Playable on Any Two Instruments or Any Number of Instruments in Ensemble. Arrang...(+)
Playable on Any Two
Instruments or Any Number
of Instruments in
Ensemble. Arranged by
Michael Story. For
Cello/Bass. Mixed
Instruments - Flexible
Instrumentation. Pop
Instrumental Ensembles
for All. Pop. Book. 24
pages. Published by
Alfred Publishing.
69 Traditional Pieces. Edited by Kevin McCrae and Neil Johnstone. Arranged by Ke...(+)
69 Traditional Pieces.
Edited by Kevin McCrae
and Neil Johnstone.
Arranged by Kevin McCrae
and Neil Johnstone. This
edition: Saddle
stitching. Sheet music
with CD. String.
Scottish. Edition with
CD. 60 pages. Schott
Music #ED 12830.
Published by Schott Music
Piano Accompaniment Included. By Craig Duncan. For Cello. ensemble (mixed). Celt...(+)
Piano Accompaniment
Included. By Craig
Duncan. For Cello.
ensemble (mixed).
Celtic/Irish. Level:
Beginning-Intermediate.
Book. Size 8.5x11. 80
pages. Published by Mel
Bay Publications, Inc.
Cello Fun (Cello) Violoncelle [Partition + CD] - Débutant De Haske Publications
15 Easy Cello Pieces for the First Year. By Dinie Goedhart. De Haske Play-Along ...(+)
15 Easy Cello Pieces for
the First Year. By Dinie
Goedhart. De Haske
Play-Along Book. Book and
CD Package. Size 9x12
inches. 22 pages.
Published by De Haske
Publications.
Cello - Beginner; Elementary; Intermediate SKU: AP.1-ADV14772 15 Solo ...(+)
Cello - Beginner;
Elementary; Intermediate
SKU: AP.1-ADV14772
15 Solo Etudes for
Jazz Phrasing,
Interpretation and
Improvisation.
Composed by Jim Snidero.
Improvisation;
Method/Instruction;
Play-Along; String -
Cello Studies or
Collection; Technique
Musicianship. Advance
Music: Easy Jazz
Conception. Jazz. Book
and Digital Download.
Advance Music
#01-ADV14772. Published
by Advance Music
(AP.1-ADV14772).
UPC:
805095147728.
English.
A new and
exciting way for cello
players to learn and
practice basic jazz
style. This book
features 15 solo etudes
based on blues and
standard chord
progressions,
demonstrated by Erik
Friedlander on cello
along with a world-class
rhythm section: Mike
LeDonne, piano; Peter
Washington, bass; and
Kenny Washington,
drums. The recording
features two separate
versions of each etude:
one with the soloist and
rhythm section and one
with the rhythm section
only. See and hear how
the soloist phrases, play
with or without the
soloist and learn basic
jazz style
first-hand.
Emmelia Violoncelle [Conducteur] University Of York Music Press
Cello SKU: BT.MUSM570366453 Composed by Evis Sammoutis. Classical. Score ...(+)
Cello
SKU:
BT.MUSM570366453
Composed by Evis
Sammoutis. Classical.
Score Only. 10 pages.
University of York Music
Press #MUSM570366453.
Published by University
of York Music Press
(BT.MUSM570366453).
English.
'Brice
Catherin, a cellist and a
composer exploring the
notion of the
one-man-band concept,
commissioned this work;
this composition was
subsequently the result
of our collaboration. My
aim has been to create a
work where the cellist
produces sounds using his
full body: his hands
(employing a variety of
extended techniques on
the Cello and external
objects), his feet, his
mouth (singing and
playing the harmonica and
flexible tube) and even
his face on one occasion
to muffle the strings.
There are two central
themes in the work:
virtuosity and theatre,
both strong, frequent
features of my
compositional oeuvre.
After several meetings
and experimentation with
Brice, I chose asetup
that enhances the musical
scope without visually
cluttering the stage. I
am also using a rather
unusual scordatura that
not only changes the
timbre of the instrument
itself, but also helps
create unique soundscapes
that blend together with
the sounds from the
spring drums, the human
voice (whistling, groans
and other effects), a
singing bowl, a harmonica
and a flexible tube among
others. The work is
entitled Emmelia and
there are two reasons for
this: Emmelia derives
from the prefix en (in)
and the noun melos
(harmony), thus meaning
in harmony. The
composition is structured
and developed in clearly
defined sections (noisy,
harmonious, distorted,
etc.), based on
information revealed by a
spectral analysis of an
F1 spectrum on the cello
(tuned a fifth below low
C), played and recorded
using a variety of
attacks and triggering
objects and methods.
Emmelia is also the name
of my baby daughter, who
has been my constant
inspiration since she was
born.' - Evis
Sammoutis.