By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

(Cello). For Cello. Book; CD; Play-Along; String Series. Ultimate Pop Instrumental Solos Series. Movie. Grade 2; Grade 3. 84 pages. Published by Alfred Music Publishing

Composed by Various. Instrumental Solo. Softcover. 104 pages. Published by Hal Leonard

For Cello. By Various. Instrumental Folio. Christmas. Softcover. 96 pages. Published by Hal Leonard

Composed by Various. Instrumental Folio. Softcover. 120 pages. Published by Hal Leonard

by Christine Watts. For cello. Non-Series. All styles, method. Level: Beginning. Book. Method. Size 8.75x11.75. 96 pages. Published by Mel Bay Pub., Inc.

For Cello. Composed by Various. Instrumental Folio. Softcover. 112 pages. Published by Hal Leonard

Saddle-stitched, World Music. Holiday. Book/insert. 100 pages. Mel Bay Publications, Inc #30852. Published by Mel Bay Publications, Inc

Performed by The Beatles. Chart. Softcover. Size 9x12 inches. 94 pages. Published by Hal Leonard Corporation.

Composed by Various. Arranged by Kenneth D. Friedrich. Published by Kenneth D. Friedrich (KF.KDF-A073O).

Cello

SKU: HL.14028929

Composed by David Blake. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV120425. Published by Music Sales (HL.14028929).

Written for Moray Welsh whilst still an undergraduate at York University. This piece was completed in mid-September. Inspired by Hermann Hesse's Steppenwolf. A solo 'cello seemed an appropriate medium for music which might explore the character of Harry Haller, with his desire for bourgeois comfort and his strong misanthropic and suicidal tendencies. The opening theme attempts to express this - melancholy, nostalgic, a bit Biedermeyer (cf. Brahms Intermezzi). The basic theme of the book, at its simplest, is that every human personality consists of hundred of different personalities - within every man there lurks a wolf. Accordingly the tendency of my piece is for all its musical material to become distorted, either by thematic transformation or by changes of timbre. There are three movements played without a break. The first is a character portrait of the Steppenwolf. The second is concerned in the most general sort of way with the dance elements in the novel - Harry's being taught to dance and appreciate low 'popular' music - a tango is recapitulated in a waltz and 'Yearning', a popular song of the time (1927) is hinted at. The third movement concerns the Masked Ball and the Magic Theatre. Mozart is one of Hesse's great loves and he is repeatedly mentioned in the book. Inevitably some Mozart quotes have been worked in, the most significant being a reference to The Magic Flute 'fire and water' flute theme in the middle of the second movement. Long before I finished the piece, I was disenchanted with the work of Hesse. Much of Steppenwolf I now find rather embarrassing and the claims currently made for Hesse's greatness seem to me exaggerated. Since my piece is in no important sense programmatically specific, this change of heart doesn't really matter. ~ David Blake.

Cello. Composed by Andrew Lloyd Webber. Instrumental Solo. Broadway. Softcover. 56 pages. Published by Hal Leonard