Virtuoso and Entertaining Pieces for Cello and Piano. Composed by Various. Edited by Beverley Ellis and Rainer Mohrs. String. Softcover. Schott Music #ED23310. Published by Schott Music

(Hits from the Greatest Shows of All Time). By Pat Legg. For Cello and Piano. Book; String - Cello Studies or Collection. Faber Edition. 24 pages. Published by Faber Music

By William J. Kirkpatrick. Arranged by Joseph Hoffman. For Cello and Piano. Christmas. Level: Medium Easy. Duration 2:45. Published by Jackman Music Corporation.

By Charles Chaplin (1889-1977), edited by Beckman. Set of performance parts for cello and piano. Published by Edition Kunzelmann.

Composed by Peter Ilyich Tchaikovsky (1840-1893), arranged by John York, edited by David Brown, Raphael Wallfisch. Set of performance parts for cello and piano. Urtext. With bowings, fingerings, introductory text and performance notes. Op. 33 (original version). 42 pages. Published by C.F. Peters. )

Cello and Piano

SKU: BT.EMBZ14110

By Lajos Vigh. By Arpad Pejtsik. Educational Tool. Book Only. Composed 1996. 40 pages. Editio Musica Budapest #EMBZ14110. Published by Editio Musica Budapest (BT.EMBZ14110).

ABRSM Syllabus title, Grade 5 The original source of these sonatas for cello and double bass duo was a collection created by G.A. Perti and his pupils in Bologna around 1695. Among the easy and small-scale movements (at most 28 measures long), the most quintessential dances of the Baroque era are represented.Some of these compositions can be played after a mere 3 years of instrumental study, therefore music students can use them as an opportunity to familiarize themselves with the fundamentals of baroque style. The simple development of the continuo allows for it to be played by a pupil performing alongside their teacher. The pieces also sound great when played on two cellos.

Cello and piano

SKU: BR.EB-32078

Composed by Friedrich Schneider. Edited by Nick Pfefferkorn. Solo instruments; stapled. Edition Breitkopf. Sonata; Romantic. Score. 76 pages. Breitkopf and Haertel #EB 32078. Published by Breitkopf and Haertel (BR.EB-32078).

ISBN 9790004186633. 9 x 12 inches.

Friedrich Schneider is known today above all for his extensive oeuvre in the area of the oratorio. No less important, however, in addition to his symphonic work, is his group of works for piano and/or chamber music. His cello sonata in F major, with all four movements large in scale, was probably composed in 1831 for the daughter of the Cologne music patron, Dr. Erich Heinrich Verkenius. With its expressiveness, monumental structure, and post-Beethovenian sensuality, this sonata already seriously anticipates Romanticism. Our edition offers two solo parts: an unmarked original text as well as a version with fingerings and bowings by the Leipzig based cellist Jurnjakob Timm.

Fratres by Arvo Part (1935-). For Cello, Piano. Set of parts. Standard notation. Published by Universal Edition

By John Williams, arranged by Bill Galliford, Ethan Neuburg, Tod Edmondson. Cello solo book and accompaniment CD for cello solo and piano accompaniment. 72 pages. Published by Alfred Publishing.

Cello and piano

SKU: BO.B.3652

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3652).

Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.
Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.

The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.

The piece lasts approximately 20 minutes.

By Various. Arranged by Brent Jorgensen. For Cello and Piano. Published by Jackman Music Corporation.
Level: Medium Easy.

By Janice Tucker Rhoda. For Cello, Cello and Piano. CD contains piano accompaniments as audio and printable PDF; Also includes complete performances. Instructional. Instructional book and CD. Published by Carl Fischer

By Wilbur Held (1914-). For Organ or Piano, Cello/Bass Instrument. Organ with Instruments. General. Medium

With online audio of piano accompaniments. Composed by Various. Broadway. Softcover Audio Online. 56 pages. Published by Hal Leonard

Composed by Thomas Larcher. Cello-Bibliothek (Cello Library). 36 pages. Schott Music #CB182. Published by Schott Music

With online audio of piano accompaniments. Composed by Various. Christmas. Softcover Audio Online. Published by Hal Leonard

Cello and piano - easy to intermediate

SKU: HL.49044195

Composed by George Gershwin. Arranged by Wolfgang Birtel. This edition: Saddle stitching. Sheet music. String. Inspiriert von den 24 Preludes Chopins begann George Gershwin er Mitte der 20er Jahre selbst 'Preludes' fur Klavier zu schreiben. Diese verbinden klassische Momente mit Jazz-Elementen zu einem wirkungsvollen Ganzen, konnen einzeln oder als kleine Jazz-Son. Softcover. 16 pages. Schott Music #ED21485. Published by Schott Music (HL.49044195).

ISBN 9790001190879. UPC: 840126933604. 9.0x12.0x0.065 inches.

The melodies from George Gershwin's (1898-1937) musicals, from 'Porgy and Bess', from orchestral pieces like 'Rhapsody in Blue' or 'An American in Paris', we all know them! But the career of the young musician started as a pianist in a music publishing house where he was to encourage customers to buy music by playing it. Soon he began to compose music himself and caught the attention of the Broadway, which paved the way to his international career. Inspired by Frederic Chopin's 24 Preludes, he began to write his own 'Preludes' for the piano in the mid-1920s: Of the five preludes composed by him, he used two for the violin composition 'Short Story' and presented the other three at a concert on 4 December 1926. These 'Preludes' combine classical moments and jazz elements into an effective whole and can be played individually or as a little jazz sonata (fast - slow - fast). Thanks to the present arrangement, the charming miniatures are now available in a version for solo instrument and piano accompaniment.

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Cello and Piano with Online Accompaniments. Composed by Alain Boublil and Claude- Michel Schonberg. For Classical Players. Broadway, Movies, Musicals. Softcover Audio Online. 56 pages. Published by Hal Leonard

Cello Music By French Composers See larger cover Your price $14.95 Usually ships in 24 hours 1 2 Ready to buy? Quantity: (you can remove it later) Save 10% when you buy 2 or more copies of this title. Average customer rating: Add a review for this title! About Cello Music By French Composers Arranged by Otto Deri. Instrumental solo/piano accompaniment set for Cello and piano. 68 pages. Published by G. Schirmer, Inc.

Cello and Piano. Composed by Georges Boulanger (1893- 1958). Boosey & Hawkes Chamber Music. Classical. Softcover. 12 pages. Boosey & Hawkes #M202535264. Published by Boosey & Hawkes