For Cello and Piano. Folk, Play Along. Sheet Music and example/play along CD. 16 pages. Published by Bosworth.

Cello and Piano

SKU: HL.14028648

Composed by Aulis Sallinen. Music Sales America. 20th Century. Book [Softcover]. 52 pages. Music Sales #NOV121253. Published by Music Sales (HL.14028648).

ISBN 9781846092244. 9.0x12.0x0.175 inches.

Sallinen's Sonata For Cello And Piano Op.86 was commissioned by the Naantali Music Festival, Finland in 2004. It was first performed by Arto Noras and Rolf Gothoni at Naantali Church on 10th June 2005 as part of the festival. The piece is structured across four movements, a Barcarola, a Serenata, a Scherzo and an Epilogue.

(for Cello and Piano). Composed by Abdullah Ibrahim. For Cello, Piano Accompaniment. String. Softcover. 12 pages. Schott Music #ED21862. Published by Schott Music

Cello (Cello)

SKU: HL.48184443

Composed by Philippe Rougeron. Leduc. Classical. Softcover. 8 pages. Alphonse Leduc #AL27452. Published by Alphonse Leduc (HL.48184443).

UPC: 888680847876. 9.0x12.0x0.05 inches.

For cello (or bassoon) and piano.

For Violoncello and Piano. By Ludwig van Beethoven. Edited by Dimitry Markevitch. Text: Dimitry Markevitch. For Cello, Piano. Solo part with piano reduction. Opus 64. 55 pages. Published by Theodore Presser Company.

By G. Cirri (ca. 1740-1808). For Cello. DOWANI 3 Tempi Play Along - Cello. Artist: Kyrill Rodin - Cello; Vitaly Junitsky - Piano. Level: Easy. Sheet Music with CD (3 Tempi Play Along). Published by Dowani International.

By Frank Bridge. For Cello and Piano. Strings. Published by Stainer and Bell Ltd. (U.K. Import).

Cello - difficult

SKU: HL.49001527

Composed by Rodion Shchedrin. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. Composed 1996. 53 pages. Duration 28'. Schott Music #CB160. Published by Schott Music (HL.49001527).

ISBN 9790001120456. UPC: 884088018627. 9.0x12.0x0.199 inches.

Cello

SKU: HL.49001532

Composed by Peteris Vasks. This edition: Saddle stitching. Sheet music. Cello-Bibliothek (Cello Library). Classical. Composed 1974/2001. 44 pages. Duration 17'. Schott Music #CB 171. Published by Schott Music (HL.49001532).

ISBN 9790001131346. UPC: 073999353754. 9.0x12.0x0.159 inches.

Cello and piano - intermediate to advanced

SKU: HL.49005027

Composed by Harald Genzmer. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Composed 1953. 40 pages. Duration 16'. Schott Music #ED 4603. Published by Schott Music (HL.49005027).

ISBN 9790001053877. 0.126 inches.

Cello and Piano. By Various. Arranged by E Starker. (Cello). String Solo. Size 9x12 inches. Published by G. Schirmer, Inc.

Violoncello and Piano. By Felix Mendelssohn. Schott. Size 9x12 inches. 10 pages. Published by Schott.

By Various. Edited by Schulz. For violoncello, piano. 12 Pieces by Bach,Beethoven,Gluck,Hand el,Hummel,Moz. Published by C.F. Peters.

Violoncello & Piano (Organ) or CD Play Back / Play Along - Grade 2

SKU: MA.EMR-57093

Composed by Jerome Naulais. Score and parts. Duration 29'52. Editions Marc Reift #EMR 57093. Published by Editions Marc Reift (MA.EMR-57093).

O Little Town Of Bethlehem / Good King Wenceslas / In Dulci Jubilo / Joy To The World / Stille Nacht / Il est ne le Divin enfant / Jingle Bells / O Come, Little Children / Kling / Les anges dans nos campagnes / O Holy Night / The First Nowell etc...

Chamber Music Cello, Piano

SKU: CF.BF141

Composed by Ernest Bloch. Edited by Julian Schwarz. 12+8 pages. Carl Fischer Music #BF141. Published by Carl Fischer Music (CF.BF141).

ISBN 9781491159989. UPC: 680160918584.

The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.

The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.

The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.

The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917.

Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance. The first movement, Prayer, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski's (1912-1991) now well-known setting of the High Holyday prayer Avinu Malkenu. This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both Prayer and Janowski's Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos. The second movement, Supplication (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, Jewish Song, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience. The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch's most celebrated work, Schelomo in 1917. Though the popularity of Bloch's oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America's composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.
The three pieces From Jewish Life were composed by Swiss-American composer Ernest Bloch in 1924, the same year he took U.S. citizenship. Though clearly inspired and influenced by Jewish experience, they are purely concert pieces, and do not provide any specific liturgical significance.The first movement, “Prayer”, is a deeply heartfelt plea to the almighty. As Neil W Levin writes, “The initial four-note motive in the minor mode, together with its elaboration in the ensuing phrases, sounds as if it might have served as the skeletal model for Max Janowski’s (1912–1991) now well-known setting of the High Holyday prayer Avinu Malkenu.” This prayer has special meaning in my own spiritual life, as I have been singing it since my childhood. Both “Prayer” and Janowski’s Avinu Malkenu are cantorial in nature, to be sung with heartfelt pathos.The second movement, “Supplication� � (the act of begging humbly), has more angst, almost a sense of urgency as a result of the rhythmic motor in the piano. The third movement, “Jewish Song”, evokes a quintessentially Eastern-European melancholy. Its falling motives with bent intonation might represent the pain of the Jewish experience.The works were dedicated to Dutch-American cellist Hans Kindler, a highly influential musician of his time, and founder of the National Symphony Orchestra in Washington, D.C. Mr. Kindler was the soloist for the world premiere of Bloch’s most celebrated work, Schelomo in 1917.Though the popularity of Bloch’s oeuvre has been dominated by works of Jewish connection, we should not forget that Bloch had many other stylistic periods, including Franco-Belgian, modal, serial, and even American folk. In 1927, he was awarded Musical America’s composition prize in a unanimous vote, despite being regarded as an outsider by American music writers at the time. His winning work America (1928) was performed by every major orchestra and conductor in the following seasons. May we be proud of his contributions to American music.

Short Cello Pieces by Hywel Davies. Music Sales America. Film and TV. 64 pages. Bosworth and Co. #BOE005186. Published by Bosworth and Co.

(Sonatas for violoncello and piano). By Ludwig van Beethoven (1770-1827). Edited by Christiane Wiesenfeldt. For cello and piano. Standard notation

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. Classical, Chamber Music. Score and set of parts. Published by FLEX Editions (FL.FX071075).

Composed by Felix Bartholdy Mendelssohn (1809-1847). Arranged by Eric Vireton. Classical, Chamber Music. Score and set of parts. Published by FLEX Editions (FL.FX071093).

Composed by Franz Joseph Haydn (1732-1809). Trio book for violin, cello and piano. With standard notation. Published by International Music Co.

Edited by Rachel Lonergan. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital. Level: Intermediate. Piano Score and Solo Part. Published by Last Resort Music Publishing.

(Grade 2 Cello Solo). By Franz Liszt (1811-1886). Arranged by John Cacavas. Hal Leonard Solo and Ensemble. Grade 2. 8 pages. Published by Hal Leonard

Composed by Johannes Brahms (1833-1897). Adrian's Song Album Series. Classical. Solo part with score. 21 pages (score); 7 pages (part) pages. Published by Verlag Dohr (VD.E.D.88530).

Composed by Gabriel Faure (1845-1924), edited by Roy Howat. For cello and piano accompaniment. Format: set of performance parts (includes separate pull-out cello part). With solo part, piano accompaniment, performance notes and introductory text. Romantic period. 47 pages. 9x12 inches. Published by C.F. Peters.

Cello with Piano Reduction. Composed by Peter Ilyich Tchaikovsky (1840-1893). Instrumental. Ballet, Christmas, Classical. Softcover Audio Online. 64 pages. Published by Hal Leonard

Composed by Claude Debussy (1862-1918). Edited by N. Lee. CRITICAL EDITIONS. Classical. Hardcover. Editions Durand #DB15970. Published by Editions Durand (HL.50600589).