Each piece in this book stays in one position, so that pupils, whatever their age, can become familiar with the geography of the cello fingerboard across the strings. These cello tunes have easy but effective piano accompaniments, which are now also available as a play-along CD recording.Complete with Cello part, pull-out piano accompaniment and CD. A book of pieces each one staying in one position so pupils whatever their age, get to know the geography of the cello fingerboard across the strings in 2nd, 3rd, half, extended 2nd, extended 3rd and extended 4th positions, this is easy to follow, structured material. These cello tunes have fairly easy but effective piano accompaniments. See also 'Go Fourth'. / Violoncelle Et Piano

22 easy pieces for cello and piano from the Baroque, Classical and Romantic eras. The pieces are mainly playable in the first position and are particularly suitable from the second year of tuition. Many of the piano arrangements can also be played by pupils. / Violoncelle Et Piano

La référence AL20997 de l'éditeur Leduc dont l'auteur célèbre est Desenclos, qui a pour titre Prelude Cantilene Et Finale, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Abdullah Ibrahim aka 'Dollar Brand' is one of the true jazz greats. His cycle 'African Songs' celebrates the unmistakable atmosphere and cheerfulness of African music. This arrangement for cello and piano is a rather special performance piece. / Violoncelle Et Piano

12 Selections from Sondheim Musicals. Par SONDHEIM STEPHEN. This collection features intermediate-level arrangements for cello and piano accompaniment in a range flattering to the cello. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard. / Niveau : Moyen / Recueil / Violoncelle et Piano

La référence CC1607 de l'éditeur Billaudot dont l'auteur célèbre est Ronchini F., qui a pour titre CANTO RELIGIOSO, a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

Arrangeur: Florence Eller. Par STRAUSS RICHARD. The Cello Sonata Op. 6 was composed over an apparently frequently interrupted period of three years, an extraordinarily long time for Strauss's early creative phase. The compositional process spawned two independent versions of the work, the first of which is published for the first time on the basis of the text in the Critical Edition of the Works of Richard Strauss in the current edition as a practical musical text. The genesis of the two versions and the reasons for revision can only be reconstructed in part: only one of the surviving autographs bears a date and the second version only survives in printed form. What is more, Strauss did not communicate in greater detail on this composition in correspondence with his family and friends. There are enormous differences between the two versions of the Sonata: Strauss deleted the entire second and third movements Larghetto and Allegro vivace, replacing them with a newly composed Andante and Finale. In the first movement, Allegro con brio, Strauss retained the thematic-motivic material and compositionally complex passages such as the three-voice fugue in the development section (from bar 241 in the first version and bar 275 in the second version) almost intact in the new version of the sonata, but also undertook extensive alterations, particularly in the structure of the piano part, the motivic-thematic development of the movement and its harmony which became far more ambitious.12 Particular attention should be drawn to the repetitive accompaniment of the con espressione theme beginning in bar 32 and the significantly shorter development in the first version. The current printed edition of the first version of Richard Strauss's Cello Sonata now makes it possible to follow Strauss's compositional development during this period. The significance of the differences between the versions also mean that two sonata compositions for violoncello and piano by Richard Strauss with fundamental disparities in their underlying character are now available for performance. (from the foreword by the editors)/ Répertoire / Violoncelle et Piano

Par LESHNOFF JONATHAN. 'The cello is a fantastic instrument to work with,” said Leshnoff. 'Some instruments are more limited, but the cello has so much freedom. It can scream, it can cry, it can sing, it can dance and it can whisper.” The Chamber Orchestra of Philadelphia commissions a new work for each Spring, and in 2013 they chose to commission Jonathan Leshnoff. In turn, Leshnoff was able to work with the exciting international talent Nina Kotova for the premiere performance under the direction of Dirk Brossé at Philadelphia's Kimmel Center for the Performing Arts.'The cello is a fantastic instrument to work with,” said Leshnoff. 'Some instruments are more limited, but the cello has so much freedom. It can scream, it can cry, it can sing, it can dance and it can whisper.” The Chamber Orchestra of Philadelphia commissions a new work for each Spring, and in 2013 they chose to commission Jonathan Leshnoff. In turn, Leshnoff was able to work with the exciting international talent Nina Kotova for the premiere performance under the direction of Dirk Brossé at Philadelphia's Kimmel Center for the Performing Arts./ Répertoire / Violoncelle et Piano

Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Paganini? is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché, legato, spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of the Sassmannshaus Early Start on the Violin, volume 4.It (BA 10693) can be equally mastered by young cello students who are working with volume 4 of the Sassmannshaus 'Early Start on the Cello? and can manage first to fourth position.'The Boy Paganini? is an impressive concert piece which is more demanding. Its two movements call for changes of metre, harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the violin (BA 10692), the technical requirements call for first to fifth position whereas on the cello (BA 10694), the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of 'Early Start on the Violin? and 'Early Start on the Cello? respectively in order to master this work. - Popular recital pieces for young violinists and cellists- Both works form an ideal continuation of the Sassmannshaus 'Early Start? methods- Pieces originally scored for violin now also available for the first time for cello / Violoncelle Et Piano

20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. Par . What would Christmas time be without making music together' Advent, Christmas, and winter songs play an important role for all beginners on a melody instrument, because with these they can show off their progress on the instrument during the first year. And nothing is better suited to this than well-loved and popular Christmas classics.The volumes in our series for instrumental teaching, developed in collaboration with the Landesakademie für die musizierende Jugend in Baden-Württemberg, all contain 20 easy carols arranged in progressive level of difficulty. Experienced instrumental teachers have made a selection of carols for each instrument according to specific criteria. These can be mastered as part of music school lessons after just a few weeks and months. All the carols have been chosen and transposed so that the range and fingering combinations do not exceed the level of difficulty for the first three years of learning.The piano accompaniment is of moderate difficulty. For many of the carols, an ad lib upper or lower part is included which can also be played by instrumental pupils. The volumes are therefore suitable for individual as well as group tuition.The arrangements are based on the piano and instrumental books from the CHRISTMAS CAROLS project (Carus 2.403/03 und 2.404/03) which is part of the LIEDERPROJEKT, the charitable project to further singing with children. The books contain singing texts for all the carols, providing a full range of options for singing and playing together at Christmas.All the books include the printed music of the piano accompaniment. Digital playalong tracks are available for all the books.Further editions for flute, clarinet, alto saxophone, trumpet, violin, cello / Date parution : 2022-10-12/ Recueil / Violoncelle et Piano

This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano

Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

Le compositeur basé à Moscou, Alexander Rosenblatt écrit une musique qui oscille entre la musique classique et le jazz. 'Elegy Waltz' Sa composition est une pièce pleine de mélancolie expressive, un 'chant sans paroles' avec cantilènes expressifs dans la partie de violoncelle et multi-couches harmonies dans la partie de piano. Un morceau performance silencieuse d'une durée d'environ cinq minutes pour le concert et à des fins d'examen. / Violoncelle Et Piano

Instrument/Discipline : Violoncelle Style/Genre : Musique de film Support : Livre CD Auteur/Compositeur : WILLIAMS JOHN Ce livre fait parti d'une série instrumentale arrangée pour flûte, Clarinette, Sax alto, Sax ténor, trompette. Cor en Fa et trompette. Les arrangements sont compatibles avec chacun et peuvent être joués en groupe ou en solo. Chaque livre contient une partie pour joueur de niveau 2-3, ainsi qu'un CD. Celui-ci inclus une piste démo pour chaque chanson ainsi qu'une piste playback pour s'exercer. Partitions pour violoncelle et piano. Inclus des photos du film en couleurs et NandB. Contenu : Star Wars (Main Theme). Jar Jar's Introduction. Augie's Great Municipal Band. Qui-Gon's Funeral. Duel of the Fates. Anakin's Theme. The Flag Parade. Across the Stars (Love Theme). The Arena. The Meadow Picnic. Battle of the Heroes. Cantina Band. The Throne Room. The Imperial March ( Darth Vadre's Theme). May the Force Be With You. Princess Leia's Theme

Par RACHMANINOV SERGEI. Rachmaninov's Lied for Cello and Piano in first authorised edition, edited by David Butler Cannata./ Répertoire / Violoncelle et Piano