Cello Play-Along Book with Online Audio. Composed by Andrew Lloyd Webber. Instru...(+)
Cello Play-Along Book
with Online Audio.
Composed by Andrew Lloyd
Webber. Instrumental
Play-Along. Play Along.
Softcover Audio Online.
16 pages. Published by
Hal Leonard
Cello SKU: HL.224731 For Cello. By Various. Instrumental Folio. Po...(+)
Cello
SKU:
HL.224731
For
Cello. By Various.
Instrumental Folio. Pop.
Softcover. 128 pages.
Published by Hal Leonard
(HL.224731).
ISBN
9781495090325. UPC:
888680671761.
9.0x12.0x0.312
inches.
Instrumenta
lists will love this
jam-packed collection of
101 timeless pop songs!
Songs include: Another
Brick in the Wall •
Billie Jean • Dust
in the Wind • Easy
• Free Bird •
Girls Just Want to Have
Fun • Hey Jude
• I'm a Believer
• Jessie's Girl
• Lean on Me
• The Lion Sleeps
Tonight • Livin' on
a Prayer • My Girl
• Piano Man •
Pour Some Sugar on Me
• Reeling in the
Years • Stand by Me
• Sweet Home
Alabama • Take Me
Home, Country Roads
• With or Without
You • You Really
Got Me • and
more.
Cello - intermediate SKU: HL.49014958 Cello. Composed by Johann St...(+)
Cello - intermediate
SKU: HL.49014958
Cello. Composed by
Johann Strauss. This
edition: Paperback/Soft
Cover. Sheet music.
Edition Schott.
Classical. Separate part,
cello. 60 pages. Schott
Music #ED1506. Published
by Schott Music
(HL.49014958).
ISBN
9790001033534.
9.0x12.0x0.208
inches.
Contents: -
An der schonen blauen
Donau op. 314 -
Geschichten aus dem
Wiener Wald op. 325 -
Wiener Blut op. 354 -
Schatz-Walzer op. 418
(Zigeunerbaron) - Du und
Du op. 367 (Fledermaus) -
Kunstlerleben op. 316 -
Rosen aus dem Suden op.
388 - Kusswalzer op. 400
(Der lustige Krieg) -
Morgenblatter op. 279 -
Fruhlingsstimmen op. 410
- Lagunenwalzer op. 411
(Eine Nacht in Venedig) -
Accelerationen op. 234 -
Wein, Weib und Gesang op.
333 - Kaiser-Walzer op.
437 - O schoner Mai op.
375.
(Cello). For Cello. Book; CD; Play-Along; String Series. Ultimate Pop Instrument...(+)
(Cello). For Cello. Book;
CD; Play-Along; String
Series. Ultimate Pop
Instrumental Solos
Series. Movie. Grade 2;
Grade 3. 84 pages.
Published by Alfred Music
Publishing
Instrumental Play-Along. Composed by Lin-Manuel Miranda (1980-). Instrumental ...(+)
Instrumental Play-Along.
Composed by Lin-Manuel
Miranda
(1980-). Instrumental
Play-
Along. Disney, Movies.
Softcover Audio Online.
Published by Hal Leonard
10 Strauss favourites
arranged for solo cello
with backing track
CD. Composed by
Johann Strauss Jr.
Classical. Book with CD.
Composed 2011. 40 pages.
De Haske Publications
#DHP 1115192-400.
Published by De Haske
Publications
(BT.DHP-1115192-400).
9x12 inches.
International.
10
favourites from the
Strauss dynasty arranged
for instrumental solo
with fully orchestrated
backing tracks Play along
with your favourite
Viennese classics. With
fully orchestrated
backing tracks on the
accompanying CD, you can
take your moment in the
orchestral spotlight!
Tien bekende
titels van vader en zoon
Strauss die je
stijlgetrouw met de
volledige orkestopnamen
kunt
meespelen!
Zehn
bekannte Titel von Johann
Strauss (Vater und Sohn),
die stilecht zu den
vollständigen
Orchesteraufnahmen auf
der beiliegenden CD
geübt und gespielt
werden können.
Dieci titoli
molti amati della
Dinastia degli
Straussâ?? raccolti in
questa pubblicazione dal
titolo Play Vienna! Il CD
incluso propone
lâ??accompagnamento di
ogni brano inciso da
unâ??orchestra.
Cello SKU: BT.9781408114629 Composed by Maja Passchier. Abracadabra. Exam...(+)
Cello
SKU:
BT.9781408114629
Composed by Maja
Passchier. Abracadabra.
Exam Material. Book with
CD. 64 pages. Collins
Music Publishing
#9781408114629. Published
by Collins Music
Publishing
(BT.9781408114629).
ISBN 9781408114629.
English.
Now in
a third edition,
Abracadabra
Cello has a
fresh, contemporary new
look and is the perfect
book for pupil and
teachers.
This
title offers an identical
selection of repertoire
to the other booksin the
Abracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know andwant to
play, carefully graded in
20 learning steps, this
new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teachthefundamentals
of the instrument, and
each new technical aspect
is reinforced by several
pieces using that
particular
technique.
Abrac
adabra Cello now also
includes two CDs of
performance and backing
tracks, featuringselected
orchestral
backings.
Violoncello - Level 5 SKU: BA.BA11043 A Song without Words for Violonc...(+)
Violoncello - Level 5
SKU: BA.BA11043
A Song without Words
for Violoncello Solo.
Composed by Manfred
Trojahn. Stapled.
Performance score.
Composed 2012. 4 pages.
Duration 10 minutes.
Baerenreiter Verlag
#BA11043_00. Published by
Baerenreiter Verlag
(BA.BA11043).
ISBN
9790006543229. 33.5 x
25.5 cm
inches.
Manfred
Trojahn on the origin and
title of his impressive
virtuoso solo
work: Admittedly I do
not know if he had
seagulls, but since
Mendelssohn was born in
Hamburg, he will not have
gone through life without
at least the impression
of the cry of seagulls.
Nor do I know if seagulls
played any part in his
life in Rome. I myself
was astonished when, one
or two years ago in the
Villa Massimo, I was, not
exactly annoyed but
disturbed by the strong
rhythmical cry of
seagulls. I was just
about to write a bassoon
solo when the seagulls
started. Then the
idea came to me that
precisely this sequence
of notes could serve as
the basis of the work.
And the sequence for the
bassoon solo is, in turn,
the basis of the piece
for violoncello - this is
how titles are born... Of
course the violoncello
meanders with virtuosic
ease from the seagull
motif to the 'elf-like'
skittering brought to
music by Mendelssohn and
used time and again in
his compositions, finally
becoming a cabaletta.
Now, cabalettas are not
very representative of
Mendelssohn, but as I was
composing I definitely
wanted to put a cabaletta
in this passage. I am
sure Mendelssohn and I
will easily agree on
this, especially since
later justice is done to
him in the rapid passages
and, of course in the
tonal cadenza at the very
end, which is more
indicative of his time
than of mine ... isn't
it?
