By Carter Brey. For Cello. E.B. Marks. 8 pages. Published by Edward B. Marks Music

Cello

SKU: FZ.55235

Pewter figurine. Instruments & accessories. Material: Pewter (95.5 %). Published by Anne Fuzeau Productions - France (FZ.55235).

10 cm inches.

This pewter mark pages (95,5%) is made in France. A touch of music in your home thanks to this cello mark pages. This decoration is delivered with his authenticity certificate. Michel Laude Collection. Photos and sizes no-contractual.

Cello

SKU: HL.236316

Composed by Evan Hause. E.B. Marks. Classical, Contemporary. Softcover. 16 pages. Edward B. Marks Music #EBM236316. Published by Edward B. Marks Music (HL.236316).

ISBN 9781495096228. UPC: 888680695699. 9.0x12.0x0.086 inches.

Rock and jazz sounds mingle with classical tradition and modern techniques in Hause's virtuoso cello suite. In Fish Heaven, an arpeggiated texture reminiscent of Bach's cello suites expands along a quasi-Gospel chord progression. In Crabs on Parade, the contrapuntal technique of crab canon is rendered in a pizzicato texture drawing upon guitar technique. In five movements: 1. Man O' War, 2. Atlantis, 3. Sea Serpents, 4. Fish Heaven, 5. Crabs On Parade.

Book with Audio and Video Access. Instructional. Instruction. Softcover Media Online. 122 pages. Published by Hal Leonard

A first book of very easy pieces for cello. Composed by David Blackwell and Kathy Blackwell. Cello Time. Oxford University Press #9780193563308. Published by Oxford University Press

Arranged by Deborah Greenblatt. String Trio. For cello 1. Wedding. Part book. Standard Notation. 48 pages

A Method for Individual and Group Learning. Composed by Jessica O'Leary and Paul Harris. Method/Instruction; String - Cello Studies or Collection. Faber Edition: Basics. Book and Digital Download. Faber Music #12- 0571542085. Published by Faber Music

(A Supplementary Method for Developing Basic Technique for Beginning and Intermediate Students). By Lillian R. Goodman. For Cello. Soft Cover. Standard notation. 64 pages

Cello - Preparatory

SKU: FH.VC0

Cello Series, 2013 Edition. Composed by The Royal Conservatory. Cello Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VC0. Published by The Frederick Harris Music Company (FH.VC0).

ISBN 978-1-55440-536-7.

This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation for the richness and diversity of music written for cello.
Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.
Legato Pieces on a Slower Tempo: Beautiful Dreamer - Foster, Stephen arr. Forrest Kinney Shenandoah - American folk song arr. Jason Gray Waltz of the Elephants - Konicek, Zdenek Cradle Song (Wiegenlied), op. 49, no. 4 - Brahms, Johannes arr. Forrest Kinney Amazing Grace - American hymn arr. Forrest Kinney Loch Lomond - Scottish folk song arr. Christine Donkin Nocturne - Mendelssohn, Felix arr. Jason Noble Early One Morning - English folk song arr. Akiko and Forrest Kinney Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Haydn, Franz Joseph arr. Jason Noble The Minstrel Boy - Irish folk song arr. Christine Donkin Energetic Pieces in a Faster Tempo: Smash the Windows - Irish jig arr. Jason Gray Grandfather's Clock - Work, Henry Clay arr. Christine Donkin Sonatina in C Major, op. 36, no. 1 - Clementi, Muzio arr. Mark Mrozinski - Third Movement: Rondo Mean Street Chase - Blackwell, David and Kathy Blackwell Forlane (from La reine de Peris, act 3) - Aubert, Jacques arr. Kathleen Wood Allegro, K 3 - Mozart, Wolfgang Amadeus arr. Jason Noble Parson's Farewell - English country dance arr. Jason Gray Contredanse, K 106 (588a), no. 1 - attr. Mozart, Wolfgang Amadeus arr. Kathleen Wood Melted Mouse and Roasted Rat in Choc'late Sauce - Lumsden, Caroline and Ben Atwood Theme and Variations - Beethoven, Ludwig van arr. Endre Lengyel and arpad Pejtsik.

Studies in Style and Technique. Berklee Guide. Etude, Technique, Instruction. Softcover Audio Online. 122 pages. Published by Berklee Press

1-2 Cellos with Chords for Guitar/Piano Ad Lib. Composed by Various. Edited by Gabriel Koeppen. String Ensemble. Christmas, Classical, Jazz, Opera, Ragtime, Swing. Softcover. 156 pages. Schott Music #ED23050. Published by Schott Music

By Donald Martino. For Cello. This edition: 4 Color Print. Contemporary Classical. Level: Professional. Sheet Music. Published by Dantalian, Inc.

Abschied. (for Cello). By Bertold Hummel (1925-2002). For Cello. Cello-Bibliothek (Cello Library). 8 pages. Schott Music #CB176. Published by Schott Music

Violoncello

SKU: BA.BA05278

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: Facsimile, Urtext edition. Paperback. Barenreiter Urtext. Urtext from the New Bach Edition - Revised (NBArev). Performance score, anthology, Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05278_00. Published by Baerenreiter Verlag (BA.BA05278).

ISBN 9790006569625. 32.5 x 25.5 cm inches. Preface: Talle, Andrew.

When we think of the cello, we automatically think of Bach’s immortal cello suites. They are the very core of cello literature, their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident.

Andr ew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Variation On The Chiacona Of Giuseppe Colombia. Composed by Rolf Wallin (1957-). Music Sales America. Classical. Book [Softcover]. 1 pages. Chester Music #MUSCH77528. Published by Chester Music (HL.14043784). 0.5

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Cloth bund. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05258. Published by Baerenreiter Verlag (BA.BA05258).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

Violoncello Solo. By Mikhail Bukinik. Schott. Book only. Size 9x12 inches. 24 pages. Published by Schott.

By Joe Maroni. For Cello. SongBook. Bill's Music Shelf. All Styles. Beginning. Book. 72 pages. Published by Mel Bay Publications, Inc

Violoncello

SKU: BA.BA05277

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: facsimile. Paperback. Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05277_00. Published by Baerenreiter Verlag (BA.BA05277).

ISBN 9790006569618. 32.5 x 25.5 cm inches.

The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the worksâ?? significance, the great number of editions in existence is not surprising. However, the composerâ??s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bachâ??s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources.