Adaptable Trios Violoncelle - Débutant Excelcia Music Publishing
Cello - Grade 1.5-3 SKU: XC.SB2003 27 Trios for Any Three String Instr...(+)
Cello - Grade 1.5-3
SKU: XC.SB2003
27 Trios for Any Three
String Instruments.
Composed by Matthew R.
Putnam and Tyler Arcari.
Edited by Diana Trietta.
Solo & Ensemble.
Adaptable Trios.
Ensemble, Collection,
Book. Excelcia Music
Publishing #SB2003.
Published by Excelcia
Music Publishing
(XC.SB2003).
ISBN
9781644020265. UPC:
812598032758. 9 x 12
inches.
Adaptable
Trios contains 25
newly-composed or
arranged string trios
that can be flexibly used
with any combination of
string instruments,
making them an invaluable
resource in the modern
orchestra classroom!
Written at an accessible
1.5-3 grade level,
Adaptable Trios follow
the popular Adaptable
Duets books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft trios that are fun
to play and musically
stimulating. Edited by
dedicated Violinist and
educator Diana Traietta,
Adaptable Trios are sure
to become an instant
favorite.
Table of
Contents: Alla
Hornpipe ContredanseDanza de
Hercules Fanfare Fl
amingos German
Dance German
Dance March Minuet<
br>Musette My Country,
'Tis of
Thee Pastorale Path
etique Rondo Sailor
's Song Saint Anthony
Chorale Shenandoah
Sunayama The Ash
Grove The Imp Valse
Noble Volte Wait
just a
Minuet Waltz.
Cello - Grade 1.5 to 3 SKU: XC.SB2010 21 Quartets for Any Combination ...(+)
Cello - Grade 1.5 to 3
SKU: XC.SB2010
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2010. Published by
Excelcia Music Publishing
(XC.SB2010).
ISBN
9781644020555. UPC:
812598035537. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).
Cello - Grade 1.5-3.5 SKU: XC.SB2217 16 Trios for Any Combination of S...(+)
Cello - Grade 1.5-3.5
SKU: XC.SB2217
16 Trios for Any
Combination of String
Instruments. Composed
by Tyler Arcari. Edited
by Diana Traietta.
Solo/Ensemble. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2217. Published by
Excelcia Music Publishing
(XC.SB2217).
ISBN
9781644021118. 12 x 9
inches.
The
resurgence of the Sea
Shanty as a cultural
phenomenon in 2020 was a
perfect flashpoint for
this collection of 16
well-known and
re-discovered shanties.
Arranger Tyler Arcari
uses his experience at
writing flexible music
that works to bring this
new addition to your
adaptable library.
Playable with as little
as three musicians or
expandable to an entire
concert ensemble; these
Shanties bring a whole
new meaning to the phrase
All Hands on Deck. The
Adaptable Ensemble Series
has become a
well-established resource
for chamber music and
this new edition is in
top shipshape order.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.