Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. ...(+)
Selected from the
2020-2023
syllabus. Composed by
ABRSM.
ABRSM Exam Pieces. ABRSM
(Associated Board of the
Royal Schools of Music)
#9781786012753. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. AB...(+)
Selected from the
2020-2023
syllabus. Composed by
ABRSM.
ABRSM Exam Pieces. ABRSM
(Associated Board of the
Royal Schools of Music)
#9781786012715. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. ...(+)
Selected from the
2020-2023
syllabus. Composed by
ABRSM.
ABRSM Exam Pieces. ABRSM
(Associated Board of the
Royal Schools of Music)
#9781786012289. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. AB...(+)
Selected from the
2020-2023
syllabus. Composed by
ABRSM.
ABRSM Exam Pieces. ABRSM
(Associated Board of the
Royal Schools of Music)
#9781786012296. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
20 Christmas Carols for One or Two Cellos. By Various Composers. Arranged by Bar...(+)
20 Christmas Carols for
One or Two Cellos. By
Various Composers.
Arranged by Barrie Carson
Turner. (Cello). Schott.
Book & CD Package. Size
9x12 inches. 32 pages.
Published by Schott.
Score & Part, with audio. Composed by ABRSM. ABRSM Exam Pieces. ABRSM ...(+)
Score & Part, with
audio.
Composed by ABRSM. ABRSM
Exam Pieces. ABRSM
(Associated Board of the
Royal Schools of Music)
#9781786012791. Published
by
ABRSM (Associated Board
of
the Royal Schools of
Music)
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello
SKU:
BO.B.3726
Composed by
Melani Mestre. Published
by Editorial de Musica
Boileau (BO.B.3726).
Written in
2001, this work was
conceived by the need to
enlarge the repertoire of
works for solo cello, an
important goal since the
repertoire of such works
is limited. Most cellists
are limited to
performances of such
well-known solo works as
the Suites of Bach,
written almost 300 years
ago, as well as other
classics of the genre by
Max Reger, Zoltan Kodaly,
Benjamin Britten, Gaspar
Cassado, Enric Casals,
etc.
The
intention of the Suite
Exotique is to
revolutionize the concept
of the Baroque suite by
transforming the suite
into a collection of
modern dances, which are
both contemporary and
widely recognized today.
Thus, the dances of the
Baroque suite, such as
Allemande, Courante,
Sarabande are substituted
for the Tango, Milonga,
Blues in such a way that
the traditional formal
structure of six
movements of Baroque
dances is modernized by
rhythms and contemporary
styles which coexist in
the Modern world, but are
separate from and do not
pertain to those works
which are normally
considered to belong to
the realm of cultured
music.
Apart
from the fusion
represented by the
mixture of a Baroque
genre with modern, urban
musical language found in
this work, the subtitle
exotica is appropriate
due to the originality of
writing such a work for
cello solo. This work
allows the interpreter to
explore and take full
advantage of their
technical, artistic and
expressive
abilities.
This
work establishes a total
symbiosis between the
instrument and the
evolutionary
transformation of its
musical language which in
turn creates a style
adapted to the expressive
requirements of the work
itself. The specific
techniques and qualities
of the cello are placed
in service of the
required style and
concept of each movement
of the Suite. At the same
time those stylistic
characteristics are
transformed and adapted
to the particular
characteristics of the
cello and taking full
advantage of the
instruments polyphonic,
sonic, aesthetic
qualities as well as its
timbre.
The
Suite Exotique was
premiered in August, 2003
during the International
Music Festival of Ibiza
by the Russian cellist
Svetlana Tovstukha.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello and Piano. Composed by Edvard Grieg (1843-1907). Arranged by Geoffr...(+)
Cello and Piano.
Composed by Edvard Grieg
(1843-1907). Arranged by
Geoffrey Grey. Sheet
music. Fentone
Instrumental Books.
Classical. Separate part,
double bass. 203. 8
pages. Fentone Music
#F203. Published by
Fentone Music
(HL.44005369).
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC0. Published
by The Frederick Harris
Music Company (FH.VC0).
ISBN
978-1-55440-536-7.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation for
the richness and
diversity of music
written for
cello. Supporting a
balanced course of study,
this series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Legato
Pieces on a Slower Tempo:
Beautiful Dreamer -
Foster, Stephen arr.
Forrest Kinney Shenandoah
- American folk song arr.
Jason Gray Waltz of the
Elephants - Konicek,
Zdenek Cradle Song
(Wiegenlied), op. 49, no.
4 - Brahms, Johannes arr.
Forrest Kinney Amazing
Grace - American hymn
arr. Forrest Kinney Loch
Lomond - Scottish folk
song arr. Christine
Donkin Nocturne -
Mendelssohn, Felix arr.
Jason Noble Early One
Morning - English folk
song arr. Akiko and
Forrest Kinney Austrian
Hymn (Gott erhalte Franz
den Kaiser), Hob. XXVIa:
43 - Haydn, Franz Joseph
arr. Jason Noble The
Minstrel Boy - Irish folk
song arr. Christine
Donkin Energetic Pieces
in a Faster Tempo: Smash
the Windows - Irish jig
arr. Jason Gray
Grandfather's Clock -
Work, Henry Clay arr.
Christine Donkin Sonatina
in C Major, op. 36, no. 1
- Clementi, Muzio arr.
Mark Mrozinski - Third
Movement: Rondo Mean
Street Chase - Blackwell,
David and Kathy Blackwell
Forlane (from La reine de
Peris, act 3) - Aubert,
Jacques arr. Kathleen
Wood Allegro, K 3 -
Mozart, Wolfgang Amadeus
arr. Jason Noble Parson's
Farewell - English
country dance arr. Jason
Gray Contredanse, K 106
(588a), no. 1 - attr.
Mozart, Wolfgang Amadeus
arr. Kathleen Wood Melted
Mouse and Roasted Rat in
Choc'late Sauce -
Lumsden, Caroline and Ben
Atwood Theme and
Variations - Beethoven,
Ludwig van arr. Endre
Lengyel and arpad
Pejtsik.
Cello SKU: VD.ED13802 Composed by Jan Freidlin. Edited by Julia Polziehn....(+)
Cello
SKU:
VD.ED13802
Composed
by Jan Freidlin. Edited
by Julia Polziehn.
Classical. Score.
Composed 2013. 6 S.
pages. Verlag Dohr
#ED13802. Published by
Verlag Dohr (VD.ED13802).
Violoncello - Level 5 SKU: BA.BA11071 Composed by Matthias Pintscher. In ...(+)
Violoncello - Level 5
SKU: BA.BA11071
Composed by Matthias
Pintscher. In a folder.
Part II of the cycle
Profiles of Light.
Performance score.
Composed 2015. 4 pages.
Baerenreiter Verlag
#BA11071_00. Published by
Baerenreiter Verlag
(BA.BA11071).
ISBN
9790006562015. 42 x 29.7
cm
inches.
“Now
II†is the second
part of a triptych of
chamber pieces entitled
“Profiles of
Lightâ€. The first
part is written for solo
piano (Now I, BA 11073),
the second for
unaccompanied cello. The
two instruments are then
combined in the
concluding third part,
Uriel (BA
11013).
All three
pieces were inspired by
the Abstract
Expressionist paintings
of the American artist
Barnett Newman. Newman's
work has had a formative
impact on Matthias
Pintscher's artistic
philosophy: what does it
mean to reduce things to
essentials while seeking
maximum immediacy of
expression? Several of
Newman's paintings have a
radiant light of uncommon
intensity, yet resembling
a dark illumination. The
same sort of thing is
found in the late works
of Franz Schubert, where
a comparable profundity
and retrospective
yearning likewise shine
through the surface of
even the brightest
tonalities.
This
is a piece about
resonances, about the
inward and outward givens
of existence, about life
itself: 'I find the cello
a highly suitable
instrument for depicting
such existential
conditions'.
Cello - intermediate SKU: HL.49001472 Cello. Composed by Giovanni ...(+)
Cello - intermediate
SKU: HL.49001472
Cello. Composed by
Giovanni Battista
Bononcini. Edited by Hugo
Ruf. Arranged by Hugo
Ruf. This edition: Saddle
stitching. Sheet music.
Cello-Bibliothek (Cello
Library). Classical. 20
pages. Schott Music
#CB101. Published by
Schott Music
(HL.49001472).
ISBN
9790001017220. UPC:
884088083496.
9.0x12.0x0.068
inches.
Play Along with a Full Symphony Orchestra!. Composed by Various. Instrumental Pl...(+)
Play Along with a Full
Symphony Orchestra!.
Composed by Various.
Instrumental Play-Along.
Play Along. Softcover
Audio Online. 20 pages.
Published by Hal Leonard
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book;...(+)
Cello Part.
Composed by Dr. Shinichi
Suzuki. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 20 pages.
Published by Alfred Music
(AP.40754).
(Cello 1). By Ludwig van Beethoven (1770-1827). Edited by Peter Hauschild. For o...(+)
(Cello 1). By Ludwig van
Beethoven (1770-1827).
Edited by Peter
Hauschild. For orchestra
(violoncello 1). This
edition: Urtext.
Orchester-Bibliothek
(Orchestral Library).
Individual part. 20
pages. Published by
Breitkopf and Haertel
Cello SKU: HL.48025289 Solo Cello. Composed by Elena Kats-Chernin....(+)
Cello
SKU:
HL.48025289
Solo
Cello. Composed by
Elena Kats-Chernin.
Boosey & Hawkes Chamber
Music. Classical, Waltz.
Softcover. 4 pages.
Duration 150 seconds.
Bote & Bock #M202537299.
Published by Bote & Bock
(HL.48025289).
ISBN
9783793144267. UPC:
196288172130.
9.0x12.0x0.045
inches.
I am Cello
is one of several solo
pieces by means of which
the Australian-based
composer remained in
contact with her
interpreters all over the
world during the time of
the coronavirus pandemic,
composing and
communicating via video
and streaming. It was
written for the cellist
Benedict Kloeckner and
produced by him at the
SWR Studio Kaiserslautern
in autumn 2020 and
released on CD by
Brilliant Classics the
following year. The
requirement to write
something short to be
played between the Bach
Solo Suites alongside the
music of other composers
quickly gave rise to the
idea of a piece that
“is almost a song
and tells almost a story.
It is also almost a
waltz, but a slow one. I
see this piece like a
flower bulb that opens up
over the course of 2-3
minutes,†says
Elena Kats-Chernin.
