Chamber Music Cello

SKU: PR.144404670

For Solo Cello. Composed by Ronald Caltabiano. Contemporary. Performance score. With Standard notation. 4 pages. Duration 3:45. Theodore Presser Company #144-40467. Published by Theodore Presser Company (PR.144404670).

UPC: 680160030972. 8.5 x 11 inches.

Character Sketch No. 3 for solo cello was commissioned by the Irving M. Klein International String Competition for the Seventeenth Annual Competition. Duration: 3' 45.

Composed by Cassia Harvey. For cello. 83 pages. Published by C. Harvey Publications

By Cassia Harvey. For cello. Instructional; string techniques. Method book. 35 pages

By Cassia Harvey. For cello. Instructional; string techniques. Method book. 35 pages

Composed by Cassia Harvey. For cello. 81 pages. Published by C. Harvey Publications

(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello and Bass. String Orchestra Collection. Book and CD. 48 pages. Published by Alfred Music Publishing

(for Violoncello). By Louis R. Feuillard. For cello. This edition: ED1117. Essential Exercises. Instructional and Studies. Instructional book. 44 pages. Published by Schott Music

By Giuseppe Maria Dall'Abaco. Edited by Daniele Bogni. For solo cello. This edition: Paperback. Minghen dal Viulunzel. Baroque, Galant. Published by Musedita Edizioni Musicali

Composed by Leonardo Moja. Edited by Daniele Bogni. For solo cello. This edition: Paperback. Il violoncello all'Opera. Romantic. Published by Musedita Edizioni Musicali

(Cello)

SKU: HL.50564177

Composed by Maurice Ravel. Editions Durand. Classical. Book only. Editions Durand #DR0673904. Published by Editions Durand (HL.50564177).

UPC: 073999328134.

Inch. ...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.

Cello

SKU: BT.MUSM570366453

Composed by Evis Sammoutis. Classical. Score Only. 10 pages. University of York Music Press #MUSM570366453. Published by University of York Music Press (BT.MUSM570366453).

English.

'Brice Catherin, a cellist and a composer exploring the notion of the one-man-band concept, commissioned this work; this composition was subsequently the result of our collaboration. My aim has been to create a work where the cellist produces sounds using his full body: his hands (employing a variety of extended techniques on the Cello and external objects), his feet, his mouth (singing and playing the harmonica and flexible tube) and even his face on one occasion to muffle the strings. There are two central themes in the work: virtuosity and theatre, both strong, frequent features of my compositional oeuvre. After several meetings and experimentation with Brice, I chose asetup that enhances the musical scope without visually cluttering the stage. I am also using a rather unusual scordatura that not only changes the timbre of the instrument itself, but also helps create unique soundscapes that blend together with the sounds from the spring drums, the human voice (whistling, groans and other effects), a singing bowl, a harmonica and a flexible tube among others. The work is entitled Emmelia and there are two reasons for this: Emmelia derives from the prefix en (in) and the noun melos (harmony), thus meaning in harmony. The composition is structured and developed in clearly defined sections (noisy, harmonious, distorted, etc.), based on information revealed by a spectral analysis of an F1 spectrum on the cello (tuned a fifth below low C), played and recorded using a variety of attacks and triggering objects and methods. Emmelia is also the name of my baby daughter, who has been my constant inspiration since she was born.' - Evis Sammoutis.

Cello

SKU: BO.B.3726

Composed by Melani Mestre. Published by Editorial de Musica Boileau (BO.B.3726).

Written in 2001, this work was conceived by the need to enlarge the repertoire of works for solo cello, an important goal since the repertoire of such works is limited. Most cellists are limited to performances of such well-known solo works as the Suites of Bach, written almost 300 years ago, as well as other classics of the genre by Max Reger, Zoltan Kodaly, Benjamin Britten, Gaspar Cassado, Enric Casals, etc.

The intention of the Suite Exotique is to revolutionize the concept of the Baroque suite by transforming the suite into a collection of modern dances, which are both contemporary and widely recognized today. Thus, the dances of the Baroque suite, such as Allemande, Courante, Sarabande are substituted for the Tango, Milonga, Blues in such a way that the traditional formal structure of six movements of Baroque dances is modernized by rhythms and contemporary styles which coexist in the Modern world, but are separate from and do not pertain to those works which are normally considered to belong to the realm of cultured music.

Apart from the fusion represented by the mixture of a Baroque genre with modern, urban musical language found in this work, the subtitle exotica is appropriate due to the originality of writing such a work for cello solo. This work allows the interpreter to explore and take full advantage of their technical, artistic and expressive abilities.

This work establishes a total symbiosis between the instrument and the evolutionary transformation of its musical language which in turn creates a style adapted to the expressive requirements of the work itself. The specific techniques and qualities of the cello are placed in service of the required style and concept of each movement of the Suite. At the same time those stylistic characteristics are transformed and adapted to the particular characteristics of the cello and taking full advantage of the instruments polyphonic, sonic, aesthetic qualities as well as its timbre.

The Suite Exotique was premiered in August, 2003 during the International Music Festival of Ibiza by the Russian cellist Svetlana Tovstukha.

Composed by Leonardo Moja. Edited by Daniele Bogni. For solo cello. This edition: Paperback. Il violoncello all'Opera. Romantic. Published by Musedita Edizioni Musicali

Arranged by Billy Madison. For Cello solo. At The Cross. String parts edited with bowings etc. Easter. Level: 3. Published by David E. Smith Publications.

Cello solo

SKU: BR.EB-9135

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. World premiere: Furth, November 8, 1998. Music post-1945; New music (post-2000). Score. Composed 1998. 12 pages. Duration 10'. Breitkopf and Haertel #EB 9135. Published by Breitkopf and Haertel (BR.EB-9135).

ISBN 9790004182550. 12 x 9 inches.

Immer wieder stelle ich beim Horen und beim Beobachten von Horhaltungen in Proben und Konzerten fest, dass wir uns im Zeitalter der Medien so an das Horen uber Lautsprecher (Schallplatte, CD, Video, Radio, Fernsehen etc.) gewohnt haben, dass durch die Alltaglichkeit solcher Klangbilder das Empfinden fur die Qualitat RAUM fast verkummert ist. Lautsprecher simulieren RAUM bereits in ihrer Sende-Information. Ihre Fahigkeit, Raumlichkeit aus dem realen RAUM, in den sie ihren Klang abstrahlen, zu gewinnen, ist dagegen ausserst gering. Umgekehrt scheint es in der Natur des Instrumentalklangs zu liegen, vollkommen im RAUM aufgehen zu konnen, gerade in ihm das Neue, Einmalige seines Klingens zu finden und mit ihm erst das Klangleben aufbauen zu mussen. Im Prozess des ,,..... in die Stille-Gehens hat der Cellist Tone und Klange zu realisieren, die bis zum siebenfachen Piano reichen. Dies sollen jedoch keine Lautstarken sein, die eine blosse Erweiterung der Lautstarkenskala ins Unhorbare sind, sondern eher die Realisierung einer besonderen Form von RAUM-KLANG. Die Wirkung des Instruments als Ort der Abstrahlung verringert sich dadurch zugunsten eines Klangs, der sozusagen nur noch im RAUM alleine, wie ,,insistierend, vorhanden zu sein scheint. Es ist die schwebende Prasenz einer Beinahe-Lautlosigkeit wie etwa im Goethe-Vers ,,In allen Wipfeln spurest du/kaum einen Hauch. Je lautloser, desto prasenter! (Nicolaus A. Huber, 27. Juli 1998) Bibliography : ,,Es gibt Dinge, die sind richtig, aber sie ruhen. Nicolaus A. Huber im Gesprach mit Michael Struck-Schloen , in: MusikTexte, Heft 154 (August 2017), S. 31-37.

World premiere: Furth, November 8, 1998.

Cello

SKU: IM.3726

Composed by Friedrich Dotzauer. Edited by Carter Enyeart. Method. International Music Co. #3726. Published by International Music Co. (IM.3726).

This newly edited Volume IV features virtuosic pieces which prepare the cellist for concerto-style playing. Includes rapid arpeggios over multiple octaves, double-stops all over the fingerboard, cadenzas, etc.

(Cello and Bass). By Andrew H. Dabczynski and Bob Phillips. Orchestra. For Cello and Bass. String Orchestra Collection. Book and CD. 40 pages. Published by Alfred Music Publishing

Cello solo

SKU: BR.EB-8817

Materialien fur die Unterstufe. Composed by Michael Dartsch and Susanne Richter. Solo instruments; Softbound. Edition Breitkopf.

This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA)

Music pedagogy. Score. 124 pages. Breitkopf and Haertel #EB 8817. Published by Breitkopf and Haertel (BR.EB-8817).

ISBN 9790004183830. 9 x 12 inches.

The Cellokasten (Cello Case) offers a wealth of varied material for the beginner. Like the successful Geigenkasten, it can be used in teaching as a supplement to any cello method. And with its steadily increasing level of difficulty within each chapter, it can also serve as a kind of instruction method as well. The chapters are devoted to the following topics: - Games of posture and movement - Music on open strings and fundamentals of bowing technique - Playing with close stops and wide-stretch stops, high and low - Combination of close stop, wide-stretch stop and chromaticism - Playing, reading, notating rhythms; reading and notating tones as well as improvisation in the chapter Inventing Music . Along with lyrics for singing, there is almost always a second part, which lets two cello lovers make music together. The book offers songs and cello pieces for a variety of occasions and for every season. Interesting information about the instrument is also scattered throughout the book.

This large volume is designed for the young beginner cellist, and is attractively presented with large print and enchanting colour illustrations. (Stringendo AUSTA).

(Violoncello Solo). Composed by Sergei Prokofiev (1891-1953). Arranged by Vladimir Blok. For Cello. String. Softcover. 8 pages. Sikorski #SIK2435. Published by Sikorski

Abschied. (for Cello). By Bertold Hummel (1925-2002). For Cello. Cello-Bibliothek (Cello Library). 8 pages. Schott Music #CB176. Published by Schott Music

(A Supplementary Method for Developing Basic Technique for Beginning and Intermediate Students). By Lillian R. Goodman. For Cello. Soft Cover. Standard notation. 64 pages

By Christine Watts. For Cello. Methods. Beginning-Intermediate. Book. 60 pages. Published by Mel Bay Publications, Inc