By Anne Witt. Edited by Thom Proctor. String method/supplement. 32 pages. Published by Belwin.

Composed by Renata Bratt. Saddle-stitched. Fiddle Tunes. Book and online audio. 52 pages. Mel Bay Publications, Inc #30783M. Published by Mel Bay Publications, Inc

Cello - difficult

SKU: HL.49019989

As is the way of the world. Composed by Elisabeth Naske. This edition: Saddle stitching. Sheet music. String Solo. Softcover. Composed 2009. 16 pages. Duration 12'. Schott Music #CB267. Published by Schott Music (HL.49019989).

ISBN 9790001195089. 9.25x12.0x0.12 inches.

The title goes back to the illustrated book 'Kamfu mir helfen?' by Dirk Schmidt & Barbara Schmidt. The charming story inspired the composer to write music which, according to tradition, is based on the seventh and second intervals, using the common string techniques such as scale, arpeggio, double stop and trill.Naske is one of the most successful female composers in the field of children's theatre. This is why there is a lot of theatricality combined with humour and irony in this virtuoso solo piece, which is also rewarding for viola and violoncello.

By Aaron Copland. Arranged by Quincy C. Hilliard. (Cello). Boosey and Hawkes Chamber Music. Book only. Size 9x12 inches. 16 pages. Published by Boosey & Hawkes.

(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott Rush. For cello. Habits of a Successful Musician. Music Education - Method. Method book. 72 pages. Published by GIA Publications

By Katherine Curatolo. For cello. Saddle-stitched. Wedding Music. Intermediate-Advanced. Book. 32 pages. Published by Mel Bay Publications, Inc

Violoncello - Level 5

SKU: BA.BA11071

Composed by Matthias Pintscher. In a folder. Part II of the cycle Profiles of Light. Performance score. Composed 2015. 4 pages. Baerenreiter Verlag #BA11071_00. Published by Baerenreiter Verlag (BA.BA11071).

ISBN 9790006562015. 42 x 29.7 cm inches.

“Now II” is the second part of a triptych of chamber pieces entitled “Profiles of Light”. The first part is written for solo piano (Now I, BA 11073), the second for unaccompanied cello. The two instruments are then combined in the concluding third part, Uriel (BA 11013).

All three pieces were inspired by the Abstract Expressionist paintings of the American artist Barnett Newman. Newman's work has had a formative impact on Matthias Pintscher's artistic philosophy: what does it mean to reduce things to essentials while seeking maximum immediacy of expression? Several of Newman's paintings have a radiant light of uncommon intensity, yet resembling a dark illumination. The same sort of thing is found in the late works of Franz Schubert, where a comparable profundity and retrospective yearning likewise shine through the surface of even the brightest tonalities.

This is a piece about resonances, about the inward and outward givens of existence, about life itself: 'I find the cello a highly suitable instrument for depicting such existential conditions'.