Cello solo SKU: BR.EB-9114 Composed by Isabel Mundry. Solo instruments; s...(+)
Cello solo
SKU:
BR.EB-9114
Composed
by Isabel Mundry. Solo
instruments; stapled.
Edition Breitkopf.
World premiere: Graz
(Steirischer Herbst),
October 4, 1997
Music
post-1945; New music
(post-2000). Score.
Composed 1997. 8 pages.
Duration 14'. Breitkopf
and Haertel #EB 9114.
Published by Breitkopf
and Haertel (BR.EB-9114).
ISBN 9790004181843. 9
x 12 inches.
Die
Form der Komposition ist
dem Weg eines Gedankens
vergleichbar, der
unvermittelt Neues ebenso
enthalten kann wie
Ruckbezuge und
Erinnerungen und dessen
zeitlicher Verlauf keiner
ausseren Logik folgt.
Dennoch gibt es ein Netz
von inneren Beziehungen
zwischen einer Vielzahl
von Elementen, die
permanent erscheinen,
verschwinden, sich
verwandeln und
verschmelzen; ein
Prozess, der sich in der
Vielschichtigkeit von
Klangereignissen des
Instruments
widerspiegelt.
Gleichzeitig tendiert die
Form der internen
Zersplitterung
gelegentlich zur
Selbstauflosung. Zwei
eingeschobene
Spiegelkanons lassen die
Klange zu Linien werden
und die Zeit zum
richtungslosen Raum. Doch
auch sie bleiben fluchtig
und werden gebunden an
die Form, die aus dem
Spiel von Gedanken
besteht, wie auch aus
ihrem Vergessen. (Isabel
Mundry) CDs: Michael
Moser CD Durian 007-2
Christina Meissner
(violoncello) CD HOROS
10902
World
premiere: Graz
(Steirischer Herbst),
October 4, 1997.
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Cello solo SKU: BR.EB-9241 For Violoncello solo. Composed by Isabe...(+)
Cello solo
SKU:
BR.EB-9241
For
Violoncello solo.
Composed by Isabel
Mundry. Solo instruments;
stapled. Edition
Breitkopf.
World
premiere: Weimar, October
18, 2013
Music
post-1945; New music
(post-2000). Score.
Composed 2013. 16 pages.
Duration 15'. Breitkopf
and Haertel #EB 9241.
Published by Breitkopf
and Haertel (BR.EB-9241).
ISBN 9790004185414. 9
x 12 inches.
CD:
Charles-Antoine Duflot
(violoncello) CD OEHMS OC
765