Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Cello solo SKU: BR.EB-9357 2 Studies for Solo Violoncello. Compose...(+)
Cello solo
SKU:
BR.EB-9357
2
Studies for Solo
Violoncello. Composed
by Martin Smolka. Solo
instruments; stapled.
Edition Breitkopf.
Compulsory Piece for
the Final Round oft he
ARD International Music
Competition (Munich,
September 2019)
Music
post-1945; New music
(post-2000). Score.
Composed 2019. 16 pages.
Duration 9'. Breitkopf
and Haertel #EB 9357.
Published by Breitkopf
and Haertel (BR.EB-9357).
ISBN 9790004188279. 9
x 12 inches.
The
sound of the cello in
this piece should be
foggy like voice of Ella
Fitzgerald. Sweet, smooth
and pleasant, but at the
same time slightly
hoarse, rustle, dirty.
There are almost only
natural harmonics; either
single, or in chords
(triple-stops) including
two natural harmonics, or
double-stops of two
harmonics. All should be
played flautando, sul
tasto and molto lasciar
vibrare. Flautando and
sul tasto should serve in
search for the foggy
color - harmonics should
speak less clear than
normally, but more smooth
and decent.(Martin
Smolka) ,Like Ella' would
be suited to a player of
a high standard as many
harmonics are in higher
positions and played as
triple-stops. I would
recommend ,Like Ella' to
an advanced cellist
seeking to learn a piece
of modern music to add to
their concert
repertoire.(Mitchell
Smith, AUSTA
Stringendo)
Compul
sory Piece for the Final
Round of the ARD
International Music
Competition (Munich,
September 2019).
Violoncello SKU: BA.BA10936 Composed by Robert Lindley. Edited by Valerie...(+)
Violoncello
SKU:
BA.BA10936
Composed
by Robert Lindley. Edited
by Valerie Walden. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
15. Baerenreiter Verlag
#BA10936_00. Published by
Baerenreiter Verlag
(BA.BA10936).
ISBN
9790006567287. 31 x 24.3
cm inches. Preface:
Walden,
Valerie.
Robert
Lindley
(1776–1855) was
the premier cellist in
England for more than 50
years. In 1822 he became
the first professor of
cello at the Royal
Academy of Music in
London, where he remained
until his retirement in
1851. Lindley, an
esteemed and much
sought-after teacher,
wrote not only the
present
“Capricciosâ€
but also a cello method,
several concertos, and
chamber music in which
the cello is prominently
featured.
The
“Capriccios and
Exercises†contain
a multitude of fingering
patterns in related major
and minor harmonies,
exercises for the thumb
position and many
passages of double stops,
all within a melodious
framework.
Barenreiter’s
scholarly performing
edition is edited by
Valerie Walden, offering
cellists and teachers
outstanding new material
for use in
lessons.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cello (Cello) SKU: HL.49044838 For solo cello. Composed by Thomas ...(+)
Cello (Cello)
SKU:
HL.49044838
For
solo cello. Composed
by Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
String. Vier Seiten is a
response to Ayrton
Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the.
Softcover. Composed 1997.
8 pages. Duration 7'.
Schott Music #CB269.
Published by Schott Music
(HL.49044838).
ISBN
9790220134418. UPC:
841886027602.
9.0x12.0x0.067
inches.
Vier Seiten
for violoncello is an
attempt to present an
event that in reality
takes about two seconds
in extreme slow motion,
thus making even the
micromovements visible or
audible beyond the
straight line of
motion.When I composed
the piece, the fatal
accident of Ayrton Senna
came to my mind again and
again - an accident which
was shown on TV in slow
motion again and again
until it became
unbearable. The fast
motion of the car
immediately before the
crash into a concrete
wall, a motion which was
no longer purposeful but
out of control and which
had the car pulled to and
fro and from side to
side, was followed by
that crash. In this
extreme slow motion, it
is no longer shown as a
crash but as the fast
telescoping of carbon
fibre, metal and human
body parts.After this
crash, as a postlude so
to speak, everything
suddenly slowed down,
tyres and automotive
particles floating in the
air, the torso of the
vehicle swinging until
the motion stopped. It
was not until this moment
that I realized that the
whole presentation of the
incident had been
accompanied by paralyzing
silence.- Thomas
Larcher
Vier
Seiten is a response to
Ayrton Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the
apparent stillness of the
immediate aftermath.
Instrumental Play-Along for Cello. Composed by George Gershwin (1898-1937). ...(+)
Instrumental Play-Along
for
Cello. Composed by George
Gershwin (1898-1937).
Instrumental Play-Along.
Softcover Audio Online.
16
pages. Published by Hal
Leonard
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC2. Published
by The Frederick Harris
Music Company (FH.VC2).
ISBN
978-1-55440-538-1.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Chaconne -
Handel, George Frideric
arr. Peter Heilbut Un
ballo (A Ball) -
Steibelt, Daniel arr.
Eugen Rapp Schwedisch
(Swedish) - Romberg,
Bernhard arr. Percy
Such When I Am Laid in
Earth (from Dido and
Aeneas) - Purcell,
Henry Concertino No. 4
in C Major, op. 22 -
Breval, Jean-Baptiste
arr. L.-R.
Feuillard Ombra mai fu
(Never Was a Shade)
Handel, George Frideric
arr. Gaston
Borch Traditional and
Romantic
Repertoire: The Joker,
op. 126b, no. 3 -
Grechaninov,
Alexandr Anitra's
Dance - Grieg, Edvard
arr. Ann Lindsay She's
Like the Swallow -
Canadian folk song arr.
Forrest Kinney Joyeuse
(Joyful) - Squire,
William Henry After
the Bass Is Over -
Harris, Charles K. arr.
Pat Legg and Alan
Gout Repertoire
Composed after ca
1930: Hen and Rooster
- Konicek,
Zdenek Latin Nights -
Blackwell, David and
Kathy
Blackwell Running of
the Bulls - Cheney,
Elliott W. Wrist Watch
- Birston,
Harold Sunday Drag -
Perry, Anita
D. Soft-Shoe Dance -
Reubart, Dale For a
Blue Note - Allerme,
Jean-Marc.
