Violoncello SKU: BA.BA05277 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05277
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: facsimile.
Paperback. Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05277_00.
Published by Baerenreiter
Verlag (BA.BA05277).
ISBN 9790006569618.
32.5 x 25.5 cm
inches.
The suites
are the very core of
cello literature, with
their timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the worksâ??
significance, the great
number of editions in
existence is not
surprising. However, the
composerâ??s autograph
has not been preserved
and is considered lost.
This circumstance creates
an exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
This
facsimile edition is the
first to juxtapose all
four autograph sources as
well as the first print
(along with Bachâ??s own
arrangement of Suite No.
V for lute). For the
first time, readers can
compare a specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources.
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Cello SKU: HL.51483306 For String Orchestra Cello Part. Composed b...(+)
Cello
SKU:
HL.51483306
For
String Orchestra Cello
Part. Composed by
Antonin Dvorá, Antonin
Dvorak, and k. Edited by
Peter Jost. Henle Music
Folios. Classical.
Softcover. 17 pages. G.
Henle #HN3306. Published
by G. Henle
(HL.51483306).
UPC:
196288206811.
9.25x12.0x0.071
inches.
The
serenade flourished in
Mozart's era, but with
Brahms the genre
experienced a new surge
in popularity in the 19th
century. Dvorák's
cheerful and relaxed op.
22 came into being in
1875, during a very happy
time for him both
professionally and
privately. Heput his
personal stamp on the
five-movement composition
by incorporating stylized
Slavonic dances. The
spirited finale
captivates by restating
themes from the previous
movements. Since its
premiere in 1876 the
work, with its melodic
richness and particular
harmonic modulations, has
enjoyed great acclaim
from audiences and
critics alike. Today it
is among Dvorák's most
popular and most
frequently performed
compositions. As well as
the autograph and printed
editions, the composer's
copy of the printed score
with autograph
corrections and additions
has been consulted for
Henle's Urtext
edition.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Quartett Violoncelle [Conducteur et Parties séparées] Verlag Dohr
(Rekonstruktion nach dem Kolner Autograph, Erstausgabe). By Jacques Offenbach (1...(+)
(Rekonstruktion nach dem
Kolner Autograph,
Erstausgabe). By Jacques
Offenbach (1819-1880).
For 4 Cellos. Classical.
Score and Parts. Composed
1840. 24 pages (part); 4
x 8 pages (score).
Published by Verlag Dohr
Cello SKU: HU.HN780 Composed by Eugene Ysaye. Edited by Christian Bellisario. C...(+)
Cello
SKU: HU.HN780
Composed by Eugene Ysaye.
Edited by Christian
Bellisario. Cello Solo,
Strings, Repertoire,
Solos. Sonata for
Violoncello solo Op. 28.
20th Century, Classical.
Softcover Book. 14 pages.
G. Henle #HN780.
Published by G. Henle
(HU.HN780).
12.2 x 9.3 inches.
Cello SKU: PE.EP68766 Composed by Christian Wolff. Cello Solo Book. Class...(+)
Cello
SKU:
PE.EP68766
Composed
by Christian Wolff. Cello
Solo Book. Classical;
Contemporary. Book. 8
pages. Edition Peters
#98-EP68766. Published by
Edition Peters
(PE.EP68766).
ISBN
9790300762760.
E
ach of these five
movements for solo cello
uses a different
technique to extend the
performer's control over
various dimensions of the
music. The composer
writes:
There are
five pieces. In the
first, second and fifth
there are phrase
sequences with free
pauses between them.
There are also notations
for just dynamics (sounds
free), and for just
rhythms (free sounds).
The third and fourth
pieces are on grids of 6
x 6 and 8 x 8 bars,
allowing continuities to
be chosen in variously
free ways.
The
fifth piece, consisting
of a series of passages
that may be performed in
any sequence, may also be
played as a cello duo,
with the second cellist
playing a different
sequence.
The Anton
of the title is the
dedicatee, cellist Anton
Lukoszevieze, who gave
the world premiere of
this suite at St James'
Church, Islington, London
on September 21, 2018.
This performing edition
is a facsimile of the
composer's autograph
manuscript. At moderate
tempi, the total duration
of the work may be
approximately 15
minutes.
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite
retailer.
Cello SKU: HU.HN666 Composed by Johann Sebastian Bach. Edited by Egon Voss. Str...(+)
Cello
SKU: HU.HN666
Composed by Johann
Sebastian Bach. Edited by
Egon Voss. Strings,
Repertoire, Solos. 6
Suites for Violoncello
solo BWV 1007-1012.
Softcover Book. 136
pages. G. Henle #HN666.
Published by G. Henle