Cello Solo. By Justus Johann Friedrich Dotzauer. Arranged by Klingenberg Pejtsik...(+)
Cello Solo. By Justus
Johann Friedrich
Dotzauer. Arranged by
Klingenberg Pejtsik. EMB.
Size 9x12 inches. 63
pages. Published by
Editio Musica Budapest.
By Justus Johann Friedrich Dotzauer. Arranged by Klingenberg Pejtsik. (Cello). ...(+)
By Justus Johann
Friedrich Dotzauer.
Arranged by Klingenberg
Pejtsik. (Cello). EMB.
Book only. Size 9x12
inches. 67 pages.
Published by Editio
Musica Budapest.
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. Arranged ...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. Arranged by
Andrew Talle / Jungeun
Elle Kim. This edition:
edition of selected
works, urtext edition.
Linen. New Bach Edition,
Revised Edition (NBA
rev). 4. Score,
Anthology. BWV 1007-1012.
Published by Baerenreiter
Verlag (BA.BA5942-01).
Motet. By Johann Pachelbel. Edited by Hans H Eggebrecht. For Violoncello/Basso C...(+)
Motet. By Johann
Pachelbel. Edited by Hans
H Eggebrecht. For
Violoncello/Basso
Continuo. Sacred. Single
Part. Published by
Baerenreiter-Ausgaben
(German import). (BA2877
82)
Composed by Johann Sebastian Bach (1685-1750). Edited by August Wenzinger. Sta...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
August Wenzinger.
Stapled.
Performance score. BWV
1007. 7
pages. Baerenreiter
Verlag
#BA08647_00. Published by
Baerenreiter Verlag
Cello SKU: KU.OCT-10006_VC Introduction, theme and variations. Com...(+)
Cello
SKU:
KU.OCT-10006_VC
Introduction, theme
and variations.
Composed by Johann
Nepomuk Hummel. Edited by
Hans Steinbeck. Bach
format (230 x 302).
Staple Bound. Part. Op.
102. 6 pages. Edition
Kunzelmann #OCT-10006_VC.
Published by Edition
Kunzelmann
(KU.OCT-10006_VC).
Cello SKU: KU.GM-72_VC Composed by Johann Sebastian Bach and Wolfgang Ama...(+)
Cello
SKU:
KU.GM-72_VC
Composed
by Johann Sebastian Bach
and Wolfgang Amadeus
Mozart. Edited by Franz
Beyer. Arranged by Franz
Beyer. Bach format (230 x
302). Kv 405. Folded.
Supplementary part. 4
pages. Edition Kunzelmann
#GM-72_VC. Published by
Edition Kunzelmann
(KU.GM-72_VC).
From the
Well-Tempered Clavier by
Bach, in the arrangement
by Mozart.
Cello SKU: KU.GM-802_VC Composed by Johann Strauss Jr. Edited by Hans Swa...(+)
Cello
SKU:
KU.GM-802_VC
Composed
by Johann Strauss Jr.
Edited by Hans Swarowsky.
Bach format (230 x 302).
Folded. Part. 2 pages.
Edition Kunzelmann
#GM-802_VC. Published by
Edition Kunzelmann
(KU.GM-802_VC).
Violoncello SKU: BA.BA05277 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05277
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: facsimile.
Paperback. Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05277_00.
Published by Baerenreiter
Verlag (BA.BA05277).
ISBN 9790006569618.
32.5 x 25.5 cm
inches.
The suites
are the very core of
cello literature, with
their timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the worksâ??
significance, the great
number of editions in
existence is not
surprising. However, the
composerâ??s autograph
has not been preserved
and is considered lost.
This circumstance creates
an exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
This
facsimile edition is the
first to juxtapose all
four autograph sources as
well as the first print
(along with Bachâ??s own
arrangement of Suite No.
V for lute). For the
first time, readers can
compare a specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources.
Cello SKU: KU.DE-1239_VC Composed by Johann Strauss Jr. Edited by Janos T...(+)
Cello
SKU:
KU.DE-1239_VC
Composed by Johann
Strauss Jr. Edited by
Janos Tamas. Arranged by
Janos Tamas. Bach format
(230 x 302). Folded.
Part. 6 pages. Edition
Kunzelmann #DE-1239_VC.
Published by Edition
Kunzelmann
(KU.DE-1239_VC).
Violoncello SKU: BA.BA05278 Composed by Johann Sebastian Bach. Edited by ...(+)
Violoncello
SKU:
BA.BA05278
Composed
by Johann Sebastian Bach.
Edited by Andrew Talle.
This edition: Facsimile,
Urtext edition.
Paperback. Barenreiter
Urtext. Urtext from the
New Bach Edition -
Revised (NBArev).
Performance score,
anthology, Facsimile. BWV
1007-1012. Baerenreiter
Verlag #BA05278_00.
Published by Baerenreiter
Verlag (BA.BA05278).
ISBN 9790006569625.
32.5 x 25.5 cm inches.
Preface: Talle,
Andrew.
When we
think of the cello, we
automatically think of
Bach’s immortal
cello suites. They are
the very core of cello
literature, their
timeless beauty
accompanying cellists
from their student years
throughout the height of
their professional
careers.
Consideri
ng the works’
significance, the great
number of editions in
existence is not
surprising. However, the
composer’s
autograph has not been
preserved and is
considered lost. This
circumstance creates an
exceptional challenge
many editors faced over
the years. The four
autograph sources still
in existence and the
first print from 1824
show numerous small
deviations, especially in
terms of articulation
markings and
phrasing.
In this
two-volume edition of
Bach’s cello
suites, Andrew Talle now
presents an entirely new
view of the relationships
between existing sources.
The first volume contains
the edited musical text,
which comes as close to
the composer’s
original intention as the
surviving source material
allows: “This
edition does not
constitute a perfect
reconstruction of the
lost autograph; that is
something no editor could
claim to accomplish.
Instead, I have attempted
to supply musicians and
researchers with a
reliable version of the
surviving musical text of
the six cello suites, and
to convey a sense of the
many possibilities Bach
encouraged his musicians
to explore.â€The
second volume presents,
for the first time,
synoptically arranged
facsimiles of the
handwritten sources as
well as the first print
(with Suite No. V also
including Bach’s
own arrangement for
lute), allowing readers
to compare any specific
section in all sources at
one glance. This allows
for a straightforward and
immediate consideration
of all sources, making
editorial decisions
transparent and
self-evident.
Andr
ew Talle’s edition
is supplemented by a
comprehensive discussion
of the instrument for
which the suites were
created, as well as
information regarding
musical interpretation
during Bach’s
time.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding