Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Beginning Fiddling Lessons for String Classes or Individual Learners (Cello Book...(+)
Beginning Fiddling
Lessons for String
Classes or Individual
Learners (Cello Book -
Audio CD Included). By
Anonymous. Arranged by
Doris Gazda; Janet
Farrar-Royce. For Cello.
Student Book. 16 pages.
Published by Carl
Fischer.
Instrumental Play-Along for Cello. Composed by Various. Instrumental Play-Alon...(+)
Instrumental Play-Along
for
Cello. Composed by
Various.
Instrumental Play-Along.
Children, Disney, Movies.
Softcover Audio Online.
24
pages. Published by Hal
Leonard
Cello Method Violoncelle [Partition] - Facile Mel Bay
by Christine Watts. For cello. Non-Series. All styles, method. Level: Beginning....(+)
by Christine Watts. For
cello. Non-Series. All
styles, method. Level:
Beginning. Book. Method.
Size 8.75x11.75. 96
pages. Published by Mel
Bay Pub., Inc.
(Cello Part). Composed by Dr. Shinichi Suzuki, Performed by Tsuyoshi Tsutsumi. F...(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki,
Performed by Tsuyoshi
Tsutsumi. For Cello. This
edition: Revised. Book;
CD; Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 24 pages.
Published by Alfred Music
International Edition. By Tsuyoshi Tsutsumi. Arranged by Dr. Shinichi Suzuki. Th...(+)
International Edition. By
Tsuyoshi Tsutsumi.
Arranged by Dr. Shinichi
Suzuki. This edition:
Performance/Accompaniment
CD; International.
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. Instructional and
Technique. Performance
CD. Alfred Music
#00-0940. Published by
Alfred Music
(Revised Edition) Written by Shinichi Suzuki. Instructional book for cello. With...(+)
(Revised Edition) Written
by Shinichi Suzuki.
Instructional book for
cello. With fingerings,
instructional text,
instructional photos and
introductory text. 23
pages. Published by
Alfred Publishing.
Adaptable Trios Violoncelle - Débutant Excelcia Music Publishing
Cello - Grade 1.5-3 SKU: XC.SB2003 27 Trios for Any Three String Instr...(+)
Cello - Grade 1.5-3
SKU: XC.SB2003
27 Trios for Any Three
String Instruments.
Composed by Matthew R.
Putnam and Tyler Arcari.
Edited by Diana Trietta.
Solo & Ensemble.
Adaptable Trios.
Ensemble, Collection,
Book. Excelcia Music
Publishing #SB2003.
Published by Excelcia
Music Publishing
(XC.SB2003).
ISBN
9781644020265. UPC:
812598032758. 9 x 12
inches.
Adaptable
Trios contains 25
newly-composed or
arranged string trios
that can be flexibly used
with any combination of
string instruments,
making them an invaluable
resource in the modern
orchestra classroom!
Written at an accessible
1.5-3 grade level,
Adaptable Trios follow
the popular Adaptable
Duets books by the same
composers. Tyler Arcari
and Matthew R. Putnam
bring with them a wealth
of educational experience
as music educators to
craft trios that are fun
to play and musically
stimulating. Edited by
dedicated Violinist and
educator Diana Traietta,
Adaptable Trios are sure
to become an instant
favorite.
Table of
Contents: Alla
Hornpipe ContredanseDanza de
Hercules Fanfare Fl
amingos German
Dance German
Dance March Minuet<
br>Musette My Country,
'Tis of
Thee Pastorale Path
etique Rondo Sailor
's Song Saint Anthony
Chorale Shenandoah
Sunayama The Ash
Grove The Imp Valse
Noble Volte Wait
just a
Minuet Waltz.