for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

Voici une occasion fantastique pour vous de devenir le soliste dans ces favoris de Disney spécialement sélectionnés ! Chaque chanson est présenté en notation claire et les caractéristiques de CD qui l'accompagne, que suivre une démonstration complète et soutien pour chaque chanson afin que vous pouvez découvrir le bruit d'un ensemble de professionnel comme votre bande ! Quinze chansons ont été sélectionnés du riche patrimoine de Disney, y compris des moments inoubliables de Mary Poppins et livre de la Jungle tout spécialement adaptés pour violoncelle. / Violoncelle

Pour écrire la musique nouvelle pour des leçons de musique est la plus préoccupante du compositeur Barbara Heller. Ce cycle a été créé en collaboration avec deux enseignants violoncelles. Il comprend 7 pièces en commun notation ainsi que de 7 croquis qui peut être élaborée improvisatorily et souhaitez stimuler l'imagination des joueurs. La musique est adaptée à la compétition ' Jugend musiziert ', des concerts et des leçons. / Violoncelle

The ultimate self-teaching method designed to offer quality instruction, terrific songs, and audio with 111 demonstration tracks! This cello method can be used by students who want to teach themselves or by teachers for private or group instruction. Simply follow the tips and lessons in the book as you listen to the audio. You'll learn: how to hold and care for the instrument- producing a sound- playing tips and techniques- reading music notation and rhythms- glossary of music terms- and more. Learn at your own pace and open the door to the world of cello music! Over 100 great songs and examples! / Violoncelle

Cello Time Starters is a great beginner book for the budding cellist. Carefully paced to suit young learners, it supports players through the important early stages, step by step-from how to hold your instrument and bow, through basic notation, to exciting pieces in a range of styles. With plenty of entertaining illustrations and a CD to play along to, with Cello Time it really is fun to play! / Violoncelle

Easy Popular Movie Instrumental Solos is an accessible selection of movie hits for the beginning student, with simple notation and a play-along CD. Available for flute, clarinet, alto saxophone, tenor saxophone, trumpet, horn in F, trombone, violin, viola, cello and piano accompaniment. The string versions include a pullout piano accompaniment. / Violoncelle

Instrument : celloNombre de Pages : 8This tribute piece was commissioned as a birthday surprise to Michael Berman. The first performance was given by Raphael Wallfisch at a private event in 2004 at the Palace of Westminster. Although entirely unbarred the music is fully notated, both rhythmically and melodically. The B flat-B motif derived from the work's title (i.e. H-B in German notation) features prominently throughout, and a wide expressive and dynamic range is called for.Although small in scale, this work is an important addition to MacMillan's output for the cello, already distinguished by the short, intense solo in angustiis II ..., a large-scale concerto and two mighty sonatas.