Cello SKU: HL.224731 For Cello. By Various. Instrumental Folio. Po...(+)
Cello
SKU:
HL.224731
For
Cello. By Various.
Instrumental Folio. Pop.
Softcover. 128 pages.
Published by Hal Leonard
(HL.224731).
ISBN
9781495090325. UPC:
888680671761.
9.0x12.0x0.312
inches.
Instrumenta
lists will love this
jam-packed collection of
101 timeless pop songs!
Songs include: Another
Brick in the Wall •
Billie Jean • Dust
in the Wind • Easy
• Free Bird •
Girls Just Want to Have
Fun • Hey Jude
• I'm a Believer
• Jessie's Girl
• Lean on Me
• The Lion Sleeps
Tonight • Livin' on
a Prayer • My Girl
• Piano Man •
Pour Some Sugar on Me
• Reeling in the
Years • Stand by Me
• Sweet Home
Alabama • Take Me
Home, Country Roads
• With or Without
You • You Really
Got Me • and
more.
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For cello. Habits of a
Successful Musician.
Music Education - Method.
Method book. 72 pages.
Published by GIA
Publications
Cello SKU: HL.14010200 For Solo Cello. Composed by Brian Elias. Mu...(+)
Cello
SKU:
HL.14010200
For
Solo Cello. Composed
by Brian Elias. Music
Sales America. Classical.
Softcover. With Text
language: English.
Chester Music #CH88180.
Published by Chester
Music (HL.14010200).
UPC:
884088837112.
â€
œElutropia is a Gemme,
in colour greene, or
grassie, in part coloured
and bespotted with Purple
speckes & bloud
coloures vaines. This is
a marvellous Jugler, for
it will cause things
object to be presented to
our eies as it listeth.
It being put into a Basan
of water chaungeth to a
mans eyesight the Sunne
his beames, and giveth
them a contrarie colour.
Being also moved and
beaten in the ayre maketh
to appeare a bloudie
Sunne, and darkneth the
ayre in the maner of an
Eclipse: and therfore it
is called Eloutropia as
you would say, the Sunne
his enimie. There is of
this name also a certain
Hearbe which Enchaunters
& Witches have
oftentimes used and doe
use, as also that above
said, whereby they have
mocked and deluded many,
which by meanes and
working and enchauntment,
have so dazzled the
beholders eies, that they
have gone by them
invisibly.†John
Maplet (died 1592) A
greene forest, or A
natural historie 1567
This text from the
clergyman, astrologer and
natural historian John
Maplet's fascinating work
in which he describes the
properties of various
gemstones is the
inspiration for this
piece. Without being
programmatic, the music
is constantly developed
to try and mimic the way
the shafts of light
mutate through the gem,
and the illusions and
magic they create.
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cello SKU: BT.9781408114629 Composed by Maja Passchier. Abracadabra. Exam...(+)
Cello
SKU:
BT.9781408114629
Composed by Maja
Passchier. Abracadabra.
Exam Material. Book with
CD. 64 pages. Collins
Music Publishing
#9781408114629. Published
by Collins Music
Publishing
(BT.9781408114629).
ISBN 9781408114629.
English.
Now in
a third edition,
Abracadabra
Cello has a
fresh, contemporary new
look and is the perfect
book for pupil and
teachers.
This
title offers an identical
selection of repertoire
to the other booksin the
Abracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know andwant to
play, carefully graded in
20 learning steps, this
new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teachthefundamentals
of the instrument, and
each new technical aspect
is reinforced by several
pieces using that
particular
technique.
Abrac
adabra Cello now also
includes two CDs of
performance and backing
tracks, featuringselected
orchestral
backings.
Cello (Cello) SKU: HL.49044838 For solo cello. Composed by Thomas ...(+)
Cello (Cello)
SKU:
HL.49044838
For
solo cello. Composed
by Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
String. Vier Seiten is a
response to Ayrton
Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the.
Softcover. Composed 1997.
8 pages. Duration 7'.
Schott Music #CB269.
Published by Schott Music
(HL.49044838).
ISBN
9790220134418. UPC:
841886027602.
9.0x12.0x0.067
inches.
Vier Seiten
for violoncello is an
attempt to present an
event that in reality
takes about two seconds
in extreme slow motion,
thus making even the
micromovements visible or
audible beyond the
straight line of
motion.When I composed
the piece, the fatal
accident of Ayrton Senna
came to my mind again and
again - an accident which
was shown on TV in slow
motion again and again
until it became
unbearable. The fast
motion of the car
immediately before the
crash into a concrete
wall, a motion which was
no longer purposeful but
out of control and which
had the car pulled to and
fro and from side to
side, was followed by
that crash. In this
extreme slow motion, it
is no longer shown as a
crash but as the fast
telescoping of carbon
fibre, metal and human
body parts.After this
crash, as a postlude so
to speak, everything
suddenly slowed down,
tyres and automotive
particles floating in the
air, the torso of the
vehicle swinging until
the motion stopped. It
was not until this moment
that I realized that the
whole presentation of the
incident had been
accompanied by paralyzing
silence.- Thomas
Larcher
Vier
Seiten is a response to
Ayrton Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the
apparent stillness of the
immediate aftermath.
Violoncelle [Partition + CD] - Intermédiaire Alfred Publishing
(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. To...(+)
(Cello). Arranged by
Various. For Cello. Book;
CD; Play-Along; String
Series. Top Hits
Instrumental Solos.
Broadway; Movie; TV.
Grade 2; Grade 3. 76
pages. Published by
Alfred Music
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
By Janet Coles. For Cello. A New Tune A Day. Level: Beginner. Sheet Music, Audio...(+)
By Janet Coles. For
Cello. A New Tune A Day.
Level: Beginner. Sheet
Music, Audio CD and DVD
(Region 0), Instrumental
Tutor. 48 pages.
Published by Boston
Music.
Cello SKU: HL.14028929 Composed by David Blake. Music Sales America. Clas...(+)
Cello
SKU:
HL.14028929
Composed
by David Blake. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120425.
Published by Music Sales
(HL.14028929).
Written for
Moray Welsh whilst still
an undergraduate at York
University. This piece
was completed in
mid-September. Inspired
by Hermann Hesse's
Steppenwolf. A solo
'cello seemed an
appropriate medium for
music which might explore
the character of Harry
Haller, with his desire
for bourgeois comfort and
his strong misanthropic
and suicidal tendencies.
The opening theme
attempts to express this
- melancholy, nostalgic,
a bit Biedermeyer (cf.
Brahms Intermezzi). The
basic theme of the book,
at its simplest, is that
every human personality
consists of hundred of
different personalities -
within every man there
lurks a wolf. Accordingly
the tendency of my piece
is for all its musical
material to become
distorted, either by
thematic transformation
or by changes of timbre.
There are three movements
played without a break.
The first is a character
portrait of the
Steppenwolf. The second
is concerned in the most
general sort of way with
the dance elements in the
novel - Harry's being
taught to dance and
appreciate low 'popular'
music - a tango is
recapitulated in a waltz
and 'Yearning', a popular
song of the time (1927)
is hinted at. The third
movement concerns the
Masked Ball and the Magic
Theatre. Mozart is one of
Hesse's great loves and
he is repeatedly
mentioned in the book.
Inevitably some Mozart
quotes have been worked
in, the most significant
being a reference to The
Magic Flute 'fire and
water' flute theme in the
middle of the second
movement. Long before I
finished the piece, I was
disenchanted with the
work of Hesse. Much of
Steppenwolf I now find
rather embarrassing and
the claims currently made
for Hesse's greatness
seem to me exaggerated.
Since my piece is in no
important sense
programmatically
specific, this change of
heart doesn't really
matter. ~ David
Blake.
Cello solo SKU: BR.EB-8985 23 Song Settings for Young String Players(+)
Cello solo
SKU:
BR.EB-8985
23 Song
Settings for Young String
Players. Composed by
Esther Klein and Michael
Dartsch. Solo
instruments. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
8985. Published by
Breitkopf and Haertel
(BR.EB-8985).
ISBN
9790004187142. 0 x 0
inches.
German.
Songs are
part of the childhood.
This collection aims to
offer a variety of songs
for string ensembles,
such as young string
orchestras or string
classes. Included are
older and newer songs,
songs of various origins,
and songs for different
occasions and with themes
ranging from animals to
seasons and times of day
to tongue-in-cheek scary
subjects.Taking up the
motif of diversity in
their own way, the
six-part arrangements are
not confined to the usual
cadence harmonies and
accompaniment forms,
There is something
special to discover in
each of the songs. Small
vignettes with lyrics to
them are found in the
parts, and can be taken
up in rehearsals and
lessons.The songs begin
with fingering positions
and bowing techniques
that are usually learned
at the beginning of
lessons, then gradually
increase in difficulty,
though the booklet as a
whole is set at the
elementary level.
Suggestions for
improvisation and pieces
for practicing certain
requirements round out
the booklet. Special
emphasis is placed on
playing together - true
to the title: Together on
Strings!
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
Cello SKU: HL.51483306 For String Orchestra Cello Part. Composed b...(+)
Cello
SKU:
HL.51483306
For
String Orchestra Cello
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 17 pages. G.
Henle #HN3306. Published
by G. Henle
(HL.51483306).
UPC:
196288206811.
9.25x12.0x0.071
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Cello SKU: BT.EMBZ13487 Composed by Arpad Pejtsik and Friedrich Dotzauer....(+)
Cello
SKU:
BT.EMBZ13487
Composed
by Arpad Pejtsik and
Friedrich Dotzauer. EMB
Music Lesson - Exercises,
Studies. Studies &
Exercises. Book Only.
Composed 1991. 68 pages.
Editio Musica Budapest
#EMBZ13487. Published by
Editio Musica Budapest
(BT.EMBZ13487).
Dotzauer was a
trained musician who
wrote an opera,
symphonies, overtures, a
Mass, concertos and
chamber music. Of his
extensive life-work the
abundance of educational
compositions has proved
to be of lasting value in
the first place. The idea
to compile and publish a
selection from his
educational life-work
that meets the demands of
the time emerged at the
end of the 19th century
already. Of the several
publications of this kind
the work by Johannes
Klingenberg has turned
out to be the most
successful.
Justus
Johann Friedrich Dotzauer
war studierter Cellist
und Komponist einer Oper,
mehrerer Sinfonien, einer
Messe und Kammermusik.
Von seinem umfangreichen
Werk sind aber vor allem
seine pädagogischen
Werke, darunter zwei
Cello-Schulen und
zahlreiche Etüden,
heute noch sehr
geschätzt. Schon im
19. Jahrhundert gab es
Versuche, eine Auswahl
davon zusammen zu fassen.
Unter diesen hat sich die
hier in vier Bänden
vorliegende Ausgabe von
Johannes Klingenberg am
besten bewährt.
Cello SKU: BT.EMBZ13486 Composed by Friedrich Dotzauer. EMB Music Lesson ...(+)
Cello
SKU:
BT.EMBZ13486
Composed
by Friedrich Dotzauer.
EMB Music Lesson -
Exercises, Studies.
Studies & Exercises. Book
Only. Composed 1991. 64
pages. Editio Musica
Budapest #EMBZ13486.
Published by Editio
Musica Budapest
(BT.EMBZ13486).
English.
Dotzaue
r was a trained musician
who wrote an opera,
symphonies, overtures, a
Mass, concertos and
chamber music. Of his
extensive life-work the
abundance of educational
compositions has proved
to be of lasting value in
the first place. The idea
to compile and publish a
selection from his
educational life-work
that meets the demands of
the time emerged at the
end of the 19th century
already. Of the several
publications of this kind
the work by Johannes
Klingenberg has turned
out to be the most
successful.
Justus
Johann Friedrich Dotzauer
war studierter Cellist
und Komponist einer Oper,
mehrerer Sinfonien, einer
Messe und Kammermusik.
Von seinem umfangreichen
Werk sind aber vor allem
seine pädagogischen
Werke, darunter zwei
Cello-Schulen und
zahlreiche Etüden,
heute noch sehr
geschätzt. Schon im
19. Jahrhundert gab es
Versuche, eine Auswahl
davon zusammen zu fassen.
Unter diesen hat sich die
hier in vier Bänden
vorliegende Ausgabe von
Johannes Klingenberg am
besten bewährt.
Cello SKU: HL.14035889 Composed by Per Norgard. Music Sales America. Clas...(+)
Cello
SKU:
HL.14035889
Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. 9
pages. Music Sales
#KP00672. Published by
Music Sales
(HL.14035889).
ISBN
9788759859285.
English-Danish.
I -
Lento II - Imposante
III - Andante
Programme Note
In my early
television remembrance I
recall a broadcast with
Samuel Beckett, one of
the fathers of the absurd
play and drama. At one
time Beckett looked the
viewer (the camera) in
the eye and said:'What! -
is the Word'. I have not
since been able to forget
it, obviously, having
borrowed this ambiguous
sentence as title for
this short cello sonata.
The fact that
it is conceived as a
unity is obvious from the
fact that the two outer
movements are closely
related. The long,
immediately recognizable
melodic line which
dominates the first
movement appears in the
third movement aswell,
first in an inverted
version and then almost
identical to its original
appearance, only shorter.
In contrast, the
middle movement is a fast
one, constantly and
intensely on the move,
with many changes of
pulse and meters, as well
as large melodic leaps.
And while the outer
movements each are
composed as a single
melodic line, the middle
movement makes extensive
use of the cello as a
polyphonic instrument
employing lots of chords,
double stops and
flageolet effects.