| Franz Liszt - Csardas Obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello; Piano Accompaniment SKU: HL.50512037 Cello and Piano. Compo...(+)
Cello; Piano
Accompaniment SKU:
HL.50512037 Cello
and Piano. Composed
by Franz Liszt. Edited by
Csiky Boldizsar. Arranged
by Csí, ky
Boldizsá, and r.
Romantic. EMB. Classical.
Softcover. 14 pages.
Editio Musica Budapest
#Z14779. Published by
Editio Musica Budapest
(HL.50512037). ISBN
9790080147795. UPC:
884088668723.
9.0x12.0x0.079 inches.
Ferenc Liszt; Boldizsar
Csiky. The arranger
of this work (a
well-known Hungarian
composer living in
Romania) writes: +This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstine' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of stubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltan Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, +Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartokian false relations
that keep recurring in
the work, the B-E flat-G,
etc. That foreshadows
Debussy, creating
harmonic thrills that,
when I hear the work,
keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the
cello.+. $27.45 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Franz Liszt : Two Elegies, No. 1 (S. 130) and No. 2 (S. 131) Violoncelle, Piano IMC (International Music Co.)
Composed by Franz Liszt (1811- 1886). Edited by Daniel Morganstern. For cello...(+)
Composed by Franz Liszt
(1811-
1886). Edited by Daniel
Morganstern. For cello
and
piano accompaniment.
Score and
part. Published by
International Music
Company
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Franz Liszt - Pieces for Violoncello Violoncelle, Piano [Conducteur et Parties séparées] EMB (Editio Musica Budapest)
By Franz Liszt (1811-1886). Edited by ́rpd Pejtsik and . For Cello, Piano Acc...(+)
By Franz Liszt
(1811-1886). Edited by
́rpd Pejtsik and . For
Cello, Piano
Accompaniment (Score and
Parts). EMB. 84 pages.
Editio Musica Budapest
#Z14768. Published by
Editio Musica Budapest
$44.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pieces for Violoncello Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14768 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14768 Composed
by Franz Liszt. Book
Only. Composed 2011. 76
pages. Editio Musica
Budapest #EMBZ14768.
Published by Editio
Musica Budapest
(BT.EMBZ14768).
Not many people
know that Franz Liszt
arranged some of his
piano pieces for the
cello, with piano
accompaniment, and that
these versions of the
works appeared in print
during the maestro's
lifetime. Árpád Pejtsik
selected two of these for
this volume compiled to
mark Liszt's jubilee:
Elegies I and II. The
other compositions by
Liszt that appear in the
collection were likewise
originally works for
piano: the Ave Maria and
Cantique d'amour (pieces
from the Harmonies
poétiques et religieuses
cycle) were transcribed
by a pupil of Liszt,
Robert Pflughaupt the
cello version, transposed
into G major, of the E
Major Consolation is by
Jules de Swert, solo
cellist in the Weimar
orchestraof those days
that of the Angelus (the
opening piece in Volume 3
of the cycle entitled
Years of Pilgrimage ) is
by Lothar Windsperger, a
German composer who lived
at the turn of the
19th-20th century. The
Valse oubliée No. 1 was
transcribed by Liszt s
virtuoso piano pupil
Ferruccio Busoni
Notturno, which became
famous as the third piece
in the Liebesträume
series, is a transposed
version of the original
song ( O lieb, so lang du
lieben kannst ) made by
the editor of this
volume.
Not many
people know that Ferenc
Liszt arranged some of
his piano pieces for the
cello, with piano
accompaniment, and this
version of the works
appeared in print during
the maestro's lifetime.
Árpád Pejtsik selected
two of these forthis
volume compiled to mark
Liszt's jubilee: Elegy
I and Elegy
II. The other
compositions by Liszt
that appear in the
collection were likewise
originally works for
piano: the Ave
Maria and Cantique
d'amour(pieces from
the Harmonies poétiques
et religieuses cycle)
were transcribed by a
pupil of Liszt, Robert
Pflughaupt; the cello
version, transposed into
G major, of the E major
Consolation is by
Jules de Swert, solo
cellistin the Weimar
orchestra of those days;
that of the
Angelus (the
opening piece in Volume 3
of the cycle entitled
Years of Pilgrimage) is
by Lothar Windsperger, a
German composer who lived
at the turn of the
19th-20thcentury.
Nur Wenigen ist bekannt,
dass Liszt einige seiner
Klavierstücke auch für
Violoncello mit
Klavierbegleitung
bearbeitet hatte, und
dass diese Version der
Werke noch zu Lebzeiten
des Komponisten in Druck
erschien. In diesem Band
nahm Árpád Pejtsik zwei
dieser Stücke, die I.
und II. Elegie auf. Die
anderen
Liszt-Kompositionen in
der Sammlung sind auch
ursprünglich
Klavierwerke: der
Bearbeiter ist beim Ave
Maria und Cantique
d'amour (Stücke aus dem
Zyklus Harmonies
poétiques et
religieuses) der
Liszt-Schüler Robert
Pflughaupt. Von Jules de
Swert, der damals
Solocellist des Weimarer
Orchesters war, wurde die
in G-Dur transponierte
Violoncelloversion der
E-Dur Consolation, und
vonLothar Windsperger,
dem an der Wende zum 20.
Jahrhundert lebenden
deutschen Komponisten,
das Angelus (das
Eröffnungsstück des
III. Bandes des Zyklus
Pilgerjahre)
bearbeitet. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Csardas obstinee Violoncelle, Piano EMB (Editio Musica Budapest)
Cello and Piano SKU: BT.EMBZ14779 Composed by Franz Liszt. Book Only. Com...(+)
Cello and Piano SKU:
BT.EMBZ14779 Composed
by Franz Liszt. Book
Only. Composed 2011. 16
pages. Editio Musica
Budapest #EMBZ14779.
Published by Editio
Musica Budapest
(BT.EMBZ14779).
The arranger of
this work (a well-known
Hungarian composer living
in Romania) writes: This
piece has always excited
my imagination, from
several points of view.
First of all, its name.
The German title, the
obstinate one, may refer
to its ostinato
character. This is close
to Liszt's programme
concept, but the French
word 'obstiné' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
latter suggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration ofstubborn
resistance and defiance
to the point of
exhaustion was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán Kocsis
played the piece in
Transylvania. At that
time, I asked the
composer, Is the
character of the
continuous staccato in
the left hand sharp,
short, or an accompanying
background like a
constant shadow? Is it a
weighty Brahmsian
staccato, an ominous
knocking? - and so on.
Then there are the
Bartókian false
relations that keep
recurring in the work,
the B-E flat-G, etc. That
foreshadows Debussy,
creating harmonic thrills
that, when I hear the
work, keep my continuing
interest alive for it.
Finally, my immediate
reason for arranging the
work was of a family
nature: in connection
with Liszt's jubilee
year, my daughter, who is
a cellist, wanted a 'more
energetic' piece to play
at a bicentenary concert
an addition to the
existing slow, lyrical,
or sombre works written
by Liszt for the cello.
The arranger of
this work, the well-known
Romania-based Hungarian
composer Cs ky Boldizsár
writes: This piece has
always excited my
imagination, from several
points of view. First of
all, its name. The German
title, the obstinateone,
may refer to its ostinato
character, this is close
to Liszt's programme
concept, but the French
word 'obstiné' is closer
in meaning to stubborn.
There is just a shade of
difference, but to me it
is important, because the
lattersuggests the
description of a type of
behaviour, the emotional
state of a dancer's inner
frame of mind abstracted
into movements, expressed
in dance movements, and
this is a fascinating
interpretation. The
demonstration of
stubbornresistance ,
defiance to the point of
exhaustion, was not a
frequently occurring
phenomenon with Liszt.
Secondly, at the
beginning of the
seventies Zoltán Kocsis
played the piece here in
Transylvania
(Romania).
Der
Bearbeiter des Werkes,
der renommierte
ungarische Komponist aus
Rumänien, schreibt:
Dieses Stück reizte
immer schon meine
Phantasie, sogar in
vielerlei Hinsicht. Als
erstes sein Name. Der
deutsche Titel
‚Hartnäckiger' kann
auf den ihm innewohnenden
ostinativen Charakter
hinweisen, was der
Liszt'schen
Programm-Konzeption
näher kommt, das
französische ,obstiné'
steht jedoch eher dem
Wort ‚dickköpfig' nah.
Das sind nur
geringfügige
Unterschiede, mir ist das
dennoch wichtig, weil aus
Letzterem die Darstellung
eines Verhaltens, der in
Tanzgesten ausgedrückte,
zur Bewegung abstrahierte
innere emotionale Zustand
eines Tänzers
durchscheint, und das ist
eine überaus
beeindruckendeErklärung.
Die Demonstration des bis
zur Erschöpfung
reichenden Trotzes, der
störrischen Kraft
erscheint bei Liszt
selten. Der zweite
Aspekt: Zu Beginn der
70er Jahre spielte bei
uns Zoltán Kocsis das
Stück. Schon damals (und
seitdem) frage ich den
Komponisten:. $18.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Reve d'amour Violoncelle, Piano Durand
SKU: HL.50560341 Cello and Piano. Composed by Franz Liszt. This ed...(+)
SKU: HL.50560341
Cello and Piano.
Composed by Franz Liszt.
This edition: ME0303600.
Editions Durand.
Classical. 12 pages.
Editions Durand
#ME0303600. Published by
Editions Durand
(HL.50560341). UPC:
073999603415.
9.5x12.5x0.067
inches. $15.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Liebestraum (Love's Dream) (CASSADO) Violoncelle, Piano IMC (International Music Co.)
| | |
| Liebestraum Violoncelle, Piano - Facile Hal Leonard
(Grade 2 Cello Solo). By Franz Liszt (1811-1886). Arranged by John Cacavas. Hal ...(+)
(Grade 2 Cello Solo). By
Franz Liszt (1811-1886).
Arranged by John Cacavas.
Hal Leonard Solo and
Ensemble. Grade 2. 8
pages. Published by Hal
Leonard
$5.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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