Cello (Cello) SKU: HL.49044838 For solo cello. Composed by Thomas ...(+)
Cello (Cello)
SKU:
HL.49044838
For
solo cello. Composed
by Thomas Larcher. This
edition: Saddle
stitching. Sheet music.
String. Vier Seiten is a
response to Ayrton
Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the.
Softcover. Composed 1997.
8 pages. Duration 7'.
Schott Music #CB269.
Published by Schott Music
(HL.49044838).
ISBN
9790220134418. UPC:
841886027602.
9.0x12.0x0.067
inches.
Vier Seiten
for violoncello is an
attempt to present an
event that in reality
takes about two seconds
in extreme slow motion,
thus making even the
micromovements visible or
audible beyond the
straight line of
motion.When I composed
the piece, the fatal
accident of Ayrton Senna
came to my mind again and
again - an accident which
was shown on TV in slow
motion again and again
until it became
unbearable. The fast
motion of the car
immediately before the
crash into a concrete
wall, a motion which was
no longer purposeful but
out of control and which
had the car pulled to and
fro and from side to
side, was followed by
that crash. In this
extreme slow motion, it
is no longer shown as a
crash but as the fast
telescoping of carbon
fibre, metal and human
body parts.After this
crash, as a postlude so
to speak, everything
suddenly slowed down,
tyres and automotive
particles floating in the
air, the torso of the
vehicle swinging until
the motion stopped. It
was not until this moment
that I realized that the
whole presentation of the
incident had been
accompanied by paralyzing
silence.- Thomas
Larcher
Vier
Seiten is a response to
Ayrton Senna's fatal car
accident, portrayed in
slow motion, as it was
repeatedly shown on
television at the time.
In this poignant work, a
violent fast section
represents the crash,
followed by a long
epilogue, reflecting the
apparent stillness of the
immediate aftermath.
Cello - Grade 2 SKU: AP.20145UK 2. A progressive system of scal...(+)
Cello - Grade 2
SKU:
AP.20145UK
2.
A progressive system
of scales for Cello.
Composed by Orfilia Saiz
Vega. Book. Alfred Music
#00-20145UK. Published by
Alfred Music
(AP.20145UK).
ISBN
9780739096840.
English.
We all
agree that scales are a
basis for learning cello
technique, which is why
we include scales in our
teaching. The trick of
course, is how to
integrate scales into the
learning process so that
at the moment the
repertoire demands the
technique, the fingers
are able to respond. All
too often scales are
divorced from their
musical environment or
teachers are compelled to
cut and paste from
traditional scale books
to try to match technique
and learning. Here, in
this new series, Scale
Builder Orfilia Saiz Vega
meticulously matches
scale development to the
appropriate level of
technique. Through this,
the patterns and rhythms
expected of the student
at their level of musical
competence are precisely
those practised.
Moreover, the skilful
integration of bowing and
other techniques specific
to the instrument mean
that acquiring the scales
across a whole range of
technical devices means
that when they appear in
the music they are
expected to play,
teachers can concentrate
on the musical elements
safe in the knowledge
that the technique is
secure. Great
musicians are formed from
early age. We finally
have this gradual,
attractive and adapted
system of scales to start
building student's
technique, which will be
at the service of their
artistry in the future. I
strongly recommend
it! ASIER POLO Cello
player, soloist and
Artistic director at the
Faculty of Music and
Performing Arts of the
University'Alfonso X el
Sabio' (Madrid).
Cello - Grade 1 SKU: AP.20144UK 1. A progressive system of scal...(+)
Cello - Grade 1
SKU:
AP.20144UK
1.
A progressive system
of scales for Cello.
Composed by Orfilia Saiz
Vega. Book. Alfred Music
#00-20144UK. Published by
Alfred Music
(AP.20144UK).
ISBN
9780739087787.
English.
We all
agree that scales are a
basis for learning cello
technique, which is why
we include scales in our
teaching. The trick of
course, is how to
integrate scales into the
learning process so that
at the moment the
repertoire demands the
technique, the fingers
are able to respond. All
too often scales are
divorced from their
musical environment or
teachers are compelled to
cut and paste from
traditional scale books
to try to match technique
and learning. Here, in
this new series, Scale
Builder Orfilia Saiz Vega
meticulously matches
scale development to the
appropriate level of
technique. Through this,
the patterns and rhythms
expected of the student
at their level of musical
competence are precisely
those practised.
Moreover, the skilful
integration of bowing and
other techniques specific
to the instrument mean
that acquiring the scales
across a whole range of
technical devices means
that when they appear in
the music they are
expected to play,
teachers can concentrate
on the musical elements
safe in the knowledge
that the technique is
secure. Great
musicians are formed from
early age. We finally
have this gradual,
attractive and adapted
system of scales to start
building student's
technique, which will be
at the service of their
artistry in the future. I
strongly recommend
it! ASIER POLO Cello
player, soloist and
Artistic director at the
Faculty of Music and
Performing Arts of the
University'Alfonso X el
Sabio' (Madrid).
(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For cello. Habits of a
Successful Musician.
Music Education - Method.
Method book. 72 pages.
Published by GIA
Publications
Cello, Piano Accompaniment - Grade 4 SKU: HL.248688 For Solo Cello...(+)
Cello, Piano
Accompaniment - Grade 4
SKU: HL.248688
For Solo Cello.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2017.
12 pages. Chester Music
#CH86735. Published by
Chester Music
(HL.248688).
UPC:
888680729080. 9x12
inches.
English.
“Gor
don Wright was the friend
of a lifetime. For thirty
years Gordon and I shared
our two greatest
passions: music and
Alaska. Gordon was my
musical collaborator, my
next-door neighbor, my
fellow environmentalist
and my camping buddy.
These miniatures are
musical sketches of three
moments and places in our
friendship. Like Alaska,
Gordon was larger than
life. He always lived his
own way. And he died just
as he would have wanted.
We found him lying on the
deck of his cabin in the
Chugach Mountains, curled
up against his favorite
birch tree, looking
across the waters of
Turnagain Arm toward the
Resurrection Valley and
the tiny settlement of
Hope.” - John
Luther Adams
This
music contains no normal
stopped tones. All the
sounds are produced as
natural harmonics or on
open strings. There are
no harmonics higher than
the sixth. So these
sounds should be clear
and resonant. Even so,
balancing the harmonics
with the open strings
requires careful
attention.
The
durations of the
individual pieces are
given at the end of
each.
The total
duration of the set is
about ten minutes.