By John Williams. For Cello. String Series. Pop Instrumental Solo Series. Movie...(+)
By John Williams. For
Cello. String Series. Pop
Instrumental Solo Series.
Movie. Level: grade 2-3.
Book and CD. 48 pages.
Published by Alfred
Publishing.
(Cello). For Cello. Book;
CD; Play-Along; String
Series. Instrumental
Solos
Series. Pop; Pop/Rock.
Grade
2; Grade 3. 52 pages.
Published by Alfred Music
(A Workbook for Examinations). By Paul Harris. For Cello. This edition: New. Boo...(+)
(A Workbook for
Examinations). By Paul
Harris. For Cello. This
edition: New. Book;
Method/Instruction;
String - Cello Studies or
Collection; Technique
Musicianship. Faber
Edition. Intermediate.
Published by Faber Music
(A Workbook for Examinations). By Paul Harris. For Cello. This edition: New. Boo...(+)
(A Workbook for
Examinations). By Paul
Harris. For Cello. This
edition: New. Book;
Method/Instruction;
String - Cello Studies or
Collection; Technique
Musicianship. Faber
Edition. Elementary.
Published by Faber Music
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Instrumental Play-Along(r) Series. Composed by Various. Instrumental Play-Alon...(+)
Instrumental
Play-Along(r)
Series. Composed by
Various.
Instrumental Play-Along.
Movies, Children, Disney.
Softcover Audio Online.
Published by Hal Leonard
Cello solo SKU: BR.EB-9014 Composed by Nicolaus A. Huber. Solo instrument...(+)
Cello solo
SKU:
BR.EB-9014
Composed
by Nicolaus A. Huber.
Solo instruments;
Softcover. Edition
Breitkopf.
World
premiere: Stuttgart, May
16, 1985
Music
post-1945; New music
(post-2000). Score.
Composed 1984. 24 pages.
Duration 19'. Breitkopf
and Haertel #EB 9014.
Published by Breitkopf
and Haertel (BR.EB-9014).
ISBN 9790004178980. 9
x 12 inches.
Der
Ausrufer, neutral
Verkundender und
Einladender, der
offentlich Sprechende,
doch aus sich heraus
nichts Sagende, steigt
ins Subjekt-Innere, blaht
sich auf, lasst dessen
Privatheit und
Abgeschlossenheit
zerplatzen, verwandelt
die Mittel seines
Metiers: Ruf, Rhythmus,
Tempo vom
Neutral-Allgemeinen ins
Subjekthaft-Besondere,
steigt empor: nun
ausrufendes Ich voller
innerer Intensitat. Die
materielle
Darstellungsebene sind 4
Saiten + Bogen / 4 Finger
+ Daumen (4+1 = 5). Die
feststehenden Masse sind
gleichzeitig die
Aussengrenzen fur
Moglichkeiten im Inneren:
Streckendurchmessungen
(bis zur
Achtelton-Teilstrecke und
einem Achtel Bogenlange),
Spaltung in
Teilschwingungen,
vorgeschriebene
Bogengeschwindigkeit und
anderes. Tempo, Dauer,
Rhythmus bewegen sich,
gegeneinander verschoben
kombiniert, auf einem
Achsensystem, dessen
Proportionen divisive
Zeitfalten im Inneren der
Hulldauern (1, 1 / 2, 1 /
3 usw.) sowie additive
Zeitentfaltungen nach
aussen (1, 2, 3 usw.)
bilden und sowohl die
Tempoverhaltnisse wie
auch die Hulldauern
selbst erfassen (MM = 7,5
12 20 30 60 usw.). Der
Punkt des Emporsteigens
gegen Ende ist ein
funfzeiliges gereimtes
Stufen-Tongedicht.
(Nicolaus A. Huber, 1984)
CD: Michael Bach
(violoncello) CD Telos
Music TLS 018
Bibliography: Huber ,
Nicolaus A.: THIRTY ARE
BETTER THAN ONE (A.
Warhol), in: Neue Musik
und andere Kunste, hrsg.
von Jorn Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 50),
Mainz u.a.: Schott 2010,
pp. 220-235.
(From the Renaissance to the Romantic Periods). Arranged by William Ryden. For C...(+)
(From the Renaissance to
the Romantic Periods).
Arranged by William
Ryden. For Cello/Bass.
Mixed Instruments -
Flexible Instrumentation.
Sacred Instrumental
Ensembles for All. 24
pages. Published by
Alfred Publishing.
By Pam Wedgwood. For Cello and Piano. Book; Method/Instruction; String - Cello S...(+)
By Pam Wedgwood. For
Cello and Piano. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition: Jazzin' About.
Jazz. Elementary.
Published by Faber Music
Cello. Arranged by
Various.
Book; CD; Play-Along;
String
Series; Worship
Resources.
Instrumental Solo Series.
Contemporary Christian;
Pop;
Sacred. 32 pages.
Published
by Alfred Music
A cello method for children. Composed by Egon Saßmannshaus and Kurt Sassmanns...(+)
A cello method for
children.
Composed by Egon
Saßmannshaus
and Kurt Sassmannshaus.
Stapled. With a Chinese
text
booklet. Performance
score.
Baerenreiter Verlag
#BA10757.
Published by Baerenreiter
Verlag
Cello solo SKU: BR.EB-9074 (Plainte sur la perte de la reflexion music...(+)
Cello solo
SKU:
BR.EB-9074
(Plainte sur la perte
de la reflexion
musicale). Composed
by Klaus Huber. Edited by
Michael Bach. Arranged by
Michael Bach. Solo
instruments; stapled.
Edition Breitkopf. You
will need a copy of BG
1002 for each player to
perform the version for
variable instrumentation
(BG 1004). Music
post-1945; New music
(post-2000). Score.
Composed 1972. 12 pages.
Duration 20'. Breitkopf
and Haertel #EB 9074.
Published by Breitkopf
and Haertel (BR.EB-9074).
ISBN 9790004179499. 9
x 12 inches.
World
premieres:I version for
flute: Wiesbaden, 1972II
version for piano: Nyon,
1972III version for var.
insts.: Cologne, May 29,
1976VI version for
accordeon: Fribourg, June
25, 1987VIII version for
violoncello Tokyo:
October 14, 1989X version
for organ: Stuttgart,
March 28, 2018This work
(A Breath of the
Untimely) was first
written for solo Flute
and dedicated to Aurele
Nicolet. Its bears the
subtitle Lament on the
Loss of Musical Thought -
some Madrigals for Solo
Flute or Flute with any
other Instruments. This
serves as a playing
instruction but doubles
at the same time as an
outmoded programme: it
refers back to the
musical origin of the
opening lamenting motif,
a tradition which was
once of its time but is
not of our time - namely
the Lamento genre which
gave the title to the
Chaconne in Purcell's
opera Dido and Aeneas.
Almost simultaneously I
wrote a second version
for Piano (for Piano
one-and-a-half hands),
which already formulates
possible approaches for
the performer, in some
detail, to the indicated,
quasi-canonic version of
the piece in the
programme. The multiple
version Ein Hauch von
Unzeit III realizes a
concrete version of a
formal state which floats
between strict canon and
aleatoric principles:
each of the musicians who
are spread throughout the
hall introduces their own
idiomatic translation of
the flute part. And so
the music exists,
omnipresent, not only
spatially throughout the
hall, but also formally
in a sort of fluctuating
simultaneity. For that
reason, it was my express
wish to any potential
interpreter that they
should construct entirely
their own version of the
piece. A healthy number
of musicians have
responded to my
suggestion - versions of
the piece have now been
made for guitar
(Cornelius Schwehr,
Gunther Schneider),
accordion (Hugo Noth),
double bass (Fernando
Grillo), violin
(Hansheinz Schneeberger),
viola, violoncello, and
double bass (trio basso,
Koln), violoncello
(Michael Bach), trombone
(Andrew Digby) and,
created by myself, a sung
version for voice (to
words by Georg Wilhelm
Friedrich Hegel und Max
Bense), and for viola.The
most important
requirement for the whole
piece is absolute
stillness, which should
as far as possible
emanate from the
performer. The pauses are
occasionally in this
respect the most
important element. These
may, if one can find the
necessary stillness,
become very long.Ein
Hauch von Unzeit (A
Breath of the Untimely) -
time almost
dissolves!(Klaus Huber,
1989/2014 - translation:
David
Alberman)CD:Jean-Luc
Menet (Bass flute)CD
Traversieres
120.270Jean-Luc Menet
(fl)CD STR
37039Bibliography:Zimmerm
ann, Heidy:
Zeitgestaltung im
Kompositionsprozess bei
Klaus Huber - dargestellt
anhand von Skizzen, in:
Mnemosyne. Zeit und
Gedachtnis in der
europaischen Musik des
ausgehenden 20.
Jahrhunderts, hrsg. von
Dorothea Redepenning und
Joachim Steinheuer,
Saarbrucken: Pfau 2006,
S. 90-109
World
premiere: VIII version
for violoncello Tokyo:
October 14, 1989.
Written by Craig Duncan. Cello solo book for cello solo (or duet) and piano acco...(+)
Written by Craig Duncan.
Cello solo book for cello
solo (or duet) and piano
accompaniment. With solo
part, standard notation,
harmony part, piano
accompaniment and
bowings. Series: Building
Excellence Series. 38
pages. Published by Mel
Bay Publications, Inc.
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Cello - very easy SKU: HL.49005770 Christmas Carols for Two Cellos Ger...(+)
Cello - very easy
SKU:
HL.49005770
Christmas Carols for
Two Cellos German
Text. Edited by Willi
Draths. Arranged by
Marianne Magolt and Willi
Draths. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Performance
score. 32 pages. Schott
Music #ED 5548. Published
by Schott Music
(HL.49005770).
ISBN
9783795716882. UPC:
073999730944.
9.0x12.0x0.13 inches.
German. Wilfried
Blecher.
Violoncello SKU: BA.BA06660 Spielbuch fur den Unterricht mit gemischte...(+)
Violoncello
SKU:
BA.BA06660
Spielbuch fur den
Unterricht mit gemischten
Streichergruppen.
Composed by Hella
Hartung-Ehlert. Stapled.
Gemeinsam von Anfang an.
Fur den Unterricht mit
gemischten
Streichergruppen. Schulen
fur Violoncello (Cello
Method). Performance
score. 63 pages.
Baerenreiter Verlag
#BA06660_00. Published by
Baerenreiter Verlag
(BA.BA06660).
ISBN
9790006499786. 21 x 29 cm
inches. Language: German.
Preface: Hella
Hartung-Ehlert.
The
se
“playbocksâ€
form a sequel to the
authors Violin method for
group instruction (BA
6623). They contain
musical games, canons and
songs in simple
arrangements for one to
three identical
instruments, introclucing
children to ensemble
playing during their
first music lessons. Each
arrangement has a melody
part joined by an
accompaniment part on
open strings and a
fingered accompaniment
for more advanced pupils,
so that all children have
a chance to play. The
play- books end with
several four-part pieces
and can be combined for
use in mixed
ensembles.