for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

for Fiddle Tunes. Eclectic cellist, Renata Bratt, has written the ultimate book for the fiddling cellist, this time from the perspective of an accompanist. Herein, you'll find the theoretical and technical foundation for everything you need to creatively back up the lead players in a fiddle jam session, not to mention playing the lead yourself. This progressive method includes detailed fingerings and bowings for traditional fiddle tunes like: Salt Creek, Jenny Dang the Weaver, The Water Is Wide, The Girl I left Behind Me, The Road to California, Mason's Apron, and Green Grows the Laurel - plus three jigs and a slip-jig. Accompaniment elements include single chord-tone backup, bluegrass bass style, 2 and 3-note chords and arpeggios in the common fiddling keys, one and two-measure rhythmic bowing patterns, the Charleston rhythm, the traveling beat, and many variations of the ever-popular chop bowing technique. With the knowledge and experience conveyed by this book, a cellist can become a valuable asset to any musical group no matter the style! Includes access to 100 online audio tracks expertly played by the author. / Niveau : Intermédiaire à Avancé / Date parution : 2020-04-11/ Etude / Violoncelle

A practice guide for the modern cellist. Par SHERRY FRED. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio.Fred Sherry has introduced audiences on five continents and all fifty UnitedStates to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and 'sideman' on hundreds of commercial and esoteric recordings: his discography ranges from Schütz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. A Grand Tour of Cello Technique is a thought-provoking practice guide, enabling cellists at all levels to develop their own style through an exploration of different ways of fingering and bowing. The book not only helps cellists improve their playing, but also promotes an understanding of musical art, through nine stimulating chapters. With a particular emphasis on music of the 20th and 21st centuries, and its connections with earlier music, Fred Sherry takes the reader on a voyage of discovery of the art and science of cello technique, informed by music ranging from Bach all the way through to Berio. Fred Sherry has introduced audiences on fivecontinents and all fifty United States to the music of our time for more than five decades. He has had close working relationships with Charles Wuorinen, Lukas Foss, Oliver Knussen, Elliott Carter, Milton Babbitt, Toru Takemitsu, Chick Corea, Pierre Boulez, Mario Davidovsky and others whose works he has premiered and recorded. He has been soloist and and lsquo - sideman and rsquo - on hundreds of commercial and esoteric recordings - his discography ranges from Sch and uuml - tz, Bach, Mozart, Beethoven and Brahms through Schoenberg and Stravinsky to the 20th and 21st century works written for him. He is a member of the cello faculty of The Juilliard School, the Mannes College of Music and the Manhattan School of Music. / Pédagogie / Etude / Violoncelle

This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more. / Violoncelle

Les joueurs de violoncelle aimeront les 15 favoris folkloriques dans cette collection, à condition complète avec playback sur CD: A-Tisket A-Tasket - Bury Me Not on the Lone Prairie - (Oh, My Darling) Clementine - Frere Jacques (Are You Sleeping?) - The Galway Piper - Greensleeves - Home on the Range / Violoncelle

'Prélude à l'Après-midi d'Faune de l'ONU', souvent désigné comme la première composition de l'ère 'moderne', est l'un des plus populaires de Debussy et fréquemment interprété des oeuvres orchestrales. La pièce vient jusqu'à nous dans un large éventail de sources, et plusieurs autres importants sont dessinés sur pour la première fois dans la nouvelle érudition Bärenreiter-édition critique.La plupart des éditions actuellement disponibles sont basées sur la première édition de 1895 qui, pourtant, contient des erreurs graveur nombreuses. Lorsque les parties correspondantes orchestre sont également pris en considération, les écarts innombrables sont révélés.Bärenreiter Urtext édition incorpore de lectures d'un exemplaire imprimé de la note de C. 1908 qui montre les corrections et les corrections par le compositeur. Ces changements importants, trouvé dans aucune autre source, notamment indications métronomiques, des hauteurs différentes et les notes complémentaires, ainsi que le tempo ajoutée et les marquages ??d'articulation, ce qui rehausse subtilement tous les travaux finement sculpté de Debussy. Il ya même une marque de souffle ajouté au passage fameux solo de flûte qui ouvre le travail.- Edition savante critique avec de nombreuses corrections dans la partition et parties orchestrales- Une présentation claire des parties orchestrales dans un format agrandi, 25,5 cm x 32,5 cm / Violoncelle

' Stepping Stones ', partie de la série de chaîne facile hautement considéré par Colledge/Colledge, est depuis longtemps le choix du répertoire des enseignants de la chaîne. Le livre offre une collection de pièces simples de vingt-six pour les débutants. Chaînes ouvertes, premier doigt notes et si / Violoncelle / Partition

Etudes - Sight-reading sont une des compétences plus importants encore négligées pour tout musicien et une composante importante du Conseil associés et autres examens de la musique. (Piano accompagnements par Anita Hew-tt-Jones) / Violoncelle

Etudes - Sight-reading sont une des compétences plus importants encore négligées pour tout musicien et une composante importante du Conseil associés et autres examens de la musique. (Piano accompagnements par Anita Hew-tt-Jones) / Violoncelle

Etudes - Sight-reading sont une des compétences plus importants encore négligées pour tout musicien et une composante importante du Conseil associés et autres examens de la musique. (Piano accompagnements par Anita Hew-tt-Jones) / Violoncelle

Instrumentalists will love this giant collection of 130 popular solos! Includes: Another One Bites the Dust, Any Dream Will Do, Bad Day, Beauty and the Beast, Breaking Free, Clocks, Edelweiss, God Bless the U.S.A., Heart and Soul, I Will Remember You, Imagine, Na Na Hey Hey Kiss Him Goodbye, and dozens more! / Violoncelle

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

Par FEASTER HALLEY. New cello students nearly always start in first position aided by finger tapes or guides for accurate finger placement. As they advance, they are expected to learn to shift out of first position, but the focus is on the movement of the shift rather than on note locations or pitch accuracy.In this book, author and versatile cellist Halley Feaster introduces a step-by-step approach to understanding each position, leading to thorough comprehension of the cello fingerboard and a more confident and well-rounded player.Together with its engaging video component, Cello Position Handbook shows advanced beginners and intermediate students what notes are available in each of 12 positions. Short exercises and excerpts are provided for practice in each location, ultimately enabling fluid performance without excessive shifting.On completion of this volume, students will be familiar with what notes are available in each position and be able to move comfortably between them while expanding their repertoires. Includes access to online video. / Date parution : 2022-06-08/ Etude / Violoncelle