Cello SKU: FZ.5967 Serie II - France 1800-1860. Edited by Philippe...(+)
Cello
SKU: FZ.5967
Serie II - France
1800-1860. Edited by
Philippe Muller. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5967).
ISBN
9790230659673. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
HUS-DESFORGES - MIME J.
A. - ROMBERG B. H. -
BERLIOZ H. - ANSPACH et
MINE J. A. - CHEVILLARD
A. Table of contents:
Hus-Desforges: Methode de
violoncelle - av. 1838.
Mine J. A. : Methode de
basse ou violoncelle - c.
1840. Romberg B. H. :
Methode de violoncelle -
c. 1840. Berlioz H. :
Grand Traite
d'instrumentation - 1844.
Anspach et Mine J. A. :
Methode elementaire et
facile - c. 1845.
Chevillard A. : Methode
complete de violoncelle -
c. 1850. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the cello.
Cello SKU: FZ.5966 Serie II - France 1800-1860. Edited by Philippe...(+)
Cello
SKU: FZ.5966
Serie II - France
1800-1860. Edited by
Philippe Muller. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5966).
ISBN
9790230659666. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
STIASTNY B. - DEPAS E. -
DOTZAUER J. J. F. Table
of contents: Stiastny B.
: Methode pour le
violoncelle - 1832. Depas
E. : Methode elementaire
pour violoncelle - s. d.
Dotzauer J. J. F. :
Methode de violoncelle -
1838. Collection
supervised by the
musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the cello.
Cello SKU: FZ.5962 Serie II - France 1800-1860. Edited by Philippe...(+)
Cello
SKU: FZ.5962
Serie II - France
1800-1860. Edited by
Philippe Muller. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5962).
ISBN
9790230659628. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in seven books.
BREVAL J. B. - BAILLOT,
LEVASSEUR, CASTE et
BAUDIOT. Table of
contents: Breval J. B. :
Traite du violoncelle -
1804. Baillot, Levasseur,
Catel et Baudiot: Methode
de violoncelle - 1805.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from: - National
Library of Paris
(France). - British
Library of London
(England). Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the cello.
Cello SKU: HL.14033877 By Paul Tortelier. By Paul Tortelier. Music Sales ...(+)
Cello
SKU:
HL.14033877
By Paul
Tortelier. By Paul
Tortelier. Music Sales
America. Classical. Book
[Softcover]. Composed
2002. 44 pages. Chester
Music #CH55049. Published
by Chester Music
(HL.14033877).
ISBN
9780711953116.
8.25x11.75x0.14
inches.
Tortelier's
Cello Book Two
covers twelve
more Classical and folk
pieces arranged for Cello
in first position, with
accompaniment for second
Cello or Piano. Contains
classics from masters
like Bach, Mozart,
andSchubert, and
traditional tunes from
France, Norway, and
Israel. Edited and
arranged by the French
cellist and composer Paul
Tortelier.
Cello SKU: BT.9781408114629 Composed by Maja Passchier. Abracadabra. Exam...(+)
Cello
SKU:
BT.9781408114629
Composed by Maja
Passchier. Abracadabra.
Exam Material. Book with
CD. 64 pages. Collins
Music Publishing
#9781408114629. Published
by Collins Music
Publishing
(BT.9781408114629).
ISBN 9781408114629.
English.
Now in
a third edition,
Abracadabra
Cello has a
fresh, contemporary new
look and is the perfect
book for pupil and
teachers.
This
title offers an identical
selection of repertoire
to the other booksin the
Abracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know andwant to
play, carefully graded in
20 learning steps, this
new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teachthefundamentals
of the instrument, and
each new technical aspect
is reinforced by several
pieces using that
particular
technique.
Abrac
adabra Cello now also
includes two CDs of
performance and backing
tracks, featuringselected
orchestral
backings.
Cello - difficult SKU: HL.49018277 For Cello Solo. Composed by Ken...(+)
Cello - difficult
SKU:
HL.49018277
For
Cello Solo. Composed
by Kenneth Hesketh. This
edition: Saddle
stitching. Sheet music.
String Solo. Classical.
Composed 1998. 14 pages.
Duration 9'. Schott Music
#ED13176. Published by
Schott Music
(HL.49018277).
ISBN
9790220130663. UPC:
884088592172.
9.0x12.0x0.076
inches.
'Die
hangende Figur ist Judas'
(The hanging figure is
Judas) was commissioned
by Dr. Margitta Giera as
a gift for the German
sculptor Michael Langer.
Hesketh's first ideas for
the work came from a
photograph of the Great
Tympanum carving of the
Last Judgement at St. Foy
Cathedral in Conques,
France showing an image
of the hanged Judas
surrounded by mocking
demons. Two violent outer
movements frame a bleak
central section with each
movement of the piece
unfolds a different
perspective of a swinging
motif, be it a chord, a
gesture or a rhythm. This
is a demanding work which
will challenge the very
best players.