Playable on Any Three Instruments or Any Number of Instruments in Ensemble. Arra...(+)
Playable on Any Three
Instruments or Any Number
of Instruments in
Ensemble. Arranged by
Michael Story. For
Cello/Bass. Mixed
Instruments - Flexible
Instrumentation. Pop
Instrumental Ensembles
for All. Pop. Book. 24
pages. Published by
Alfred Publishing.
Cello SKU: PR.77640001L A Musical Celebration of the Life and Work of ...(+)
Cello
SKU:
PR.77640001L
A
Musical Celebration of
the Life and Work of
Charles Wesley.
Composed by Andrew Fowler
Charles Wesley. Part.
With Standard notation.
Abingdon Press
#776-40001L. Published by
Abingdon Press
(PR.77640001L).
ISBN
9780687644179.
Reno
wned composer Andrew
Fowler of South Carolina
has composed a work
celebrating the life and
writings of Charles
Wesley entitled
Directions for Singing,
the title taken from the
series of seven
instructions written by
Charles Wesley and
included in John Wesley's
Select Hymns, 1761. The
work is a 40 to 45 minute
piece in seven movements
with soloists and full
orchestra. Directions for
Singing is an accessible
and fresh choral and
orchestral work.
(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Dani...(+)
(Foreword and Additional
Editing by Richard
Hughey). By Camille
Saint-Saens Daniel
Francois Van Goens.
Edited by Richard Hughey,
Larry Clark. For Cello,
Cello and Piano. 104
pages. Published by Carl
Fischer
Unaccompanied Cello SKU: HL.14043277 Cello Solo. Composed by Niels...(+)
Unaccompanied Cello
SKU: HL.14043277
Cello Solo.
Composed by Niels
Rosing-schow. Music Sales
America. Classical,
Contemporary. Book
[Softcover]. Composed
2014. 12 pages. Edition
Wilhelm Hansen #WH32092.
Published by Edition
Wilhelm Hansen
(HL.14043277).
ISBN
9788759830987.
International (more than
one
language).
Niels
Rosing-Schow 's 2014
piece Views From A High
Place for solo Cello.
Version B. The work
'Views from a High Place'
is a rhapsodic piece
revisiting characteristic
solo passages from both
of my Cello concertos.
The different musical
'views' share the
instrument's high
register as the point
from which there is a
view. Version B was
written for the Danish
String Players Contest
2014. - Niels
Rosing-Schow.
Unaccompanied Cello SKU: HL.14043276 Cello Solo. Composed by Niels...(+)
Unaccompanied Cello
SKU: HL.14043276
Cello Solo.
Composed by Niels
Rosing-schow. Music Sales
America. Classical,
Contemporary. Softcover.
Composed 2014. 12 pages.
Edition Wilhelm Hansen
#WH32091. Published by
Edition Wilhelm Hansen
(HL.14043276).
ISBN
9788759830970.
International (more than
one
language).
Niels
Rosing-Schow 's 2014
piece Views From A High
Place for solo Cello. The
work 'Views from a High
Place' is a rhapsodic
piece revisiting
characteristic solo
passages from both of my
Cello concertos. The
different musical 'views'
share the instrument's
high register as the
point from which there is
a view. - Niels
Rosing-Schow .
(Improving Reading and Sight-Reading Skills in the String Classroom or Studio) E...(+)
(Improving Reading and
Sight-Reading Skills in
the String Classroom or
Studio) Edited by Andrew
H. Dabczynski, Bob
Phillips, Richard Meyer.
Instructional book for
cello. With instructional
text and bowings. Series:
Sight-Read It for
Strings. 32 pages.
Published by Alfred
Publishing.
Emmelia Violoncelle [Conducteur] University Of York Music Press
Cello SKU: BT.MUSM570366453 Composed by Evis Sammoutis. Classical. Score ...(+)
Cello
SKU:
BT.MUSM570366453
Composed by Evis
Sammoutis. Classical.
Score Only. 10 pages.
University of York Music
Press #MUSM570366453.
Published by University
of York Music Press
(BT.MUSM570366453).
English.
'Brice
Catherin, a cellist and a
composer exploring the
notion of the
one-man-band concept,
commissioned this work;
this composition was
subsequently the result
of our collaboration. My
aim has been to create a
work where the cellist
produces sounds using his
full body: his hands
(employing a variety of
extended techniques on
the Cello and external
objects), his feet, his
mouth (singing and
playing the harmonica and
flexible tube) and even
his face on one occasion
to muffle the strings.
There are two central
themes in the work:
virtuosity and theatre,
both strong, frequent
features of my
compositional oeuvre.
After several meetings
and experimentation with
Brice, I chose asetup
that enhances the musical
scope without visually
cluttering the stage. I
am also using a rather
unusual scordatura that
not only changes the
timbre of the instrument
itself, but also helps
create unique soundscapes
that blend together with
the sounds from the
spring drums, the human
voice (whistling, groans
and other effects), a
singing bowl, a harmonica
and a flexible tube among
others. The work is
entitled Emmelia and
there are two reasons for
this: Emmelia derives
from the prefix en (in)
and the noun melos
(harmony), thus meaning
in harmony. The
composition is structured
and developed in clearly
defined sections (noisy,
harmonious, distorted,
etc.), based on
information revealed by a
spectral analysis of an
F1 spectrum on the cello
(tuned a fifth below low
C), played and recorded
using a variety of
attacks and triggering
objects and methods.
Emmelia is also the name
of my baby daughter, who
has been my constant
inspiration since she was
born.' - Evis
Sammoutis.
Composed by Bright Sheng, edited by Yo-yo Ma. For cello. Format: cello solo book...(+)
Composed by Bright Sheng,
edited by Yo-yo Ma. For
cello. Format: cello solo
book (no accompaniment).
With performance notes
and introductory text.
20th century and asian.
14 pages. 9x12 inches.
Published by Schirmer.
(A cello method for children age four and older). By Kurt Sassmannshaus; Egon Sa...(+)
(A cello method for
children age four and
older). By Kurt
Sassmannshaus; Egon
Sassmannshaus. For
Violoncello.
Barenreiter's
Sassmannshaus.
Instructional method.
Playing Score. 64 pages
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Cello SKU: HL.14028929 Composed by David Blake. Music Sales America. Clas...(+)
Cello
SKU:
HL.14028929
Composed
by David Blake. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV120425.
Published by Music Sales
(HL.14028929).
Written for
Moray Welsh whilst still
an undergraduate at York
University. This piece
was completed in
mid-September. Inspired
by Hermann Hesse's
Steppenwolf. A solo
'cello seemed an
appropriate medium for
music which might explore
the character of Harry
Haller, with his desire
for bourgeois comfort and
his strong misanthropic
and suicidal tendencies.
The opening theme
attempts to express this
- melancholy, nostalgic,
a bit Biedermeyer (cf.
Brahms Intermezzi). The
basic theme of the book,
at its simplest, is that
every human personality
consists of hundred of
different personalities -
within every man there
lurks a wolf. Accordingly
the tendency of my piece
is for all its musical
material to become
distorted, either by
thematic transformation
or by changes of timbre.
There are three movements
played without a break.
The first is a character
portrait of the
Steppenwolf. The second
is concerned in the most
general sort of way with
the dance elements in the
novel - Harry's being
taught to dance and
appreciate low 'popular'
music - a tango is
recapitulated in a waltz
and 'Yearning', a popular
song of the time (1927)
is hinted at. The third
movement concerns the
Masked Ball and the Magic
Theatre. Mozart is one of
Hesse's great loves and
he is repeatedly
mentioned in the book.
Inevitably some Mozart
quotes have been worked
in, the most significant
being a reference to The
Magic Flute 'fire and
water' flute theme in the
middle of the second
movement. Long before I
finished the piece, I was
disenchanted with the
work of Hesse. Much of
Steppenwolf I now find
rather embarrassing and
the claims currently made
for Hesse's greatness
seem to me exaggerated.
Since my piece is in no
important sense
programmatically
specific, this change of
heart doesn't really
matter. ~ David
Blake.
