Cello SKU: SP.TS178 Composed by Denise Gendron. Arranged by Denise Gendro...(+)
Cello
SKU:
SP.TS178
Composed by
Denise Gendron. Arranged
by Denise Gendron.
Collection; Christmas.
Book. Santorella
Publications #TS178.
Published by Santorella
Publications (SP.TS178).
ISBN 9781585604609.
UPC:
649571101787.
Music
has always been an
integral part of the
holiday season. As
everyone knows, there is
no better way to
celebrate than with a
song. Re-live your
childhood memories and
share your love of music
this holiday season with
Santa's Little Helper
published by Santorella
Publications. Santa's
Little Helper for Cello
is also written as solos
or duets in accommodating
keys for Violin, Viola &
Bass. The Piano
Accompaniment book for
this Stringed Instrument
Edition is sold
separately. Santorella's
Horn Edition is also
available for trumpet,
clarinet, flute, alto sax
& trombone.
Violoncello SKU: BA.BA10936 Composed by Robert Lindley. Edited by Valerie...(+)
Violoncello
SKU:
BA.BA10936
Composed
by Robert Lindley. Edited
by Valerie Walden. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Performance
score, anthology. Opus
15. Baerenreiter Verlag
#BA10936_00. Published by
Baerenreiter Verlag
(BA.BA10936).
ISBN
9790006567287. 31 x 24.3
cm inches. Preface:
Walden,
Valerie.
Robert
Lindley
(1776–1855) was
the premier cellist in
England for more than 50
years. In 1822 he became
the first professor of
cello at the Royal
Academy of Music in
London, where he remained
until his retirement in
1851. Lindley, an
esteemed and much
sought-after teacher,
wrote not only the
present
“Capricciosâ€
but also a cello method,
several concertos, and
chamber music in which
the cello is prominently
featured.
The
“Capriccios and
Exercises†contain
a multitude of fingering
patterns in related major
and minor harmonies,
exercises for the thumb
position and many
passages of double stops,
all within a melodious
framework.
Barenreiter’s
scholarly performing
edition is edited by
Valerie Walden, offering
cellists and teachers
outstanding new material
for use in
lessons.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Chamber Music Cello SKU: PR.114418590 For solo Cello. Composed by ...(+)
Chamber Music Cello
SKU: PR.114418590
For solo Cello.
Composed by Chen Yi. -.
Score. With Standard
notation. 4 pages.
Duration 3:30. Theodore
Presser Company
#114-41859. Published by
Theodore Presser Company
(PR.114418590).
ISBN
9781491111499. UPC:
680160642670. 9x12
inches.
Written
originally for solo
violin (114-41410), Chen
Yi's memorial to a
favorite teacher captures
the depths of loss, the
power of Memory. The
piece was adapted for
solo flute (114-41787) by
Mary Holzhausen, and is
now arranged for solo
cello by the
composer.________________
______________________Tex
t from the scanned back
cover:MEMORY for solo
CelloChen Yi has created
a solo cello version of
this plaintive memorial
work, originally for solo
violin – the
instrument in which
composer Chen Yi was
trained as a performer.
The composer provides
this program note:
“Dear Professor
Lin: I wish you could
hear the tune in Memory,
which sounds like my
painful cry out of your
name in our Cantonese
dialect. I expressed my
deep sorrow in the music,
to remember your fatherly
mentorship. Your
meaningful smile will
always be with
usencouragingly.â€.<
/p>
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
