quiet and still. The two verses feature different voices within the SSAA choir. Verse 1, the sopranos, and verse 2 the altos. There are many moments in this piece to explore the full range and color of the SSAA choir. The piano and cello play an important part throughout, making this piece an excellent choice for any festival women's chorus.
O sweet everlasting Voices, be still;Go to the guards of the heavenly foldAnd bid them wander obeying your will,Flame under flame, till Time be no more;Have you not heard that our hearts are old,That you call in birds, in wind on the hill,In shaken boughs, in tide on the shore?O sweet everlasting Voices, be still.This SSAA choral work by Jimmy Baas wascomissioned by the Lumberton HS Varsity Treble Choir.The opening and closing lines of the poem, “O sweeteverlasting voices, be still” provide the perfect bookendsfor two larger sections of the poem. These two sectionsare equally divided into verses. The opening line is usedonce again as a transition between the verses.The previously mentioned lines, “O sweet everlastingvoices,” are overlapped as different layers of voices enterand sustain. A fifth and sixth voice, the cello and pianoaccompaniment take part in these layers as well.The words “be still” are very much a part of the moodeach time as the everlasting voices become quietand still.The two verses feature different voices within the SSAAchoir. Verse 1, the sopranos, and verse 2 the altos. Thereare many moments in this piece to explore the full range andcolor of the SSAA choir. The piano and cello play an importantpart throughout, making this piece an excellent choice for anyfestival women’s chorus.

Cello & piano

SKU: HH.HH286-FSP

Composed by Anton Eberl. Edited by Christopher Hogwood. Cello & Piano. This is a very interesting sonata as it bridges the gap between the cello/continuo sonatas and the ones by Beethoven. Eberl's part for violin is also included. Full score and parts. Edition HH Music Publishers #HH286-FSP. Published by Edition HH Music Publishers (HH.HH286-FSP).

ISBN 9790708092254.

A true Grand Duo for cello and piano to provide a much needed connection between the first sonatas for this combination -- by Beethoven -- and the later 19th century repertoire. Eberl's heroic style provides a masterly alternative to the over familiar works, with the balance of power between the two players scrupulously maintained throughout, and ingenious formal innovations. The Rhapsodie finale in particular, with sections in varying metres and moods, resolves in an elegant Pastorale, an entirely new format for this combination. The composer thoughtfully provided an adaptation of the cello part for violin containing many differences which will be of interest to players of both instruments; both string parts are included in this publication.

12 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 16/23/21 pages pages. Published by Baerenreiter Verlag

18 Recital Pieces in First Position for Cello and Piano or Two Celli. Edited by Christoph Sassmannshaus / Melissa Lusk. Stapled. Baerenreiter's Sassmannshaus. Performance score, parts. 22/24/17 pages pages. Published by Baerenreiter Verlag

Double bass (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-27

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-27. Published by Breitkopf and Haertel (BR.OB-16104-27).

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Woodwinds (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Folder. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Set of parts. 100 pages. Duration 35'. Breitkopf and Haertel #OB 16104-30. Published by Breitkopf and Haertel (BR.OB-16104-30).

ISBN 9790004339466. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violin 2 (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-16

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-16. Published by Breitkopf and Haertel (BR.OB-16104-16).

ISBN 9790004339428. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violoncello (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-23. Published by Breitkopf and Haertel (BR.OB-16104-23).

ISBN 9790004339442. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

By Louise Farrenc. For violin/flute, cello and piano. Winds with Piano (Basso Continuo) - Trio. Chamber Music. Level: intermediate. Full score. Composed 1862. Published by Furore-Verlag (German import). (fue 3910)

(For Cello and Piano). By Shulamit Ran (1949-). Solo instrument with accompaniment. For Cello, Piano. Contemporary. Full score (study). Standard notation. 25 pages. Published by Theodore Presser Company

Cello, Piano

SKU: PR.514045360

Composed by Issachar Miron. Full score (large). With Standard notation. Duration 10 minutes, 30 seconds. Israel Music Institute #514-04536. Published by Israel Music Institute (PR.514045360).

UPC: 680160247981.

Composed by Gaspar Cassado (1897-1966). Universal Violoncello Edition. Full score (study). With Standard notation. Universal Edition #UE31447. Published by Universal Edition

Volume 1 Cello (Cello Part And Piano Score) - very easy

SKU: HL.49019286

Volume 1: 1-3 Cellos and Piano. Composed by Gabriel Koeppen. This edition: Saddle stitching. Sheet music with CD. String. German Edition, Instruction. Softcover Audio Online. 76 pages. Schott Music #ED20844D. Published by Schott Music (HL.49019286).

ISBN 9783795721947. German. Author: Gabriel Koeppen.

Dieses Spielbuch ist genau auf den methodischen Aufbau der Celloschule abgestimmt und bietet eine Fulle von schonen Stucken fur Celloduett und fur Cello und Klavier. Neben Werken aus Barock, Klassik und Romantik mit Stucken von Susato, Vivaldi, Daquin, Offenbach, Schumann oder Schubert gibt es viele populare Stucke fur den jungen Spieler von heute: leichte Bearbeitungen aus den Bereichen internationale Folklore und Pop, die frischen Wind in den Cellounterricht bringen. Alle Stucke sind in schonen und motivierenden Arrangements als Audio-Downloads verfugbar, um das Uben zuhause zu unterstutzen und die Freude am Cellospielen zu fordern. Sie konnen mit einem im Heft abgedruckten Gutscheincode heruntergeladen werden.