Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello - Intermediate-Advanced SKU: HL.14017469 Composed by Kaija Saariaho...(+)
Cello -
Intermediate-Advanced
SKU: HL.14017469
Composed by Kaija
Saariaho. Music Sales
America. Post-1900. Sheet
Music, Score. With Text
language: English.
Chester Music #CH61806.
Published by Chester
Music (HL.14017469).
UPC: 884088812041.
8.5x11.0x0.419
inches.
Composer's
Note When I considered
the ensemble of eight
cellos, I first thought
of matt and dark
textures. I also wanted
to go back to some ideas
on symmetry. While I was
pondering all that, I saw
snow flakes falling from
the dark sky of the
Finnish autumn. Focusing
on the snow, the idea of
writing variations on it
and its various forms
became clearer in my
mind.Nuages de neige is a
uniform and linear
texture in which I
realise my first
impressions of that
ensemble. The two Etoiles
de neige are based on the
idea of symmetry and
repetition: the first one
develops up to a certain
point where it doubles
back as in a mirror
image, the second one
consists of eight
sections in which the
harmonic structure is
repeated, as well as a
linear gesture that
becomes ever more
present. Aguilles de
glace focuses on
different pizzicati and
superimposed ostinati.
With Fleurs de neige I
sought to recall the
texture of those harmonic
trills at the end of the
first section, although
more airy and diversified
here. Kaija Saariaho.
Written by Rick Mooney. Instructional book for cello. With introductory text, st...(+)
Written by Rick Mooney.
Instructional book for
cello. With introductory
text, standard notation,
fingerings, bowings,
instructional text and
instructional photos. 63
pages. Published by
Summy-Birchard Inc.
Cello, Piano Accompaniment - Grade 4 SKU: HL.248688 For Solo Cello...(+)
Cello, Piano
Accompaniment - Grade 4
SKU: HL.248688
For Solo Cello.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
12 pages. Chester Music
#CH86735. Published by
Chester Music
(HL.248688).
UPC:
888680729080. 9x12
inches.
English.
“Gor
don Wright was the friend
of a lifetime. For thirty
years Gordon and I shared
our two greatest
passions: music and
Alaska. Gordon was my
musical collaborator, my
next-door neighbor, my
fellow environmentalist
and my camping buddy.
These miniatures are
musical sketches of three
moments and places in our
friendship. Like Alaska,
Gordon was larger than
life. He always lived his
own way. And he died just
as he would have wanted.
We found him lying on the
deck of his cabin in the
Chugach Mountains, curled
up against his favorite
birch tree, looking
across the waters of
Turnagain Arm toward the
Resurrection Valley and
the tiny settlement of
Hope.” - John
Luther Adams
This
music contains no normal
stopped tones. All the
sounds are produced as
natural harmonics or on
open strings. There are
no harmonics higher than
the sixth. So these
sounds should be clear
and resonant. Even so,
balancing the harmonics
with the open strings
requires careful
attention.
The
durations of the
individual pieces are
given at the end of
each.
The total
duration of the set is
about ten minutes.
Cello SKU: HL.14028929 Composed by David Blake. Music Sales America. Clas...(+)
Cello
SKU:
HL.14028929
Composed
by David Blake. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120425.
Published by Music Sales
(HL.14028929).
Written for
Moray Welsh whilst still
an undergraduate at York
University. This piece
was completed in
mid-September. Inspired
by Hermann Hesse's
Steppenwolf. A solo
'cello seemed an
appropriate medium for
music which might explore
the character of Harry
Haller, with his desire
for bourgeois comfort and
his strong misanthropic
and suicidal tendencies.
The opening theme
attempts to express this
- melancholy, nostalgic,
a bit Biedermeyer (cf.
Brahms Intermezzi). The
basic theme of the book,
at its simplest, is that
every human personality
consists of hundred of
different personalities -
within every man there
lurks a wolf. Accordingly
the tendency of my piece
is for all its musical
material to become
distorted, either by
thematic transformation
or by changes of timbre.
There are three movements
played without a break.
The first is a character
portrait of the
Steppenwolf. The second
is concerned in the most
general sort of way with
the dance elements in the
novel - Harry's being
taught to dance and
appreciate low 'popular'
music - a tango is
recapitulated in a waltz
and 'Yearning', a popular
song of the time (1927)
is hinted at. The third
movement concerns the
Masked Ball and the Magic
Theatre. Mozart is one of
Hesse's great loves and
he is repeatedly
mentioned in the book.
Inevitably some Mozart
quotes have been worked
in, the most significant
being a reference to The
Magic Flute 'fire and
water' flute theme in the
middle of the second
movement. Long before I
finished the piece, I was
disenchanted with the
work of Hesse. Much of
Steppenwolf I now find
rather embarrassing and
the claims currently made
for Hesse's greatness
seem to me exaggerated.
Since my piece is in no
important sense
programmatically
specific, this change of
heart doesn't really
matter. ~ David
Blake.
Violoncello SKU: BA.BA10936 Composed by Robert Lindley. Edited by Valerie...(+)
Violoncello
SKU:
BA.BA10936
Composed
by Robert Lindley. Edited
by Valerie Walden. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
15. Baerenreiter Verlag
#BA10936_00. Published by
Baerenreiter Verlag
(BA.BA10936).
ISBN
9790006567287. 31 x 24.3
cm inches. Preface:
Walden,
Valerie.
Robert
Lindley
(1776–1855) was
the premier cellist in
England for more than 50
years. In 1822 he became
the first professor of
cello at the Royal
Academy of Music in
London, where he remained
until his retirement in
1851. Lindley, an
esteemed and much
sought-after teacher,
wrote not only the
present
“Capricciosâ€
but also a cello method,
several concertos, and
chamber music in which
the cello is prominently
featured.
The
“Capriccios and
Exercises†contain
a multitude of fingering
patterns in related major
and minor harmonies,
exercises for the thumb
position and many
passages of double stops,
all within a melodious
framework.
Barenreiter’s
scholarly performing
edition is edited by
Valerie Walden, offering
cellists and teachers
outstanding new material
for use in
lessons.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC6. Published
by The Frederick Harris
Music Company (FH.VC6).
ISBN
978-1-55440-542-8.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Concertos:<
br>Concerto No. 4 in G
Major, op. 65 -
Goltermann, Georg arr.
Leo Schulz - First
Movement:
Allegro Concertino No.
1 in C Major, op. 7 -
Klengel, Julius -
First Movement:
Allegro Concerto No. 1
in A Minor, RV 422 -
Vivaldi, Antonio arr.
Eberhard Wenzel -
Second Movement: Largo
cantabile Sonatas and
Suites: Sonata in D
Minor, op. 8, no. 9 - De
Fesch, Willem arr. Jason
Noble - First
Movement: Siciliano -
Second Movement:
Allemande Sonata in G
Minor, RV 42 - Vivaldi,
Antonio - First
Movement: Preludio -
Second Movement:
Allemanda Sinfonia in
F Major - Pergolesi,
Giovanni Battista arr.
Joseph Schmid - Third
Movement: Adagio -
Fourth Movement:
Presto Concert
Repertoire: Lied ohne
Worte, op. 109 -
Mendelssohn,
Felix Cantillation -
Ethridge,
Jean Supplication -
Bloch, Ernest Romanze
- Reger, Max La
Provencale - Marais,
Marin arr. May
Mukle Gavotte, op. 67,
no. 2 - Popper,
David Serenade
espagnole, op. 20, no. 2
- Glazunov, Aleksandr
arr. M.P.
Belaieff Andaluza
(Playera) - Granados,
Enrique arr. Manuel
Calvo Apparition -
Rathburn,
Eldon Siciliana -
Piazzolla,
Astor Unaccompanied
Repertoire: Suite No.
5 in C Minor, BWV 1011 -
Bach, Johann
Sebastian - Seventh
Movement: Gigue Suite
No. 2 in D Minor, BWV
1008 - Bach, Johann
Sebastian - Third
Movement:
Courante Suite No. 1
in G Major, BWV 1007 -
Bach, Johann
Sebastian - First
Movement: Prelude I
Dropped My Ice Cream Cone
- Laut, Edward Ballad
- Laut, Edward.
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For cello. Habits of a
Successful Musician.
Music Education - Method.
Method book. 72 pages.
Published by GIA
Publications
Cello SKU: HL.49047413 Cello Solo. Composed by Johann Sebastian Ba...(+)
Cello
SKU:
HL.49047413
Cello
Solo. Composed by
Johann Sebastian Bach.
Arranged by Daisuke
Kitaguchi. String Solo.
Classical. Softcover.
Zen-On #ZN337037.
Published by Zen-On
(HL.49047413).
ISBN
9784113370373. UPC:
196288216544.
9.0x12.0x0.16
inches.
“[Bach's]
six unaccompanied cello
suites bring together
three voices - two upper
voices and a bass - into
one line. If so, the
Goldberg Variations,
which have the same
structure, might also be
reproduced for
unaccompanied cello. This
sudden idea led me to the
arrangement of the piece.
Of course, it is
impossible to reproduce
every single note, but I
aimed to arrange it in a
way that all the notes
would sound in our mind.
When combining the three
lines into one, the most
crucial consideration
was, 'What would Bach
do?' I carefully read
materials and scores,
repeatedly listened to
recordings, performed my
arrangement in concerts,
and revised it over and
over. That time was not
painful, but pure joy,
and it was a time to
immerse myself in 'being
Bach.' It is no
exaggeration to say that
it was more a time of
recreation rather than
arrangement. The
articulations and slurs
are fundamentally based
on the facsimile of the
first edition (the
edition by Anne Fuzeau
Productions) that Bach
himself owned. It is a
highly credible edition
with corrections in red
written by Bach.”
Arrangement period:
2017-2023 Premiere:
December 8, 2020 at
Daisuke Kitaguchi Cello
Recital; Muramatsu
Recital Hall Shin-Osaka
(Osaka).
Emmelia Violoncelle [Conducteur] University Of York Music Press
Cello SKU: BT.MUSM570366453 Composed by Evis Sammoutis. Classical. Score ...(+)
Cello
SKU:
BT.MUSM570366453
Composed by Evis
Sammoutis. Classical.
Score Only. 10 pages.
University of York Music
Press #MUSM570366453.
Published by University
of York Music Press
(BT.MUSM570366453).
English.
'Brice
Catherin, a cellist and a
composer exploring the
notion of the
one-man-band concept,
commissioned this work;
this composition was
subsequently the result
of our collaboration. My
aim has been to create a
work where the cellist
produces sounds using his
full body: his hands
(employing a variety of
extended techniques on
the Cello and external
objects), his feet, his
mouth (singing and
playing the harmonica and
flexible tube) and even
his face on one occasion
to muffle the strings.
There are two central
themes in the work:
virtuosity and theatre,
both strong, frequent
features of my
compositional oeuvre.
After several meetings
and experimentation with
Brice, I chose asetup
that enhances the musical
scope without visually
cluttering the stage. I
am also using a rather
unusual scordatura that
not only changes the
timbre of the instrument
itself, but also helps
create unique soundscapes
that blend together with
the sounds from the
spring drums, the human
voice (whistling, groans
and other effects), a
singing bowl, a harmonica
and a flexible tube among
others. The work is
entitled Emmelia and
there are two reasons for
this: Emmelia derives
from the prefix en (in)
and the noun melos
(harmony), thus meaning
in harmony. The
composition is structured
and developed in clearly
defined sections (noisy,
harmonious, distorted,
etc.), based on
information revealed by a
spectral analysis of an
F1 spectrum on the cello
(tuned a fifth below low
C), played and recorded
using a variety of
attacks and triggering
objects and methods.
Emmelia is also the name
of my baby daughter, who
has been my constant
inspiration since she was
born.' - Evis
Sammoutis.
Cello (Cello) SKU: HL.49044838 For solo cello. Composed by Thomas ...(+)
Cello (Cello)
SKU:
HL.49044838
For
solo cello. Composed
by Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
String. Vier Seiten is a
response to Ayrton
Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the.
Softcover. Composed 1997.
8 pages. Duration 7'.
Schott Music #CB269.
Published by Schott Music
(HL.49044838).
ISBN
9790220134418. UPC:
841886027602.
9.0x12.0x0.067
inches.
Vier Seiten
for violoncello is an
attempt to present an
event that in reality
takes about two seconds
in extreme slow motion,
thus making even the
micromovements visible or
audible beyond the
straight line of
motion.When I composed
the piece, the fatal
accident of Ayrton Senna
came to my mind again and
again - an accident which
was shown on TV in slow
motion again and again
until it became
unbearable. The fast
motion of the car
immediately before the
crash into a concrete
wall, a motion which was
no longer purposeful but
out of control and which
had the car pulled to and
fro and from side to
side, was followed by
that crash. In this
extreme slow motion, it
is no longer shown as a
crash but as the fast
telescoping of carbon
fibre, metal and human
body parts.After this
crash, as a postlude so
to speak, everything
suddenly slowed down,
tyres and automotive
particles floating in the
air, the torso of the
vehicle swinging until
the motion stopped. It
was not until this moment
that I realized that the
whole presentation of the
incident had been
accompanied by paralyzing
silence.- Thomas
Larcher
Vier
Seiten is a response to
Ayrton Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the
apparent stillness of the
immediate aftermath.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC8. Published
by The Frederick Harris
Music Company (FH.VC8).
ISBN
978-1-55440-544-2.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Preparatory
Level: Etude in C
Major - Schroeder,
Carl Stroll Along -
Anonymous arr. Samuel
Applebaum Etude in C
Major - Romberg, Bernhard
Heinrich Climbing the
Scale - Hewitt-Jones,
Anita Etude in C Major
- Kummer, Friedrich
August My Pony -
Slovenian folk song arr.
Francis Grant Level
1: The Willow Tree -
Grant, Francis Etude
in C Major - Hohmann,
Christian-Heinrich Tra
velling Along -
Hewitt-Jones,
Anita The Train -
Legg, Pat Up and Down
Again - Dancla, Charles
arr. Samuel
Applebaum Etude in G
Major - Dotzauer,
Friedrich Etude in C
Major - Romberg, Bernhard
Heinrich Etude in G
Major, op. 101, no. 9 -
Lee, Sebastian Level
2: Etude in D Major -
Kummer, Friedrich
August Etude in B flat
Major, op. 70, no. 16 -
Lee,
Sebastian Phrygian
Frolic - Legg,
Pat Martele March -
Hewitt-Jones,
Anita Pachyderm Parade
- Mooney, Rick Etude
in G Minor - Romberg,
Bernhard
Heinrich Etude in C
Major - Werner,
Josef Level
3: Etude in A Major -
Dotzauer,
Friedrich Spiccato
Race - Hewitt-Jones,
Anita Etude in G
Major, op. 30, no. 6 -
Brueckner, Oskar Etude
in C Major - Borschitzky,
Johann Francis Etude
in B flat Major - Tabb,
Richard
Valentine Etude in G
Major - Kummer, Friedrich
August Etude in F
Major - Matz,
Rudolf Fire Stations -
Legg, Pat Etude in F
Major - Feuillard, Louis
R. Level 4: Etude
in G Minor, op. 70, no.
24 - Lee,
Sebastian Etude in C
Major - Tabb, Richard
Valentine Etude in D
Major - Matz,
Rudolf Calypso - Legg,
Pat I Was a Teenage
Monster - Mooney,
Rick Suo-Gan (A Welsh
Lullaby) - Welsh folk
song Arr. Rick
Mooney Etude in D
Minor - Werner,
Joseph Etude in G
Major, op. 31, no. 12 -
Schroeder, Carl Etude
in C Major - Feuillard,
Louis R. Spinner's
Waltz - Hewitt-Jones,
Anita.
Cello - Early Intermediate SKU: FH.VC3 Cello Series, 2013 Edition....(+)
Cello - Early
Intermediate
SKU:
FH.VC3
Cello
Series, 2013 Edition.
Composed by The Royal
Conservatory. Cello
Series, 2013 Edition.
Book/CD. The Frederick
Harris Music Company
#VC3. Published by The
Frederick Harris Music
Company (FH.VC3).
ISBN
978-1-55440-539-8.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Trio
Sonata in D Minor (La
Follia), RV 63 - Vivaldi,
Antonio arr. arpad
Pejtsik Sonata in F
Major, TWV 41:F2 -
Telemann, Georg Philipp
arr. Kathleen Wood -
First Movement Sonata
in D Major, HWV 371 -
Handel, George
Frideric - Third
Movement Suite No. 3 -
Caix d'Hervelois, Louis
de arr. L.-R.
Feuillard - Eleventh
Movement: Musette (La
Brantes) Ave Verum
Corpus (Hail, True Body),
K 618 - Mozart, Wolfgang
Amadeus arr. Jason
Gray Concertino No. 5
in D Major - Breval,
Jean-Baptiste arr. Pierre
Ruyssen - First
Movement Traditional
and Romantic
Repertoire: Norweigian
Dance, op. 35, no. 2 -
Grieg, Edvard arr.
Christine
Donkin Prelude in B
Minor, op. 28, no. 6 -
Chopin, Frederic arr.
Jason Noble El cant
dels ocells (Song of the
Birds) - Catalan
Christmas carol arr.
Jason Gray On Wings of
Song, op. 34, no. 2 -
Mendelssohn,
Felix L'elephant (The
Elephant) - Saint-Saens,
Camille Standchen
(Serenade), D 957, no. 4
- Schubert,
Franz Repertoire
Composed After ca
1930 My Blue 'Cello -
Gout, Alan Rondo -
Matz, Rudolf Just
Passing By - Wedgwood,
Pam Fuego Espanol!
(Spanish Fire!) -
Birston,
Harold Minuet, op. 19,
no. 3 - Squire, William
Henry Langsam (Slowly)
- Hindemith, Paul.
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
(Cello). For Cello. Book;
CD; Play-Along; String
Series. Instrumental
Solos
Series. Pop; Pop/Rock.
Grade
2; Grade 3. 52 pages.
Published by Alfred Music
Adaptable Trios Violoncelle - Débutant Excelcia Music Publishing
Cello - Grade 1.5-3 SKU: XC.SB2003 27 Trios for Any Three String Instr...(+)
Cello - Grade 1.5-3
SKU: XC.SB2003
27 Trios for Any Three
String Instruments.
Composed by Matthew R.
Putnam and Tyler Arcari.
Edited by Diana Trietta.
Solo & Ensemble.
Adaptable Trios.
Ensemble, Collection,
Book. Excelcia Music
Publishing #SB2003.
Published by Excelcia
Music Publishing
(XC.SB2003).
ISBN
9781644020265. UPC:
812598032758. 9 x 12
inches.
Adaptable
Trios contains 25
newly-composed or
arranged string trios
that can be flexibly used
with any combination of
string instruments,
making them an invaluable
resource in the modern
orchestra classroom!
Written at an accessible
1.5-3 grade level,
Adaptable Trios follow
the popular Adaptable
Duets books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft trios that are fun
to play and musically
stimulating. Edited by
dedicated Violinist and
educator Diana Traietta,
Adaptable Trios are sure
to become an instant
favorite.
Table of
Contents: Alla
Hornpipe ContredanseDanza de
Hercules Fanfare Fl
amingos German
Dance German
Dance March Minuet<
br>Musette My Country,
'Tis of
Thee Pastorale Path
etique Rondo Sailor
's Song Saint Anthony
Chorale Shenandoah
Sunayama The Ash
Grove The Imp Valse
Noble Volte Wait
just a
Minuet Waltz.
Cello - Grade 1.5 to 3 SKU: XC.SB2010 21 Quartets for Any Combination ...(+)
Cello - Grade 1.5 to 3
SKU: XC.SB2010
21 Quartets for Any
Combination of String
instruments. Composed
by Various. Edited by
Diana Traietta, Matthew
R. Putnam, and Tyler
Arcari. Arranged by
Matthew R. Putnam and
Tyler Arcari. Concert and
Holiday. Adaptable
Ensemble Series. Concert
and Contest. Concert and
contest. Ensemble,
Collection, Book.
Excelcia Music Publishing
#SB2010. Published by
Excelcia Music Publishing
(XC.SB2010).
ISBN
9781644020555. UPC:
812598035537. 9 x 12
inches.
Adaptable
Quartets contains 21
newly-composed or
arranged quartets that
can be flexibly used with
any combination of string
instruments, making them
an invaluable resource in
the modern orchestra
room! Written at an
accessible 1.5-3 grade
level, Adaptable Quartets
follow the popular
Adaptable Duets and Trios
books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft quartets that are
fun to play and musically
stimulating. Adaptable
Quartets are sure to
become an instant
favorite. String editing
by Diana
Traietta.
CONTENTS
Abide with Me
(Monk) Agincourt
Carol (English Folk
Song) The Barber of
Seville (Rossini) Be
Thou My Vision (Trad.
Irish) Capstone
(Arcari) Chorale -
Jupiter (Holst)
Country Gardens (Trad.
Morris Dance) Curse
of Tortuga (Arcari)
Dawn of the Century -
March (Paull) Fortune
Favors the Bold
(Putnam) Gesu Bambino
(Yon) Go Tell It on
the Mountain
(Spiritual)
Greensleeves (Trad.
English Folk Song)
Home on the Range
(Kelly) In the Hall
of the Mountain King
(Grieg) Les Toreadors
- Carmen (Bizet)
Scimitar! (Matthew R.
Putnam) Sea Shanty
(19th Century Sea
Shanty) Song Without
Words - Second Suite in F
(Holst) The Emperor
Waltz (Strauss II)
When Johnny Comes
Marching Home (American
Folk Song).