Composed by Johann Sebastian Bach (1685-1750), edited by Bettina Schwemer, Douglas Woodfull-Harris. For cello. Urtext of the New Bach Edition. Includes critical performing edition, critical text volume (analysis and performance notes) and facsimiles of source manuscripts (5 complete source editions). Baroque. Text language English. 327 pages. 9x12 inches. Published by Baerenreiter-Ausgaben.

Violoncello

SKU: BA.BA05278

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: Facsimile, Urtext edition. Paperback. Barenreiter Urtext. Urtext from the New Bach Edition - Revised (NBArev). Performance score, anthology, Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05278_00. Published by Baerenreiter Verlag (BA.BA05278).

ISBN 9790006569625. 32.5 x 25.5 cm inches. Preface: Talle, Andrew.

When we think of the cello, we automatically think of Bach’s immortal cello suites. They are the very core of cello literature, their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident.

Andr ew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Cloth bund. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05258. Published by Baerenreiter Verlag (BA.BA05258).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

Final Version 1906 - Textcritical Edition. Composed by Gustav Mahler (1860-1911). Edited by Christian Rudolf Riedel. Additional part. Breitkopf and Haertel #OB 5633-23. Published by Breitkopf and Haertel

Violoncello

SKU: BA.BA10936

Composed by Robert Lindley. Edited by Valerie Walden. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, anthology. Opus 15. Baerenreiter Verlag #BA10936_00. Published by Baerenreiter Verlag (BA.BA10936).

ISBN 9790006567287. 31 x 24.3 cm inches. Preface: Walden, Valerie.

Robert Lindley (1776–1855) was the premier cellist in England for more than 50 years. In 1822 he became the first professor of cello at the Royal Academy of Music in London, where he remained until his retirement in 1851. Lindley, an esteemed and much sought-after teacher, wrote not only the present “Capriccios” but also a cello method, several concertos, and chamber music in which the cello is prominently featured.

The “Capriccios and Exercises” contain a multitude of fingering patterns in related major and minor harmonies, exercises for the thumb position and many passages of double stops, all within a melodious framework. Barenreiter’s scholarly performing edition is edited by Valerie Walden, offering cellists and teachers outstanding new material for use in lessons.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Cello (Violoncello)

SKU: HL.51480311

Cello. Composed by Franz Joseph Haydn. Edited by Horst Walter. Sheet Music. Paperbound. Henle Music Folios. Pages: Vc Part = 12. Classical. Individual instrument part. 12 pages. G. Henle #HN311. Published by G. Henle (HL.51480311).

ISBN 9790201803111. UPC: 884088175061. 9.25x12.25x0.032 inches.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

(Cello). For Cello. Book; CD; Play-Along; String Series. Instrumental Solos Series. Pop; Pop/Rock. Grade 2; Grade 3. 52 pages. Published by Alfred Music

Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. ABRSM (Associated Board of the Royal Schools of Music) #9781786012753. Published by ABRSM (Associated Board of the Royal Schools of Music)

Unaccompanied Cello

SKU: HL.14041019

Version for Cello Solo. Composed by Tristan Murail. Music Sales America. Classical. Softcover. Editions Musicales Transatlantiques #ETR001875. Published by Editions Musicales Transatlantiques (HL.14041019).

12.0x16.75x0.037 inches. French.

Version for cello solo.

By Peter Sculthorpe (1929-). For Cello. Masterworks; Part(s); Solo; String - Cello Solo. Faber Edition. 20th Century; Masterwork. Published by Faber Music

Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. ABRSM (Associated Board of the Royal Schools of Music) #9781786012715. Published by ABRSM (Associated Board of the Royal Schools of Music)

Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. ABRSM (Associated Board of the Royal Schools of Music) #9781786012289. Published by ABRSM (Associated Board of the Royal Schools of Music)

Cello SKU: HU.HN666 Composed by Johann Sebastian Bach. Edited by Egon Voss. Strings, Repertoire, Solos. 6 Suites for Violoncello solo BWV 1007-1012. Softcover Book. 136 pages. G. Henle #HN666. Published by G. Henle

Selected from the 2020-2023 syllabus. Composed by ABRSM. ABRSM Exam Pieces. ABRSM (Associated Board of the Royal Schools of Music) #9781786012296. Published by ABRSM (Associated Board of the Royal Schools of Music)

Violoncello

SKU: BA.BA05277

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: facsimile. Paperback. Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05277_00. Published by Baerenreiter Verlag (BA.BA05277).

ISBN 9790006569618. 32.5 x 25.5 cm inches.

The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the worksâ?? significance, the great number of editions in existence is not surprising. However, the composerâ??s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bachâ??s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources.

Cello

SKU: PE.0300572581

Composed by Antoine (le Père) Forqueray and Edited by Mary Cyr. This edition: Performing extract, score & parts. Broude Trust. Book. 32 pages. Edition Peters #98-0300572581. Published by Edition Peters (PE.0300572581).

ISBN 9790300572581.

E dited by Mary Cyr

Original item: BT-FORQUERAYC.

Violoncello

SKU: BR.OB-5509-23

Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: cello part. Stapled. Orchester-Bibliothek (Orchestral Library).

The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany.

Solo concerto; Early classical. Part. 12 pages. Duration 27'. Breitkopf and Haertel #OB 5509-23. Published by Breitkopf and Haertel (BR.OB-5509-23).

ISBN 9790004338490. 9 x 12 inches.

The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts.

Cello (Cello)

SKU: HL.49046642

Schott Essential Exercises Series. Composed by Friedrich Dotzauer. String Solo. Etude, Instruction. Softcover. Schott Music #ED23402. Published by Schott Music (HL.49046642).

UPC: 842819113621. 9.0x12.0x0.143 inches.

Dotzauer etudes have been part of the standard repertoire in cello lessons for generations. Johann Friedrich Dotzauer (1783-1860) was among the major cellists and cello pedagogues of the 19th century and knew what makes a good etude: it should deal specifically with a certain technical problem and at the same time not be monotonous, but musically appealing. The cellist of the Leipzig Gewandhaus and the Dresden Hofkapelle managed to do that in an exemplary manner. This new edition of the 18 progressive etudes Op. 120 follows the original sources and contains the original text. While the Dotzauer etudes are usually only available in selected editions today, opus 120 is edited here in its entirety, as conceived by the composer himself. Notes on studying and on the performance practice (dynamics, vibrato, change of position, ornamentation, bowings) make the new edition an ideal reference edition for music lessons.