Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Cloth bund. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05258. Published by Baerenreiter Verlag (BA.BA05258).

Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edition: urtext edition. Paperback. Barenreiter Urtext. Urtext of the New Bach Edition - Revised (NBArev). Performance Score(s), anthology. BWV 1007-1012. Baerenreiter Verlag #BA05257. Published by Baerenreiter Verlag

Violoncello

SKU: BA.BA05278

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: Facsimile, Urtext edition. Paperback. Barenreiter Urtext. Urtext from the New Bach Edition - Revised (NBArev). Performance score, anthology, Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05278_00. Published by Baerenreiter Verlag (BA.BA05278).

ISBN 9790006569625. 32.5 x 25.5 cm inches. Preface: Talle, Andrew.

When we think of the cello, we automatically think of Bach’s immortal cello suites. They are the very core of cello literature, their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Consideri ng the works’ significance, the great number of editions in existence is not surprising. However, the composer’s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

In this two-volume edition of Bach’s cello suites, Andrew Talle now presents an entirely new view of the relationships between existing sources. The first volume contains the edited musical text, which comes as close to the composer’s original intention as the surviving source material allows: “This edition does not constitute a perfect reconstruction of the lost autograph; that is something no editor could claim to accomplish. Instead, I have attempted to supply musicians and researchers with a reliable version of the surviving musical text of the six cello suites, and to convey a sense of the many possibilities Bach encouraged his musicians to explore.”The second volume presents, for the first time, synoptically arranged facsimiles of the handwritten sources as well as the first print (with Suite No. V also including Bach’s own arrangement for lute), allowing readers to compare any specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources, making editorial decisions transparent and self-evident.

Andr ew Talle’s edition is supplemented by a comprehensive discussion of the instrument for which the suites were created, as well as information regarding musical interpretation during Bach’s time.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

(Cello)

SKU: HL.50564177

Composed by Maurice Ravel. Editions Durand. Classical. Book only. Editions Durand #DR0673904. Published by Editions Durand (HL.50564177).

UPC: 073999328134.

Inch. ...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.