Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-15. Published by
Breitkopf and Haertel
(BR.OB-5283-15).
ISBN
9790004332832. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Composed by Felix Mendelssohn (1809-1847), edited by Ernst Cahnbley, Friedrich W...(+)
Composed by Felix
Mendelssohn (1809-1847),
edited by Ernst Cahnbley,
Friedrich Wilhelm
Gruetzmacher (1832-1903).
Instrumental solo book
for cello solo and piano
accompaniment. With solo
part, standard notation,
bowings, fingerings and
piano accompaniment. 121
pages. Published by C.F.
Peters.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-19. Published by
Breitkopf and Haertel
(BR.OB-5283-19).
ISBN
9790004332856. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello and piano SKU: HL.49045530 For Cello and Piano. Composed by ...(+)
Cello and piano
SKU:
HL.49045530
For
Cello and Piano.
Composed by Fred Lerdahl.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Softcover. Composed 2017.
52 pages. Duration 16'.
Schott Music #ED30176.
Published by Schott Music
(HL.49045530).
ISBN
9781495094750. UPC:
888680685041.
9.0x12.0x0.182
inches.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-23. Published by
Breitkopf and Haertel
(BR.OB-5283-23).
ISBN
9790004332863. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Capriccietto Violoncelle, Piano [Conducteur et Parties séparées] Seesaw Music Corp
Cello & Piano SKU: SU.50032880 For Cello & Piano. Composed by Gunt...(+)
Cello & Piano
SKU:
SU.50032880
For
Cello & Piano.
Composed by Gunther
Tautenhahn. Strings,
Cello. Accompanied by
piano. Score & Parts.
Seesaw Music Corp
#50032880. Published by
Seesaw Music Corp
(SU.50032880).
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Set
of parts. 78 pages.
Duration 23'. Breitkopf
and Haertel #OB 5283-30.
Published by Breitkopf
and Haertel
(BR.OB-5283-30).
ISBN
9790004332887. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
12 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-16. Published by
Breitkopf and Haertel
(BR.OB-5283-16).
ISBN
9790004332849. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello; Piano Accompaniment (Cello Part And Piano Score) SKU: HL.48025366 ...(+)
Cello; Piano
Accompaniment (Cello Part
And Piano Score)
SKU:
HL.48025366
Cello
and Piano. Composed
by Hans Winterberg.
Boosey & Hawkes Chamber
Music. Classical.
Softcover. Bote & Bock
#M202538104. Published by
Bote & Bock
(HL.48025366).
UPC:
196288194279.
Hans
Winterberg, born in
Prague in 1901, lived
through almost the entire
period of the 20th
century and was
influenced as a composer
by its most important
artistic innovations.
Already a brilliant
pianist as an adolescent,
he studied with Alois
Hába and Alexander von
Zemlinsky in Prague. Both
his life and his music
reflect the
Austrian-Czech-Jewish
cultural symbiosis; he
saw himself as a bridge
builder between Western
and Eastern, i.e. Slavic,
cultures. Owing to his
Jewish ancestry, he was
deported to the Terezin
concentration camp after
the annexation of
Czechoslovakia by Nazi
Germany. He was the only
Jewish representative of
the Czech musical
avant-garde of the 1920s
and 1930s to survive the
Shoah and, in 1947,
followed his non-Jewish
wife and their daughter
to the FRG in the course
of the expulsion of the
German-speaking
population from
Czechoslovakia.
Winterberg's fascinating
oeuvre, which was kept
under lock and key in a
German music archive for
years after his death, is
now being made accessible
in first editions due to
a cooperation between the
Exilarte Center for
Banned Music at the
University of Music in
Vienna and Boosey &
Hawkes. The first printed
edition is Winterberg's
Cello Sonata, composed in
1951, in which all the
characteristics of his
unmistakable personal
style come to the fore:
dance-like energy,
polyrhythm, intimate yet
unsentimental melos,
subtle handling of
folkloristic material,
and an unerring sense of
form and balance. This
work is of medium
technical and great
interpretative
difficulty.
Urtext. Composed
by Robert Schumann.
Edited by Joachim
Draheim. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library). A
key work of the romantic
concerto repertoirePiano
reduction annotated by
Robert Schumann. Solo
concerto; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
5283-27. Published by
Breitkopf and Haertel
(BR.OB-5283-27).
ISBN
9790004332870. 10 x 12.5
inches.
Robert
Schumann's Violoncello
Concerto op. 129 can be
regarded as the first
great concerto for this
instrument's repertoire.
It is thus somewhat
surprising that this work
had an extremely
problematic reception
history at the
outset.Schumann wrote the
score in 1850, during his
Dusseldorf years, but
there was neither a
concrete occasion nor a
soloist for a world
premiere. After its
publication, more years
elapsed before the world
premiere. It was only
towards the end of the
19th century that
Schumann's Cello Concerto
finally made its
breakthrough as a
repertoire piece. The
Urtext edition is based
on the original print of
the parts and the piano
reduction, which had
still been supervised by
Schumann. In addition,
the autograph of the
score was consulted for
purposes of comparison.
The internationally
renowned soloist Heinrich
Schiff took part in the
preparation of the
edition for violoncello
and piano. His
experiences have been
incorporated into his
arrangement of the solo
part. With his comments,
Schiff also provides
valuable tips on the
interpretation of the
work.
A key work
of the romantic concerto
repertoireThe piano
reduction by Robert
Schumann contains the
unsigned solo part as
well as the solo part
arranged and annotated by
Heinrich Schiff.
Cello and piano SKU: M7.DUX-957 12 Tangos For Cello & Piano. Compo...(+)
Cello and piano
SKU:
M7.DUX-957
12
Tangos For Cello &
Piano. Composed by
Chris Gall. Sheet music.
Score and part. 68 pages.
Edition Dux Verlag #DUX
957. Published by Edition
Dux Verlag (M7.DUX-957).
ISBN
9783868492972.
TANG
O - das ist das Album des
World Music Ensembles
Quadro Nuevo, das nach
einer
'Buenos-Aires-Expedition'
zusammen mit dem
Pianisten Chris Gall
veröffentlicht wurde.
TANGO FOR TWO - das ist
die daraus entstandene
Sammlung von 12 Tangos
für die spannende
'Duo-Besetzung'. Neben
Eigenkompositionen wurden
unter anderem Stücke
von Ãngel Villoldo (El
Choclo), Carlos Gardel
(Por una cabeza, El
dÃa que me quieras)
und Astor Piazzolla
(Libertango, Oblivion)
für das Duospiel
arrangiert. Die Reihe ist
erhältlich für
Tenorsaxophon,
Altsaxophon, Klarinette,
Trompete, Flöte,
Violine und Violoncello,
wahlweise in der
Besetzung Solo + Piano
oder Solo mit CD. Die CD
beinhaltet alle 12 Titel
als Play-along- und
Duo-Versionen. Die
Arrangements von Mulo
Francel und Chris Gall
liegen im mittleren
Schwierigkeitsgrad. Der
Ausgabe liegt ein
36-seitiger Einleger mit
der Violoncellostimme
bei.
Super Solos Violoncelle, Piano [Partition + CD] - Intermédiaire Anglo Music
Cello and Piano - late intermediate SKU: BT.AMP-353-400 10 Selected So...(+)
Cello and Piano - late
intermediate
SKU:
BT.AMP-353-400
10
Selected Solos with Piano
Accompaniment.
Composed by Philip
Sparke. Super Solos.
Tuition. Book with CD.
Composed 2013. 56 pages.
Anglo Music Press #AMP
353-400. Published by
Anglo Music Press
(BT.AMP-353-400).
ISBN
9789043138710. 9x12
inches.
English-German-French-Dut
ch.
Philip
Sparke’s Super
Solos is the third
volume of a progressive
series of solo books that
takes the young wind
player from beginner to
accomplished musician.
Following on from the
first two books in the
series (Starter
Solos and Skilful
Solos) this
collection generally
contains longer pieces
suitable for the
developing young
musicians. Specifically
tailored for each
instrument, Super
Solos extends
technical and musical
demands, takes the player
into new keys with larger
instrumental ranges and
adds new notes in a
gradual and logical
manner.The books provide
invaluable additional
material to complement
any teaching method.
Including play-along
CD.
Na Starter
Solos en Skilful
Solos sluit Philip
Spark deze reeks met het
nieuw verschenen boek
Super Solos. De
solos in deze boeken zijn
qua mogelijkheden en
moeilijkheidsgraad
perfect toegesneden op
het betreffende
instrument.Bovendien vult
het de vorige uitgaven in
deze reeks gestructureerd
aan, waardoor het de
instrumentalist een
zinvol en motiverend
vervolg biedt. Elk boek
bevat een cd met
begeleiding. Het voordeel
hiervan is dat jonge
muzikanten de
belangrijkeaspecten van
het samenspel al vanaf
het begin kunnen ervaren.
Zo ontwikkelen ze
essentiële
vaardigheden, zoals het
luisteren tijdens het
spelen en het handhaven
van een strak
tempo.
Nach
STARTER SOLOS und SKILFUL
SOLOS vollendete Philip
Sparke seine Reihe
Solobücher mit SUPER
SOLOS. Die Soli in jedem
Buch sind genau auf die
Bedürfnisse und
Anforderungen des
jeweiligen Instruments
zugeschnitten, im
Schwierigkeitsgrad
angepasstund schaffen
somit einen Rahmen, in
dem sich
Instrumentalschüler
neue Elemente in
sinnvoller Reihenfolge
aneignen können. Dank
der im Buch und auf CD
enthaltenen
Klavierbegleitung lernen
sie außerdem wichtige
Aspekte des
Ensemblespiels. SUPER
SOLOS für
fortgeschrittene
Schüler hält
mitreißende Stücke
parat, mit denen neue
technische und
musikalische
Schwierigkeiten
gemeistert und ein
größerer Tonumfang
sowie neue Tonarten
gelernt werden
können.
Inhalt:
Little Overture -
Berceuse - March of the
Toy Soldiers - Air and
Variations - Chicago
Blues - Moto Perpetuo -
Song of Farewell -
Promenade - September
Song - Scherzo
Finale
Dopo Starter
Solos e Skilful
Solos, Philip Sparke
completa la serie di
libri per strumenti
solisti con Super
Solos. I brani
proposti rispondono alle
richieste e alle
caratteristiche dei vari
strumenti. Grazie al CD
incluso,
conlaccompagnamento del
pianoforte, si apprendono
i vari aspetti del
suonare in ensemble.
Cello and Piano. Composed by Various. Edited by Katharina Deserno, Rainer Mohrs....(+)
Cello and Piano. Composed
by Various. Edited by
Katharina Deserno, Rainer
Mohrs. This edition:
Saddle stitching. Sheet
music with CD. String. Ob
fur Unterricht oder das
erste Konzert: Die
Ausgabe enthalt leichte,
bekannte Stucke von der
Renaissance bis zur
Moderne, die sorgfaltig
nach technischen und
musikalischen
Anforderungen ausgewahlt
wurden. Alle Stucke sind
auf der beiliegenden CD
enthalt. Renaissance,
Modern, Classical.
Edition/Softcover with
CD. 21705. 44 pages.
Schott Music #ED21705.
Published by Schott Music
By Robert Schumann. Edited by H Schiff / J Draheim. For Cello, Orchestra. This e...(+)
By Robert Schumann.
Edited by H Schiff / J
Draheim. For Cello,
Orchestra. This edition:
Cello, Piano. Paperback.
Edition Breitkopf. Piano
reduction, Urtext. 54
pages
Cello; Piano Accompaniment SKU: HL.50601160 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50601160
Cello
and Piano. Composed
by Benjamin Attahir.
String. Classical.
Softcover. 46 pages.
Editions Salabert
#SLB6003. Published by
Editions Salabert
(HL.50601160).
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment
SKU:
HL.50512037
Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037).
ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky.
The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+.
Cello and Piano SKU: BT.DV-10706 For Cello and Piano No. 1. Compos...(+)
Cello and Piano
SKU:
BT.DV-10706
For
Cello and Piano No.
1. Composed by Jirayr
Shahrimanyan. Book and
Part(s). 44 pages. Da
Vinci Publishing #DV
10706. Published by Da
Vinci Publishing
(BT.DV-10706).
Cello; Piano (Cello) SKU: HL.50483902 Violoncello and Piano. Compo...(+)
Cello; Piano (Cello)
SKU: HL.50483902
Violoncello and
Piano. Composed by
Franghiz Ali-Zadeh.
Special Import.
Classical. Book only. 32
pages. Sikorski #SIK1856.
Published by Sikorski
(HL.50483902).
Chamber Music Cello, Piano SKU: PR.114418880 Composed by Eric Ewazen. Sws...(+)
Chamber Music Cello,
Piano
SKU:
PR.114418880
Composed
by Eric Ewazen. Sws. Set
of Score and Parts. 12+4
pages. Duration 6:30.
Theodore Presser Company
#114-41888. Published by
Theodore Presser Company
(PR.114418880).
ISBN
9781491129289. UPC:
680160668618. 9 x 12
inches.
Idealism,
humanity, world peace,
and altruism, have been
recurring themes and
inspirations in many
compositions by Eric
Ewazen. In 2007, the
Sejong Soloists
commissioned this work
for Cello and Strings to
feature Paula Zahn as
guest soloist –
the celebrated
telejournalist is an
exceptional cellist, and
a frequent and
distinguished host for
the concerts Sejong
performs in New York
City. The work was
written for a gala
concert honoring Ban
Ki-Moon, Secretary
General of the United
Nations, and therefore
the ultimate leader of
international
peacekeeping efforts. The
resulting work, equally
suitable for Cello and
Piano, is appropriately
titled A POEM OF
HOPE.
Cello and Piano. Composed by Various. Edited by Katharina Deserno, Rainer Mohrs....(+)
Cello and Piano. Composed
by Various. Edited by
Katharina Deserno, Rainer
Mohrs. This edition:
Saddle stitching. Sheet
music with CD. String. Ob
fur Unterricht oder das
erste Konzert: Die
Ausgabe enthalt leichte,
bekannte Stucke von der
Renaissance bis zur
Moderne, die sorgfaltig
nach technischen und
musikalischen
Anforderungen ausgewahlt
wurden. Alle Stucke sind
auf der beiliegenden CD
enthalt. Renaissance,
Modern, Classical.
Edition/Softcover with
CD. 21706. 60 pages.
Schott Music #ED21706.
Published by Schott Music
Three Pieces Violoncelle, Piano Theodore Presser Co.
Chamber Music cello, piano SKU: PR.114414310 For Cello and Piano. ...(+)
Chamber Music cello,
piano
SKU:
PR.114414310
For
Cello and Piano.
Composed by Samuel Adler.
Sws each. 1st movement
premiered 1992 in
Rochester, NY; 2nd
movement premiered 1980
in Hartford, CT; 3rd
movement premiered 2009
in New York, NY.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1992, 1980,
2009. 20+16 pages.
Duration 12 minutes.
Theodore Presser Company
#114-41431. Published by
Theodore Presser Company
(PR.114414310).
UPC:
680160594467. 9 x 12
inches.
Three
diverse pieces by Samuel
Adler are presented.
Emunah (Faith) is a paean
to his wife, Emily.
L'olam Vaed dates back to
1978 and is printed in
proportional notation, to
better guide the
musicians and to maximize
the performers'
expressive freedom.
Tribute, the most recent
of the three, was written
to mark the reopening of
Alice Tully Hall in
2009.
Score and Part cello and piano SKU: HL.49045757 For Cello and Piano Sc...(+)
Score and Part cello and
piano
SKU:
HL.49045757
For
Cello and Piano Score and
Part. Composed by Han
Lash. This edition:
Saddle stitching. Sheet
music. String Solo.
Softcover. Composed 2012.
44 pages. Duration 3600
seconds. Schott Music
#ED31215. Published by
Schott Music
(HL.49045757).
ISBN
9781540020321. UPC:
888680727222.
9.25x12.0x0.183
inches.
Friction,
Pressure, Impact
comprises three
movements, each of which
focuses on the question
of musical metabolism in
a different way. The
first movement, Friction,
has a moderately fast
metabolism, working
through the musical
material between the
instruments with some
speed yet with a kind of
compulsively controlled
rate of evolution.
Pressure has a much
slower pace of working
through its musical
argument, which is
relatively minimal. It
moves heavily and
sensuously through its
course. Impact changes
and shifts with a
mercurial speed; although
this movement has one
single argument
throughout, it is an
argument that is
constantly changing shape
and perspective:
phrase-lengths, local
patterns, registers, and
harmonic inversions are
constantly in flux,
pelting the music's
surface like a hale
storm.- Hannah Lash.
Chamber Music Clarinet, Piano, Viola, Violoncello SKU: CF.MXE5 For Cla...(+)
Chamber Music Clarinet,
Piano, Viola, Violoncello
SKU: CF.MXE5
For Clarinet, Viola,
Violoncello and Piano -
Full Score and Parts.
Composed by David
Carlson. SWS+Inserts.
Carl Fischer Chamber
Music Edition. First
performance: Park City
International Music
Festival - Park City,
Utah. Set of Score and
Parts. With Standard
notation. Composed 1998.
Carl Fischer Music #MXE5.
Published by Carl Fischer
Music (CF.MXE5).
ISBN
9780825853401. UPC:
798408053406. 9 X 12
inches.
Commissione
d in 1998, this chamber
piece is truly unique
experience! A short piece
(18 minutes), the work is
derived from the
composer’s
fascination with a theory
from quantum physics
stating that time is
fluid and that matter can
exist concurrently in one
place. To encompass this
idea, the composer asks
that a passage of music
that he wrote when he was
15 be pre-recorded and
played during the second
movement (Desolato). The
music of the adult David
Carlson is coupled with
music written thirty
years ago, creating a
sonic continuum. The
highly charged,
rhythmically aggressive
music of the first
movement is contrasted by
the nostalgic slow mood
of the second movement.
The final movement is
both energetic and
passionate, which brings
this imaginative work to
a positive
conclusion.