for Fiddle Tunes. Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, you'll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Mason's Apron, and Green Grows the Laurel - plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author. / Niveau : Intermédiaire à Avancé / Date parution : 2020-04-11/ Etude / Violoncelle

for Cello solo. Par HOPKINS JOHN. English / Niveau : Intermédiaire / Répertoire / Violoncelle

When kids learn to play an instrument, they want to play the songs they know and love! This collection of 50 songs alongs them to do just that! It includes 50 contemporary favorites, including: Believer · Don't Stop Believin' · Happy · High Hopes · Let's Get It Started · Ocean Eyes · Perfect · Rewrite the Stars · A Thousand Miles · You Will Be Found · and more./ Répertoire / Violoncelle

Etude, Méthode, Exercice, tout est bon pour apprendre et perfectionner son apprentissage musical. A travers, cette partition pour Violoncelle vous pourrez découvrir une des oeuvres de Ibert Jacques en l'occurence Etude Caprice Pour Un Tombeau De Chopin Violoncelle Seul qui a été éditée par la maison d'édition Leduc. / Violoncelle / Partition

Par . Learn the contemporary techniques and practices of the modern cello. The collection is a vital exploration of 21st-century cello techniques that every contemporary cellist should know when playing music outside of the standard classical repertoire. By exploring techniques such as chopping, pizzicato, improvisation, chords, ornaments, modes, polyrhythmic playing, and more, you will be prepared to play in a variety of contexts, including folk, rock, funk, jazz, world music and accompanying yourself while singing. Compiled and edited by Mike Block, this volume of etudes contains pieces composed by: Ashley Bathgate · Mike Block · Stephen Braun · Rufus Cappadocia · Rushad Eggleston · Erik Friedlander · Eugene Friesen · Natalie Has · Giovanni Sollima · Mark Summer · Jacob Szekley · Matt Turner · Jeffrey Zeigler. / Date parution : 2022-09-13/ Etude / Violoncelle

Par SCULTHORPE PETER. Sculthorpe uses the Plainsong Requiem Mass as the source material for this work for Solo Cello, using the music to reflect the words of the Latin text. This is a most interesting concept, particularly so as the timbral and expressive qualities of the cello seem appropriate for this type of work (or influenced-type of work, at least). The cello has a very rich and warm tonal quality to it, which Sculthopre exploits in this adventurous composition. This piece will present an enjoyable and most interesting challenge to both advancing and accomplished cellists alike. '. . .draws its inspiration from plainsong and maintains a wonderful sense of space and stillness.' Helen Wallace, BBC Music Magazine, October 1995 / Niveau : Elémentaire / Répertoire / Violoncelle

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle

Par FEUILLARD LOUIS R.. La méthode du jeune violoncelliste de L. R. Feuillard est la référence en la matière et est utilisée dans les conservatoires. Pas de long textes introductifs précédant la musique, mais des exercices utiles, dans l'objectif de donner aux élèves une connaissance autorisant l'étude des oeuvres de Dotzauer, Romberg, Duport, ? La volonté d'offrir une approche attrayante se concrétise par l'utilisation des musiques universellement appréciées des auteurs classiques (Lully, Couperin, Rameaux, Bach, Haendel, Mozart, Schumann, Schubert, Chopin,...). / méthode - études / Méthode / Violoncelle

Magical Colours rassemble seize pièces colorées venant de styles et d'horizons musicaux différents.Ces pièces, parfaitement adaptées aux sonorités de votre instrument, permettent d'aborder la musique klezmer, le blues, la musique des Balkans, le folk, le rock et la house musique. Pour interpréter ces oeuvres, il faut avoir une certaine expérience du jeu. Laissez-vous inspirer par les atmosphères évocatrices des enregistrements en direct ! / Violoncelle / 24 pages / niveau : Elementaire / Partition + Cd