Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christ...(+)
Instrumental Play-Along.
Composed by Various.
Instrumental Play-Along.
Christian, General
Worship,
Hymns, Sacred. Softcover
Audio Online. 24 pages.
Published by Hal Leonard
Cello SKU: BT.9781408114629 Composed by Maja Passchier. Abracadabra. Exam...(+)
Cello
SKU:
BT.9781408114629
Composed by Maja
Passchier. Abracadabra.
Exam Material. Book with
CD. 64 pages. Collins
Music Publishing
#9781408114629. Published
by Collins Music
Publishing
(BT.9781408114629).
ISBN 9781408114629.
English.
Now in
a third edition,
Abracadabra
Cello has a
fresh, contemporary new
look and is the perfect
book for pupil and
teachers.
This
title offers an identical
selection of repertoire
to the other booksin the
Abracadabra Strings
series, so they can be
used in any combination
for group or whole class
lessons and mixed
ensemble performances.
Used alone, they remain
ideal for individual
tuition.
With
tunes you know andwant to
play, carefully graded in
20 learning steps, this
new edition of the
popular tutor also
includes duets, trios and
teacher's parts. Clear
fingering and bowing
diagrams and concise
theory explanations help
to teachthefundamentals
of the instrument, and
each new technical aspect
is reinforced by several
pieces using that
particular
technique.
Abrac
adabra Cello now also
includes two CDs of
performance and backing
tracks, featuringselected
orchestral
backings.
Cello - Grade 2 SKU: AP.20145UK 2. A progressive system of scal...(+)
Cello - Grade 2
SKU:
AP.20145UK
2.
A progressive system
of scales for Cello.
Composed by Orfilia Saiz
Vega. Book. Alfred Music
#00-20145UK. Published by
Alfred Music
(AP.20145UK).
ISBN
9780739096840.
English.
We all
agree that scales are a
basis for learning cello
technique, which is why
we include scales in our
teaching. The trick of
course, is how to
integrate scales into the
learning process so that
at the moment the
repertoire demands the
technique, the fingers
are able to respond. All
too often scales are
divorced from their
musical environment or
teachers are compelled to
cut and paste from
traditional scale books
to try to match technique
and learning. Here, in
this new series, Scale
Builder Orfilia Saiz Vega
meticulously matches
scale development to the
appropriate level of
technique. Through this,
the patterns and rhythms
expected of the student
at their level of musical
competence are precisely
those practised.
Moreover, the skilful
integration of bowing and
other techniques specific
to the instrument mean
that acquiring the scales
across a whole range of
technical devices means
that when they appear in
the music they are
expected to play,
teachers can concentrate
on the musical elements
safe in the knowledge
that the technique is
secure. Great
musicians are formed from
early age. We finally
have this gradual,
attractive and adapted
system of scales to start
building student's
technique, which will be
at the service of their
artistry in the future. I
strongly recommend
it! ASIER POLO Cello
player, soloist and
Artistic director at the
Faculty of Music and
Performing Arts of the
University'Alfonso X el
Sabio' (Madrid).
Cello - Grade 1 SKU: AP.20144UK 1. A progressive system of scal...(+)
Cello - Grade 1
SKU:
AP.20144UK
1.
A progressive system
of scales for Cello.
Composed by Orfilia Saiz
Vega. Book. Alfred Music
#00-20144UK. Published by
Alfred Music
(AP.20144UK).
ISBN
9780739087787.
English.
We all
agree that scales are a
basis for learning cello
technique, which is why
we include scales in our
teaching. The trick of
course, is how to
integrate scales into the
learning process so that
at the moment the
repertoire demands the
technique, the fingers
are able to respond. All
too often scales are
divorced from their
musical environment or
teachers are compelled to
cut and paste from
traditional scale books
to try to match technique
and learning. Here, in
this new series, Scale
Builder Orfilia Saiz Vega
meticulously matches
scale development to the
appropriate level of
technique. Through this,
the patterns and rhythms
expected of the student
at their level of musical
competence are precisely
those practised.
Moreover, the skilful
integration of bowing and
other techniques specific
to the instrument mean
that acquiring the scales
across a whole range of
technical devices means
that when they appear in
the music they are
expected to play,
teachers can concentrate
on the musical elements
safe in the knowledge
that the technique is
secure. Great
musicians are formed from
early age. We finally
have this gradual,
attractive and adapted
system of scales to start
building student's
technique, which will be
at the service of their
artistry in the future. I
strongly recommend
it! ASIER POLO Cello
player, soloist and
Artistic director at the
Faculty of Music and
Performing Arts of the
University'Alfonso X el
Sabio' (Madrid).
Violoncelle [Partition] - Débutant Alfred Publishing
Edited by Aaron Stang. For cello. String - (Suzuki) Supplementary. Summy-Bircha...(+)
Edited by Aaron Stang.
For cello. String -
(Suzuki) Supplementary.
Summy-Birchard
supplementary instruments
(Cello). Instructional
and Method. Instructional
book. 72 pages. Published
by Alfred Music
Publishing
Cello - beginning SKU: SP.TS558 Composed by Tony Santorella. Reference; E...(+)
Cello - beginning
SKU:
SP.TS558
Composed by
Tony Santorella.
Reference; Educational.
Reference, Educational.
Chart. 4 pages.
Santorella Publications
#TS558. Published by
Santorella Publications
(SP.TS558).
ISBN
9781585609185.
Due
to the success of our
Instrumental Fingering
Posters, we thought it
would be helpful to
create a smaller version
that could be tucked
comfortably into any
method book as a
reference guide.
Unbeknownst to us after
days of research, we were
left with countless
questions, much
confusion, and a slew of
poorly crafted images
from contradicting
publications. That being
said, we realized that
there weren't truly any
trustworthy resources in
print and decided to
address the void. We
consulted experts in
every category asking
questions until both we
and they and we were
satisfied. Finally, a
guide to fingering for
beginners that even the
experienced players will
find beneficial.
Santorella's Basic
Fingering Charts are
essential for anyone that
picks up an instrument.
Initially intended for
beginners but after
understanding the
importance of false
fingerings or more
appropriately called,
alternate fingerings
their necessity is vital
for playing certain
musical passages on a
particular instrument. In
addition, after observing
the difficulties that
students had in
identifying key
signatures, we decided to
include the Circle of
Fifths diagram and every
major scale in two
octaves in every key
including their
enharmonic counterparts.
After all was said in
done, we now know, we now
have the best educational
products available for
fingering in the
industry. Our Basic
Fingering Charts are
perfect for private
students, classroom
study, or simply for a
quick and easy reference
guide while practicing at
home. These graphic
reference guides for
assorted brass, reeds,
woodwinds, and orchestral
strings are specifically
available for Clarinet,
Bass Clarinet, Trumpet,
Flute, Piccolo, Recorder,
Baritone Horn, Trombone,
Bass Trombone, Alto Sax,
Soprano Sax, Tenor Sax,
Baritone Sax, French
Horn, Euphonium, Tuba,
Oboe, Bassoon, Violin,
Viola, Cello, and Bass.
Every chart displays the
entire range of each
instrument by clearly
depicting the fingering
for each note including
all their enharmonic
substitutions. Each chart
includes a diagram
identifying the levers,
valves, keys, slides,
frets and more of each
and every instrument.
Learn where, when, and
why to place your
fingers. Now is the time
to truly start playing
with assured
confidence.
