By Doris Gazda. Edited by Albert Stoutamire. Orchestral Collection/Ensemble. Str...(+)
By Doris Gazda. Edited by
Albert Stoutamire.
Orchestral
Collection/Ensemble.
Strings! Series. Level:
Elementary. Music Book.
Published by Neil A. Kjos
Music Company.
By Peter Sculthorpe (1929-). For Cello. Masterworks; Part(s); Solo; String - Cel...(+)
By Peter Sculthorpe
(1929-). For Cello.
Masterworks; Part(s);
Solo; String - Cello
Solo. Faber Edition. 20th
Century; Masterwork.
Published by Faber Music
Cello SKU: BO.B.3726 Composed by Melani Mestre. Published by Editorial de...(+)
Cello
SKU:
BO.B.3726
Composed by
Melani Mestre. Published
by Editorial de Musica
Boileau (BO.B.3726).
Written in
2001, this work was
conceived by the need to
enlarge the repertoire of
works for solo cello, an
important goal since the
repertoire of such works
is limited. Most cellists
are limited to
performances of such
well-known solo works as
the Suites of Bach,
written almost 300 years
ago, as well as other
classics of the genre by
Max Reger, Zoltan Kodaly,
Benjamin Britten, Gaspar
Cassado, Enric Casals,
etc.
The
intention of the Suite
Exotique is to
revolutionize the concept
of the Baroque suite by
transforming the suite
into a collection of
modern dances, which are
both contemporary and
widely recognized today.
Thus, the dances of the
Baroque suite, such as
Allemande, Courante,
Sarabande are substituted
for the Tango, Milonga,
Blues in such a way that
the traditional formal
structure of six
movements of Baroque
dances is modernized by
rhythms and contemporary
styles which coexist in
the Modern world, but are
separate from and do not
pertain to those works
which are normally
considered to belong to
the realm of cultured
music.
Apart
from the fusion
represented by the
mixture of a Baroque
genre with modern, urban
musical language found in
this work, the subtitle
exotica is appropriate
due to the originality of
writing such a work for
cello solo. This work
allows the interpreter to
explore and take full
advantage of their
technical, artistic and
expressive
abilities.
This
work establishes a total
symbiosis between the
instrument and the
evolutionary
transformation of its
musical language which in
turn creates a style
adapted to the expressive
requirements of the work
itself. The specific
techniques and qualities
of the cello are placed
in service of the
required style and
concept of each movement
of the Suite. At the same
time those stylistic
characteristics are
transformed and adapted
to the particular
characteristics of the
cello and taking full
advantage of the
instruments polyphonic,
sonic, aesthetic
qualities as well as its
timbre.
The
Suite Exotique was
premiered in August, 2003
during the International
Music Festival of Ibiza
by the Russian cellist
Svetlana Tovstukha.
Cello SKU: HL.14028929 Composed by David Blake. Music Sales America. Clas...(+)
Cello
SKU:
HL.14028929
Composed
by David Blake. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120425.
Published by Music Sales
(HL.14028929).
Written for
Moray Welsh whilst still
an undergraduate at York
University. This piece
was completed in
mid-September. Inspired
by Hermann Hesse's
Steppenwolf. A solo
'cello seemed an
appropriate medium for
music which might explore
the character of Harry
Haller, with his desire
for bourgeois comfort and
his strong misanthropic
and suicidal tendencies.
The opening theme
attempts to express this
- melancholy, nostalgic,
a bit Biedermeyer (cf.
Brahms Intermezzi). The
basic theme of the book,
at its simplest, is that
every human personality
consists of hundred of
different personalities -
within every man there
lurks a wolf. Accordingly
the tendency of my piece
is for all its musical
material to become
distorted, either by
thematic transformation
or by changes of timbre.
There are three movements
played without a break.
The first is a character
portrait of the
Steppenwolf. The second
is concerned in the most
general sort of way with
the dance elements in the
novel - Harry's being
taught to dance and
appreciate low 'popular'
music - a tango is
recapitulated in a waltz
and 'Yearning', a popular
song of the time (1927)
is hinted at. The third
movement concerns the
Masked Ball and the Magic
Theatre. Mozart is one of
Hesse's great loves and
he is repeatedly
mentioned in the book.
Inevitably some Mozart
quotes have been worked
in, the most significant
being a reference to The
Magic Flute 'fire and
water' flute theme in the
middle of the second
movement. Long before I
finished the piece, I was
disenchanted with the
work of Hesse. Much of
Steppenwolf I now find
rather embarrassing and
the claims currently made
for Hesse's greatness
seem to me exaggerated.
Since my piece is in no
important sense
programmatically
specific, this change of
heart doesn't really
matter. ~ David
Blake.
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki. For
Cello. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 28 pages.
Published by Alfred Music
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book;...(+)
Cello Part.
Composed by Dr. Shinichi
Suzuki. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 12 pages.
Published by Alfred Music
(AP.40751).
Cello Part. Composed by Dr. Shinichi Suzuki. This edition: Revised. Book;...(+)
Cello Part.
Composed by Dr. Shinichi
Suzuki. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 20 pages.
Published by Alfred Music
(AP.40754).
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki. For
Cello. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 20 pages.
Published by Alfred Music
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki. For
Cello. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 16 pages.
Published by Alfred Music
(Cello Part). Composed by Dr. Shinichi Suzuki. For Cello. This edition: Revised....(+)
(Cello Part). Composed by
Dr. Shinichi Suzuki. For
Cello. This edition:
Revised. Book; CD;
Method/Instruction;
String - Cello (Suzuki);
Suzuki. Suzuki Cello
School. 16 pages.
Published by Alfred Music
Cello (Cello) SKU: HL.14028556 Composed by Kaija Saariaho. Music Sales Am...(+)
Cello (Cello)
SKU:
HL.14028556
Composed
by Kaija Saariaho. Music
Sales America. 20th
Century. Book
[Softcover]. 24 pages.
Music Sales #HH00111.
Published by Music Sales
(HL.14028556).
ISBN
9788759852446.
8.5x11.75x0.065 inches.
English.
This
composition was written
quickly in a matter of
days, however the
composer describes the
longer process of writing
the piece as unconscious
preparation. There are
opposite elements on
display within the piece,
fragile coloristic
passages give birth to
energetic events with
clear rhythmic and
melodic charachter. More
sharpely focused figures
pass through different
transformations then
finally merge back to
less dynamic but no less
intensive filigration. In
bringing these
compositional elements
together and by forcing
opposite modes of
expression, the composer
has aimed to force the
listener to stretch their
own sensibility. Work for
Cello and Electronics
which was premiered by
Anssi Karttunen at the
Musica Nova Festival,
Bremen in May 1988.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Violoncello SKU: CA.2300264 Passion oratorio. Composed by Carl Loe...(+)
Violoncello
SKU:
CA.2300264
Passion
oratorio. Composed by
Carl Loewe. Edited by
Reinhold Kubik, Claudia
Seidl. Violoncello.
Sacred vocal music,
Oratorios, Passions, Lent
and Passiontide, Holy
Week. Individual part.
Composed presumably 1847.
44 pages. Duration 105
minutes. Carus Verlag #CV
23.002/64. Published by
Carus Verlag
(CA.2300264).
ISBN
9790007247959. Language:
German.
Carl Loewe
is known nowadays almost
exclusively as a composer
of ballads, but he was
close to the spirit of
his time and also
composed a number of
oratorios for the amateur
choirs which became so
numerous in the
Biedermeier period. Das
Suhnopfer des neuen
Bundes reveals a wealth
of expressivity using
only a modest scoring.
The solo parts can easily
be performed by good
amateurs, the well-known
chorales give audiences
the opportunity to join
in the singing, and the
scoring, mainly for small
string group, underlines
the emotions expressed by
the soloists. In this
oratorio we can hear
Loewe's admiration for
the Bach Passions, yet
his characteristic
musical language, typical
of the time, shows that
something new could
develop from it. Score
and part available
separately - see item
CA.2300200.
Unaccompanied Cello
Solo. Composed by
Anna Thorvaldsdottir.
Music Sales America.
Classical. Softcover.
Composed 2017. 8 pages.
Duration 660 seconds.
Chester Music #CH86878.
Published by Chester
Music (HL.250608).
UPC: 888680908195.
9.0x12.0x0.4 inches.
English.
The theme
of this work is man &
machine, as commissioned
by Michael Nicolas. The
theme is represented in
that the Cellist becomes
both in the piece man
& machine where man
indicates performing
expressively with
emotion, and a musical
approach to the music,
and machine indicates
more precise rhythmic and
technical accuracy, a
somewhat stricter
approach to the music.
These two approaches
gradually transition from
one to another throughout
the work. Anna
Thorvaldsdottir
frequently works with
large sonic structures
that tend to reveal the
presence of a vast
variety of sustained
sound materials,
reflecting her sense of
imaginative listening to
landscapes and nature.
Her music tends to
portray a flowing world
of sounds with an
enigmatic lyrical
atmosphere.
Chamber Music Cello SKU: PR.414412370 Composed by Stephen De'ak. Edited b...(+)
Chamber Music Cello
SKU: PR.414412370
Composed by Stephen
De'ak. Edited by Joseph
Mendoes. Sws. Methods And
Studies. Theodore Presser
Company #414-41237.
Published by Theodore
Presser Company
(PR.414412370).
ISBN
9781491137949. UPC:
680160692637. 9 x 12
inches.
First
published in 1929,
Stephen Deâakâs
two-volume Modern Method
for Cello remains a
timeless resource for new
and developing cellists
at every stage of
practice and performance.
A student of David
Popper, Deâak
presents a thoughtful and
thorough method for
beginning cellists with a
detailed focus on
fundamentals, including
posture and balance of
the bow and left
hand.Unlike many other
methods, the Modern
Method spends
considerable time
developing
note-recognition and tone
production by isolating a
skill or concept in a
single exercise. These
include open string and
bow distribution
exercises, as well as
systematic left hand
practice focusing on one
or two notes at a time.
This careful approach in
the beginning allows the
new player to reinforce
important right- and
left-hand skills before
attempting performance
pieces.Sequential scales
and exercises in various
keys and positions are
supplemented with songs
and tuneful etudes,
allowing the player to
apply practical technique
to expressive
performance. These etudes
are both pedagogical and
performance-worthy, rich
with musicality and
charm. The musical and
technical concepts
presented in this method
can be learned in any
order at the
teacherâs discretion
to best serve the
student.Revisions in this
new edition include
additional instruction,
clarification of
fingerings with shifting
indications, updated
melodies, and a beautiful
new engraving. The wealth
of practice and
performance repertoire in
The New Modern Method for
Cello, Volume 1 makes
this book a valuable
addition to every
cellistâs
library.Volume 2 offers
training in higher
positions and thumb
position, advanced
left-hand and bowing
techniques, and musical
exercises including 29
concert studies. These
etudes, often heard in
recitals, were designed
by Deâak as the
perfect stepping stone to
Popperâs High School
of Cello Playing.
Chamber Music SKU: PR.414412380 Composed by Stephen De'ak. Edited by Jose...(+)
Chamber Music
SKU:
PR.414412380
Composed
by Stephen De'ak. Edited
by Joseph Mendoes. Sws.
Methods And Studies.
Theodore Presser Company
#414-41238. Published by
Theodore Presser Company
(PR.414412380).
ISBN
9781491137956. UPC:
680160692644.
First
published in 1930,
Stephen Deâakâs
two-volume Modern Method
for Cello remains a
timeless and beloved
resource for new and
developing cellists at
every stage of practice
and performance. A
student of David Popper,
Deâak presents a
thoughtful and thorough
method for beginning
cellists with a detailed
focus on fundamentals,
including posture and
balance of the bow and
left hand. Unlike many
other methods, the Modern
Method spends
considerable time
developing
note-recognition and tone
production by isolating a
skill or concept in a
single exercise. These
include open string and
bow distribution
exercises, as well as
systematic left hand
practice focusing on one
or two notes at a time.
This careful approach in
the beginning allows the
new player to reinforce
important right- and
left-hand skills before
attempting performance
pieces.Sequential scales
and exercises in various
keys and positions are
supplemented with songs
and tuneful etudes,
allowing the player to
apply practical technique
to expressive
performance. These etudes
are both pedagogical and
performance-worthy, rich
with musicality and
charm. The musical and
technical concepts
presented in this method
can be learned in any
order at the
teacherâs discretion
to best serve the
student. Revisions in
this new edition include
additional instruction,
clarification of
fingerings with shifting
indications, updated
melodies, and a beautiful
new engraving. The wealth
of practice and
performance repertoire in
The New Modern Method for
Cello, Volume 2 makes
this book a valuable
addition to every
cellistâs
library. Volume 2
offers training in higher
positions and thumb
position, advanced
left-hand and bowing
techniques, and musical
exercises including 29
concert studies. These
etudes, often heard in
recitals, were designed
by Deâak as the
perfect stepping stone to
Popperâs High School
of Cello Playing.
Cello (Cello) SKU: HL.48183212 Composed by Franç and ois Couperin. ...(+)
Cello (Cello)
SKU:
HL.48183212
Composed
by Franç and ois
Couperin. Leduc. Baroque.
Alphonse Leduc #AL25226.
Published by Alphonse
Leduc (HL.48183212).
Couperin's
Concert Pieces for Cello
and String Quartet
accompaniment is an
exciting addition to the
string repertoire for its
slightly unusual
instrumentation. Francois
Couperin (1668-1733) is
often nicknamed 'Couperin
the Great' to distinguish
him from other members of
the musical family.
Concert Piecesis made up
of five movements; 1)
Prelude, 2) Sicilienne,
3) The Trumpet, 4) The
Complaint, and 5) Devil's
Air. Couperin's moods are
expressed through choices
of keys, adventurous
harmonies and discords.
With a significant amount
of variation and
inspiration, Concert
Pieces is essential to
the repertoire of
aspiring, advanced String
Quartets and solo
cellists..
Chamber Music Cello SKU: PR.114418590 For solo Cello. Composed by ...(+)
Chamber Music Cello
SKU: PR.114418590
For solo Cello.
Composed by Chen Yi. -.
Score. With Standard
notation. 4 pages.
Duration 3:30. Theodore
Presser Company
#114-41859. Published by
Theodore Presser Company
(PR.114418590).
ISBN
9781491111499. UPC:
680160642670. 9x12
inches.
Written
originally for solo
violin (114-41410), Chen
Yi's memorial to a
favorite teacher captures
the depths of loss, the
power of Memory. The
piece was adapted for
solo flute (114-41787) by
Mary Holzhausen, and is
now arranged for solo
cello by the
composer.________________
______________________Tex
t from the scanned back
cover:MEMORY for solo
CelloChen Yi has created
a solo cello version of
this plaintive memorial
work, originally for solo
violin – the
instrument in which
composer Chen Yi was
trained as a performer.
The composer provides
this program note:
“Dear Professor
Lin: I wish you could
hear the tune in Memory,
which sounds like my
painful cry out of your
name in our Cantonese
dialect. I expressed my
deep sorrow in the music,
to remember your fatherly
mentorship. Your
meaningful smile will
always be with
usencouragingly.â€.<
/p>