Chamber Music Cello SKU: PR.114418590 For solo Cello. Composed by ...(+)
Chamber Music Cello
SKU: PR.114418590
For solo Cello.
Composed by Chen Yi. -.
Score. With Standard
notation. 4 pages.
Duration 3:30. Theodore
Presser Company
#114-41859. Published by
Theodore Presser Company
(PR.114418590).
ISBN
9781491111499. UPC:
680160642670. 9x12
inches.
Written
originally for solo
violin (114-41410), Chen
Yi's memorial to a
favorite teacher captures
the depths of loss, the
power of Memory. The
piece was adapted for
solo flute (114-41787) by
Mary Holzhausen, and is
now arranged for solo
cello by the
composer.________________
______________________Tex
t from the scanned back
cover:MEMORY for solo
CelloChen Yi has created
a solo cello version of
this plaintive memorial
work, originally for solo
violin – the
instrument in which
composer Chen Yi was
trained as a performer.
The composer provides
this program note:
“Dear Professor
Lin: I wish you could
hear the tune in Memory,
which sounds like my
painful cry out of your
name in our Cantonese
dialect. I expressed my
deep sorrow in the music,
to remember your fatherly
mentorship. Your
meaningful smile will
always be with
usencouragingly.â€.<
/p>
Violoncello SKU: BA.BA06660 Spielbuch fur den Unterricht mit gemischte...(+)
Violoncello
SKU:
BA.BA06660
Spielbuch fur den
Unterricht mit gemischten
Streichergruppen.
Composed by Hella
Hartung-Ehlert. Stapled.
Gemeinsam von Anfang an.
Fur den Unterricht mit
gemischten
Streichergruppen. Schulen
fur Violoncello (Cello
Method). Performance
score. 63 pages.
Baerenreiter Verlag
#BA06660_00. Published by
Baerenreiter Verlag
(BA.BA06660).
ISBN
9790006499786. 21 x 29 cm
inches. Language: German.
Preface: Hella
Hartung-Ehlert.
The
se
“playbocksâ€
form a sequel to the
authors Violin method for
group instruction (BA
6623). They contain
musical games, canons and
songs in simple
arrangements for one to
three identical
instruments, introclucing
children to ensemble
playing during their
first music lessons. Each
arrangement has a melody
part joined by an
accompaniment part on
open strings and a
fingered accompaniment
for more advanced pupils,
so that all children have
a chance to play. The
play- books end with
several four-part pieces
and can be combined for
use in mixed
ensembles.
Cello (Vol 2) SKU: HL.49003446 A system of study from the very beginni...(+)
Cello (Vol 2)
SKU:
HL.49003446
A
system of study from the
very beginning to a stage
of perfection.
Composed by Joachim
Stutschewsky. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. 44 pages.
Schott Music #ED1586-02.
Published by Schott Music
(HL.49003446).
ISBN
9790001033886. UPC:
840126938524.
9.0x12.0x0.186 inches.
German -
English.
All Time Klezmers Violoncelle [Partition + CD] - Intermédiaire De Haske Publications
Cello - intermediate SKU: BT.DHP-1135502-400 Composed by Joachim Johow. F...(+)
Cello - intermediate
SKU:
BT.DHP-1135502-400
Composed by Joachim
Johow. Folk Klezmer. Book
with CD. Composed 2013.
28 pages. De Haske
Publications #DHP
1135502-400. Published by
De Haske Publications
(BT.DHP-1135502-400).
ISBN 9789043137683.
9x12 inches.
English-German-French-Dut
ch.
This is a
wonderful collection of
klezmer music, inspired
by the Jewish dances and
songs of the klezmorim
from Eastern Europe -
from the lyrical HORA to
the fast, compelling
FREILACH. Some of the
pieces have a second part
ad libitum - for
playingtogether or for
variation in a repeat.
For the accompaniment,
chord symbols have been
added and on the included
CD there are complete
versions as well as
play-along versions of
all pieces, played live
by genuine klezmer
musicians.
ALL TIME KLEZMERS ist
eine wundervolle Sammlung
von Klezmermusik,
inspiriert von den
jüdischen Tänzen
und Liedern der Klezmorim
aus Osteuropa: vom
lyrischen Hora bis hin
zum schnellen,
unwiderstehlichen
Freilach. Einige
Stücke haben eine
optionalezweite Stimme
für das Zusammenspiel
oder eine Variation in
einer Wiederholung.
Für die Begleitung
wurden Akkordsymbole
hinzugefügt. Auf der
beiliegenden CD gibt es
vollständige Aufnahmen
sowie Mitspielversionen
aller Stücke, live
eingespielt vonechten
Klezmermusikern.
La raccolta
All Time Klezmers
si ispira alle danze e ai
balli: dalla bellezza
lirica della Hora
allâ??esuberanza di
Freilach. Ci si ritrova
ugualmente lâ??influenza
della musica tradizionale
israeliana nello spirito
di Giora Feidman.
Lâ??accompagnamento è
affidato ad un vero
gruppo klezmorim
che vi trasciner
nellâ??autenticit di
questo genere
musicale.
Cello Series, 2013
Edition. Composed by
The Royal Conservatory.
Cello Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VC1. Published
by The Frederick Harris
Music Company (FH.VC1).
ISBN
978-1-55440-537-4.
This inaugural edition of
the Cello Series offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
cellist. With an
expansive representation
of musical styles from
all eras, this series
addresses the need for a
single collection of
quality educational
materials to foster
musical development and
instill appreciation of
the richness and
diversity of music
written for cello.
Supporting a balanced
course of study, this
series organizes
repertoire into nine
volumes from the
Preparatory Level through
Level 8. Each level
offers music from a range
of styles and
compositional eras,
including standard
literature, new
arrangements of familiar
tunes, and music written
for cellists, by
cellists. These
selections provide the
flexibility to choose
pedagogically appropriate
material suited to each
individual, and to
motivate students to
fully develop their
musicianship and
technique. Baroque and
Classical
Repertoire: Menuet and
Trio, W.O 10, no. 3 -
Beethoven, Ludwig van
arr. Watson
Forbes Rondeau (from
The Fairy Queen) -
Purcell, Henry arr.
Watson
Forbes Sarabande -
Handel, George Frideric
arr. Jason
Noble Andante grazioso
- Mozart, Wolfgang
Amadeus arr. Jason
Gray Hornpipe a
l'Inglese - Galliard,
John Ernest arr.
Christine
Donkin Vittoria, mio
core! - Carissimi,
Giacomo arr. Christine
Donkin Traditional and
Romantic
Repertoire: Tambourin
- Rameau, Jean-Philippe
arr. Christine
Donkin All the Pretty
Little Horses - American
lullaby arr. Jason
Gray Barbara Allen -
British folk song arr.
Forrest Kinney Simple
Gifts - Brackett, Joseph
Jr. arr. Forrest
Kinney March (from The
Nutcracker) -
Tchaikovsky, Pyotr
Il'yich arr. Jason
Noble Londonderry Air
- Irish folk song arr.
Forrest
Kinney Repertoire
Composed After ca
1930: A Little Child's
Dance - Konicek,
Zdenek ...I Say
Ca-rib-'be-an - Birston,
Harold Sonata da
camera - Matz,
Rudolf - First
Movement: Adagio -
Fourth Movement: Allegro
vivace Grab the
Slippery Toad! - Lumsden,
Caroline and Ben
Attwood Hungarian
Stomp - Wedgwood,
Pam Budapesto -
Cheney, Carey Wild
West - Blackwell, David
and Kathy
Blackwell Livi's Blues
- Cheney, Elliott W.
Zwei Stucke mit zahlreichen Moglichkeiten der Besetzung vom Solo bis zum Quartet...(+)
Zwei Stucke mit
zahlreichen Moglichkeiten
der Besetzung vom Solo
bis zum Quartett fur
Anfanger und
Fortgeschrittene. By
Ernst Krenek. For
Violoncello. Neue
Hausmusik. Playing Score.
Op. 184 a/b. Published by
Baerenreiter-Ausgaben
(German import).
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.