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| 101 Disney Songs
Violoncelle
Hal Leonard
for Cello. If you play an instrument and you're a Disney fan, you'll love this c...(+)
for Cello. If you play an instrument and you're a Disney fan, you'll love this collection of 101 favorites to learn and play! Songs include: Beauty and the Beast - Can You Feel the Love Tonight - A Dream Is a Wish Your Heart Makes - Evermore - Go the Distance - He's a Pirate - I See the Light - Kiss the Girl - Let It Go - Mickey Mouse March - Reflection - A Spoonful of Sugar - True Love's Kiss - We're All in This Together - When You Wish upon a Star - A Whole New World - You've Got a Friend in Me - Zip-A-Dee-Doo-Dah - and more./ Recueil / Violoncelle
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| 11 Oblique Strategies
Violoncelle
Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British...(+)
The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
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| Concerto For Pianoforte
And Orchestra #5 E-Flat
Major Op. 78
Violoncelle
Barenreiter
Beethoven's fifth and final piano concerto is at the same time the culmination o...(+)
Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Violoncelle
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| Solohouse (SKRAM HENRIK)
Violoncelle [Conducteur]
Wilhelm Hansen
Par SKRAM HENRIK. Solohouse is an experimental architectural project by the Amer...(+)
Par SKRAM HENRIK. Solohouse is an experimental architectural project by the American materialist visionary Lebbeus Woods. The project consists of architectural drawings and models of a house for one person. The work for solo cello explores the potential for ¼ tone writing, attempting to treat micro-tonality as an extended resource of melodic composition, hence creating nuance in the treatment of linear writing. The idea of 'planting” musical objects in musical space was something the composer wanted to explore, putting on author's hat and investigating form on terms of dramaturgy, using repetition as a structural device. Inspired by the Solohouse, the composer thought of the cello as a space ofobservation from which the occupier reflects. / Musique contemporaine / Date parution : 2019-05-27/ Répertoire / Violoncelle
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| Songe A La Douceur
(Cello)
 En Français
Violoncelle
Leduc, Alphonse
The composer Patrick Burgan and the giant of French music Henri Dutilleux formed...(+)
The composer Patrick Burgan and the giant of French music Henri Dutilleux formed real elective affinities with each other. Dutilleux never missed an opportunity to mention the high esteem in which he held the younger musician's work. Dedicated to the memory of Henri Dutilleux, Songe À La Douceur takes its title from the 2nd verse of 'L'Invitation au Voyage', from the 'Fleurs du mal' by Baudelaire - a poet who was a constant source of inspiration for Dutilleux. Burgan invites listeners to explore the musical universe of the French master: the numerous quotations of his work, duly flagged in the score, form a superb constellation that stretches from the Mystère de l'Instant to the Deuxième Symphonie via the quartet Ainsi la nuit, Métaboles and the concerto for cello Tout un monde lointain. Reflecting L'Invitation au Voyage, the composer follows the principle of verse and refrain, and the hypnotic return of the soft chords in pizzicato echoes the famous lines: 'Là, tout n'est qu'ordre et beauté, / Luxe, calme et volupté?. This tribute, in the form of a delicate alchemy, combines sparkle, sweetness and spirit. / Violoncelle
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| X'Three for violoncello
(KOSKELIN OLLI) (KOSKELIN
OLLI)
Violoncelle [Partition]
Fennica Gehrman
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a ...(+)
Par KOSKELIN OLLI. X'Three (2003/2021) by Olli Koskelin is the third piece of a solo cello suite consisting of seven compositions. Each of the seven pieces can be performed individually or detached with other X'-compositions. Different works are yet to be performed chronologically. The X'-works are composed by using the same material viewed from many different angles. Their structure can be seen as a film starting several times from the beginning and from the same settings always looked from a new perspective. In some compositions of the X'-suite seemingly random fragments are joined together organically in other works of the suite. The story, tale, or plot of the music and the gestures and figures of it trans-form in a new context but remain identifiable. Olli Koskelin's (born 16 April 1955) compositional output reflects a wide range of interests. The vast area covered by his style encompasses the neo-impressionism of the piano work Courbures (1989) to the post-expressionist echoes of his Music for String Quartet (1981) as well as the breakneck virtuosity of his clarinet piece Exalte (1985/1991) and the rich romantic textures of his orchestral piece ... like a planet silently breathing... (1993). He often uses the overtone series like the French spectral composers and avoids dramatic culmination. Soft harmonics, tranquil arching melodies, a leisurely rhythmical pulse and a coherence of mood are in evidence in his later works as in Uurre (1997) for chamber ensemble, Miniatures (1997) for string quartet and Circles within for 19 solo strings. / Date parution : 2023-01-24/ Recueil / Violoncelle
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| Tzigane
Violoncelle
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...(+)
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violoncelle
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| Requiem For Cello Alone
(SCULTHORPE PETER)
Violoncelle [Partition]
Faber Music Limited
Par SCULTHORPE PETER. Sculthorpe uses the Plainsong Requiem Mass as the source m...(+)
Par SCULTHORPE PETER. Sculthorpe uses the Plainsong Requiem Mass as the source material for this work for Solo Cello, using the music to reflect the words of the Latin text. This is a most interesting concept, particularly so as the timbral and expressive qualities of the cello seem appropriate for this type of work (or influenced-type of work, at least). The cello has a very rich and warm tonal quality to it, which Sculthopre exploits in this adventurous composition. This piece will present an enjoyable and most interesting challenge to both advancing and accomplished cellists alike. '. . .draws its inspiration from plainsong and maintains a wonderful sense of space and stillness.' Helen Wallace, BBC Music Magazine, October 1995 / Niveau : Elémentaire / Répertoire / Violoncelle
Délais: 2-5 jours - En Stock Fournisseur |
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| Technique Takes Off!
(COHEN MARY)
Violoncelle [Partition]
Faber Music Limited
Par COHEN MARY. Quatorze études originales, imaginatifs pour solo violoncelle, ...(+)
Par COHEN MARY. Quatorze études originales, imaginatifs pour solo violoncelle, spécialement conçus pour déboucher des études élémentaires pour les plus jeunes joueurs plus avancée matériel par Dotzauer et Popper. Chaque pièce se concentre sur un ou deux aspects de la technique, et l'ensemble couvre un large éventail de compétences de gauche et de droite, y compris les spicatto s'incliner, franchissement des chaîne, moto perpetuo, cantible et les arrêts doubles faciles. Enseignants et les élèves trouveront cette collection inestimable, et pourtant la lumière hearted, agréable et stimulant./ Méthode / Violoncelle
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| The Big Book Of Disney
Songs
Violoncelle [Partition]
Hal Leonard
Cette collection comprend des solos instrumentaux de classiques de Disney plus d...(+)
Cette collection comprend des solos instrumentaux de classiques de Disney plus de 70. / Violoncelle / 80 pages / Partition
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| Disney Solos
Violoncelle
Hal Leonard
12 Favoris de Disney avec un CD qui vous permet de jouent avec un groupe complet...(+)
12 Favoris de Disney avec un CD qui vous permet de jouent avec un groupe complet ! Les titres comprennent : être notre invité o Can You Feel Love Tonight o couleurs du vent o ami comme moi o Let's Get Together o sous la mer o vous avez un ami à moi o zéro au héros o et bien plus encore. / Violoncelle / 24 pages / Partition Cd
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