Cello, piano

SKU: PR.ZM34550

Composed by Graham Waterhouse. 125 Jahre - Jubilaeums-Kompositionen. With Standard notation. Zimmermann #ZM34550. Published by Zimmermann (PR.ZM34550).

Composed by Jean Brizard/Henri Classens. For cello and piano. Classical. Score. 33 16 pages. Published by Editions Combre

Cello and Piano

SKU: BT.EMBZ14779

Composed by Franz Liszt. Book Only. Composed 2011. 16 pages. Editio Musica Budapest #EMBZ14779. Published by Editio Musica Budapest (BT.EMBZ14779).

The arranger of this work (a well-known Hungarian composer living in Romania) writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinate one, may refer to its ostinato character. This is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the latter suggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration ofstubborn resistance and defiance to the point of exhaustion was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece in Transylvania. At that time, I asked the composer, Is the character of the continuous staccato in the left hand sharp, short, or an accompanying background like a constant shadow? Is it a weighty Brahmsian staccato, an ominous knocking? - and so on. Then there are the Bartókian false relations that keep recurring in the work, the B-E flat-G, etc. That foreshadows Debussy, creating harmonic thrills that, when I hear the work, keep my continuing interest alive for it. Finally, my immediate reason for arranging the work was of a family nature: in connection with Liszt's jubilee year, my daughter, who is a cellist, wanted a 'more energetic' piece to play at a bicentenary concert an addition to the existing slow, lyrical, or sombre works written by Liszt for the cello.

The arranger of this work, the well-known Romania-based Hungarian composer Cs ky Boldizsár writes: This piece has always excited my imagination, from several points of view. First of all, its name. The German title, the obstinateone, may refer to its ostinato character, this is close to Liszt's programme concept, but the French word 'obstiné' is closer in meaning to stubborn. There is just a shade of difference, but to me it is important, because the lattersuggests the description of a type of behaviour, the emotional state of a dancer's inner frame of mind abstracted into movements, expressed in dance movements, and this is a fascinating interpretation. The demonstration of stubbornresistance , defiance to the point of exhaustion, was not a frequently occurring phenomenon with Liszt. Secondly, at the beginning of the seventies Zoltán Kocsis played the piece here in Transylvania (Romania).

Der Bearbeiter des Werkes, der renommierte ungarische Komponist aus Rumänien, schreibt: Dieses Stück reizte immer schon meine Phantasie, sogar in vielerlei Hinsicht. Als erstes sein Name. Der deutsche Titel ‚Hartnäckiger' kann auf den ihm innewohnenden ostinativen Charakter hinweisen, was der Liszt'schen Programm-Konzeption näher kommt, das französische ,obstiné' steht jedoch eher dem Wort ‚dickköpfig' nah. Das sind nur geringfügige Unterschiede, mir ist das dennoch wichtig, weil aus Letzterem die Darstellung eines Verhaltens, der in Tanzgesten ausgedrückte, zur Bewegung abstrahierte innere emotionale Zustand eines Tänzers durchscheint, und das ist eine überaus beeindruckendeErklärun g. Die Demonstration des bis zur Erschöpfung reichenden Trotzes, der störrischen Kraft erscheint bei Liszt selten. Der zweite Aspekt: Zu Beginn der 70er Jahre spielte bei uns Zoltán Kocsis das Stück. Schon damals (und seitdem) frage ich den Komponisten:.

Cello and Piano. By Various. Arranged by Lengyel, Pejtsik. EMB. Size 9x12 inches. 43 pages. Published by Editio Musica Budapest.

Violoncello & Piano or CD Play Back / Play Along - Grade 1

SKU: MA.EMR-44961

Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Violoncello & CD Playback (Play Along). Score and parts. Duration 21'08. Editions Marc Reift #EMR 44961. Published by Editions Marc Reift (MA.EMR-44961).

The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ...

Cello and Piano - intermediate

SKU: BT.DHP-1175829-401

Composed by Pascal Proust. De Haske String Series. Book and Part(s). Composed 2017. 12 pages. De Haske Publications #DHP 1175829-401. Published by De Haske Publications (BT.DHP-1175829-401).

ISBN 9789043153034. English-German-French-Dut ch.

To the beat of the Habanera rhythm, our young cellists will travel to the land of multi-coloured hats.
Composer Pascal Proust has many years of experience as a musician and music teacher. His work includes several hundred compositions for the most diverse instrumentations. He wrote Red Sombrero for cellists with an ability of approximately 3 4 years’ experience. He paid special attention to an easy-to-follow, attractive musical style. Red Sombrero is an ideal performance or competition work for young musicians.

Op het ritme van de Habanera, reizen onze jonge cellisten naar het land van de kleurrijke hoeden.
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Red Sombrero voor cellisten die ongeveer drie tot vier jaar les hebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Red Sombrero een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.

In einem Habanera-Rhythmus unternehmen die jungen Cellisten eine Reise ins Land der bunten Hüte.
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen, sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Red Sombrero für Cellisten mit ungefähr 3 4 Jahren Unterrichtserfahrung und legte besonderes Augenmerk auf einen leicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Red Sombrero ideal als Vortrags- und Wettbewerbsstück für junge Musiker.

Sur un rythme de Habanera, nos jeunes violoncellistes feront un voyage au pays des chapeaux multicolores ....
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique - son catalogue d’œuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Red Sombrero pour violoncellistes ayant environ 3 4 années de pratique, dans un style musical accessible et coloré. De ce fait, Red Sombrero est la pièce idéale pour tout examen ou audition de jeunes musiciens.

Composed by Antonin Dvorak (1841-1904). Stapled. Czech title: Klid op. 68, 5. Classical. Performance score, part(s). With Publication language: Czech/German/English/Fren ch. Opus 68, No. 5. Editio Baerenreiter Praha #H01532. Published by Editio Baerenreiter Praha

Double bass (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-27

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-27. Published by Breitkopf and Haertel (BR.OB-16104-27).

ISBN 9790004339459. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Woodwinds (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Folder. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Set of parts. 100 pages. Duration 35'. Breitkopf and Haertel #OB 16104-30. Published by Breitkopf and Haertel (BR.OB-16104-30).

ISBN 9790004339466. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violin 2 (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-16

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-16. Published by Breitkopf and Haertel (BR.OB-16104-16).

ISBN 9790004339428. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Violoncello (solos: vl.vc - 2.2.2.2. - 4.2.0.0. - timp - str)

SKU: BR.OB-16104-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Johannes Brahms. Edited by Michael Struck. Stapled. Orchester-Bibliothek (Orchestral Library). The piano reduction and the study score (,,Studien-Edition) are available at G. Henle Verlag. Solo concerto; Romantic. Part. 12 pages. Duration 35'. Breitkopf and Haertel #OB 16104-23. Published by Breitkopf and Haertel (BR.OB-16104-23).

ISBN 9790004339442. 10 x 12.5 inches.

The publishers Henle and Breitkopf & Hartel are continuing their collaboration, now with Brahms, by publishing the performance material of the double concerto. Brahms's last work with orchestra was published in the new Brahms Complete Edition in 2002, whereby the editor was able to base himself on newly accessible sources. Of particular interest are the additional performance instructions for the solo violin and solo cello, which were gathered from the first edition of the solo parts. These indications were supplied by the soloists of the first performance, Joseph Joachim and Robert Hausmann. No doubt authorized by Brahms, they communicate valuable insights into the performance practice of the time. The new material also contains a part in which the solo violin and cello are notated one above the other. The trio edition for violin, violoncello and piano (EB 6040), which was made by Brahms himself, has proven itself for chamber performances; it continues to be available.The full score is a conductor's dream: big, bold, and beautifully laid out on glare-free bluff paper. (Strings).

Cello and piano - Medium-easy / medium acc.

SKU: JK.09193

Composed by German Folk Tune. Arranged by Richard W. Smith. Difficulty Easy Medium, Instrumental Cello, Piano Choir, Seasonal Music Christmas, Christmas, Jesus Christ - Birth. Christian, Inspirational. Jackman Music Corporation #09193. Published by Jackman Music Corporation (JK.09193).

Isaiah 9:6, Luke 2:7-19, Matthew 2:1-2.

Delightful Christmas instrumental arrangement for cello solo with piano accompaniment.
Compose r: German Folk Tune
Arranger: Richard W. Smith
Difficulty: Medium-easy / medium acc.
Reference: Isaiah 9:6, Luke 2:7-19, Matthew 2:1-2.

Cello and Piano

SKU: BT.PWM8613

Transcription for Cello and Piano. By Kazimierz Wiłkomirski. By Karol Szymanowski. Classical. Book Only. Composed 1987. 44 pages. Polskie Wydawnictwo Muzyczne #PWM8613. Published by Polskie Wydawnictwo Muzyczne (BT.PWM8613).

Sonata in D minor is Szymanowski's earliest violin work and was written in 1904. In its conventional character one clearly feels the dependence on the violin sonatas of Franck ahd Brahms and the composer's desire to master the traditional, three-movement cyclic form. Sonata for violin and piano (arranged for cello by Kazimierz Wi komirski), a juvenile work, in spite of the fact that its style is still not crystallised, betrays the composer's growing interest in tone colour and foreshadows the bold and rich melodic line characteristic of Szymanowski's later works.

Cello and Piano

SKU: AP.36-M385591

Arranged by Johannes Brahms and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions. Book. LudwigMasters Publications #36-M385591. Published by LudwigMasters Publications (AP.36-M385591).

ISBN 9798892704243. UPC: 659359801839. English.

Brahms famously described this piece as certainly not difficult to play, and while easier than some of his other very challenging works, it is still a quality performance piece. The SONATA NO 1 is written as a solo with more of a duet feel between the cello and piano, creating a beautiful interweaving of harmony and melody. This piece written in three movements shows Brahms' influence by Bach in it's more classical and structured style. A beautiful selection to add to any cellist's repertoire.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Violin, Cello and Piano

SKU: BT.EMBZ14659

By András Soós. Educational Tool. Book Only. Composed 2009. 60 pages. Editio Musica Budapest #EMBZ14659. Published by Editio Musica Budapest (BT.EMBZ14659).

Hungarian-English-Germ an-French.

This volume of works by the Viennese classical and romantic composers contains only transcriptions, and only from pieces for the piano. In most cases the right hand part is played on the violin, often alternating with or responding to the cello, thus the piano part is considerably easier than the original, and therefore accessible to children not yet capable of playing the original work. The selection includes the most popular pieces by the greatest composers (Haydn, Beethoven, Mendelssohn, Schumann, Chopin and Grieg), such as, for instance, the second movement of the Mondschein-Sonate, and Träumerei.

Dies er Band beinhaltet ausschließlich von Klavierwerken transkribierte Werke aus der Wiener Klassik und Romantik. Die Melodie der rechten Hand wird meistens von der Geige, oft mit dem Cello abwechselnd, einander antwortend gespielt. Dadurch ist die Klavierstimme im Vergleich zum Original wesentlich leichter, also sie ist auch für Kinder zu meistern, die das Originalstück sonst noch nicht spielen könnten. In der Auswahl kommen die beliebtesten Werke der größten Komponisten (Haydn, Beethoven, Mendelssohn, Schumann, Chopin und Grieg) wie z. B. der zweite Satz der ‚Mondschein-Sonate oder das ‚Träumerei' vor.

For Piano and Cello. By The Piano Guys. Personality. Classical Crossover, Pop. Softcover. Published by Hal Leonard

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

By Jan Krtitel Vanhal. For cello and piano. Cello. Czech title: Koncert A dur pro violoncello a orchestr. Classical. Piano reduction. Publication language: Czech. Published by Editio Baerenreiter Praha

By Wilbur Held (1914-). For Organ or Piano, Cello/Bass Instrument. Organ with Instruments. General. Medium

Cello and Piano

SKU: M7.DOHR-99658

Composed by Philip Hahn. Sheet music. 12 pages. MDS (Music Distribution Services) #DOHR 99658. Published by MDS (Music Distribution Services) (M7.DOHR-99658).

ISBN 9790202006580.

SKU: HL.50484733

Cello and Piano. String. Classical. 20 pages. Editions Salabert #SEAS15796. Published by Editions Salabert (HL.50484733).

9.75x12.5x0.11 inches. Author: Reynaldo Hahn.

Cello and piano - Level 2

SKU: VD.ED99658

Composed by Philip Hahn. Classical. Score, solo part. Composed 1995. 9 S. Part. + 3 S.Stimme pages. Verlag Dohr #ED99658. Published by Verlag Dohr (VD.ED99658).

ISBN 9790202006580. 11.69 x 8.26 inches.

Violin, cello and piano (ST)

SKU: HL.49022499

Eine Auswahl. Composed by Engelbert Humperdinck. Sheet music. Edition Schott. 20 pages. Duration 12'. Schott Music #BSS 28268. Published by Schott Music (HL.49022499).

ISBN 9790001142090. 8.5x11.75x0.049 inches.

Violoncello and Piano - Grade 3

SKU: HL.50510771

MM-19. By Arpad Pejtsik. By Johannes Brahms. Edited by Fitzenhagen Pejtsik. Arranged by Fitzenhagen Pejtsik. Romantic. EMB. Book Only. Op. 39, No.15. 6 pages. Editio Musica Budapest #Z13630. Published by Editio Musica Budapest (HL.50510771).

ISBN 9790080136300. UPC: 073999613384. 9.0x12.0x0.041 inches. Johannes Brahms; Arpad Pejtsik.

The series Moments Musicaux contains popular and well-known short masterpieces and transcriptions. An admitted aim of the publisher was to release high-standard editions of these popular pieces for a moderate price. Each piece of the series may be performed on violoncello solo with piano accompaniment.

Violoncello and Piano

SKU: AP.36-M388991

Arranged by Johannes Brahms and ed./arr. by Janos Starker/ Emilio Colon. Cello. Starker Performance Editions. Book. LudwigMasters Publications #36-M388991. Published by LudwigMasters Publications (AP.36-M388991).

ISBN 9798892704182. UPC: 659359984921. English.

An immensely powerful piece for solo cello and piano, Brahms' SONATA NO. 2, OP. 99 is one of the most impressive cello repertoire selections. Composed of four movements, the first Allegro vivace contains the grandiose main theme. The hauntingly beautiful second movement is Adagio affetuoso. The fiery and furious third movement is Allegro passionato. The fourth Allegro molto movement ends the piece with exhilaration and an optimistic feeling.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.