Cello SKU: GI.G-J165 The Instrumental Series. Composed by Christop...(+)
Cello
SKU:
GI.G-J165
The
Instrumental Series.
Composed by Christopher
D. Azzara, Edwin E.
Gordon, and Richard F.
Grunow. Method Book. Jump
Right In. Music
Education. Book. 32
pages. GIA Publications
#J165. Published by GIA
Publications (GI.G-J165).
English.
The
newly revised Jump Right
In: The Instrumental
Series for Strings
incorporates hundreds of
improvements designed to
make the series
practical, engaging, and,
most of all, musical.
Like its counterparts for
winds and recorder, the
string series includes
high-quality CD
recordings of folk songs
and melodies and
performances by some of
the world’s
greatest musicians. And,
of course, this series
incorporates the latest
research and is sequenced
according to Edwin E.
Gordon’s Music
Learning Theory. The
522-page Teacher’s
Guide incorporates all of
Book 1 and 2 and includes
complete lesson plans, an
introduction to Music
Learning Theory,
connections to the
National Standards, and
information on testing,
recruiting, scheduling,
and many other critical
issues.
For Violoncello. Includes complete printed music score on high-quality ivory pap...(+)
For Violoncello. Includes
complete printed music
score on high-quality
ivory paper, including
extensive performance
notes by the composer;
and a compact disc
containing a complete
performance with soloist
in digital stereo, then
performed again minus
you, the soloist.
Published by Music Minus
One.
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This edit...(+)
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Andrew Talle. This
edition: urtext edition.
Cloth bund. Barenreiter
Urtext. Urtext of the New
Bach Edition - Revised
(NBArev). Performance
Score(s), anthology. BWV
1007-1012. Baerenreiter
Verlag #BA05258.
Published by Baerenreiter
Verlag (BA.BA05258).
Composed by Johann Sebastian Bach (1685-1750). Edited by Andrew Talle. This ed...(+)
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Andrew Talle. This
edition:
urtext edition.
Paperback.
Barenreiter Urtext.
Urtext
of the New Bach Edition -
Revised (NBArev).
Performance Score(s),
anthology. BWV 1007-1012.
Baerenreiter Verlag
#BA05257. Published by
Baerenreiter Verlag
Performed by Alice Kay Kanack. By Alice Kay Kanack. Edited by Judi Gowe. Summy-B...(+)
Performed by Alice Kay
Kanack. By Alice Kay
Kanack. Edited by Judi
Gowe. Summy-Birchard
supplementary instruments
(ce/cd). 72 pages.
Published by Alfred
Publishing.
(Progressive Studies and Pieces for Cello). By Pat Legg and Alan Gout. For Cello...(+)
(Progressive Studies and
Pieces for Cello). By Pat
Legg and Alan Gout. For
Cello. Book;
Method/Instruction;
String - Cello Studies or
Collection. Faber
Edition. Intermediate.
Published by Faber Music
(A cello method for children). By Kurt Sassmannshaus; Egon Sassmannshaus. For Vi...(+)
(A cello method for
children). By Kurt
Sassmannshaus; Egon
Sassmannshaus. For
Violoncello (2).
Barenreiter's
Sassmannshaus.
Instructional method.
Playing Score. 72 pages
Cello SKU: BT.PWM7934020 Composed by David Popper. Studies & Exercises. B...(+)
Cello
SKU:
BT.PWM7934020
Composed by David Popper.
Studies & Exercises. Book
Only. Polskie Wydawnictwo
Muzyczne #PWM7934020.
Published by Polskie
Wydawnictwo Muzyczne
(BT.PWM7934020).
(Cello) SKU: HL.50564177 Composed by Maurice Ravel. Editions Durand. Clas...(+)
(Cello)
SKU:
HL.50564177
Composed
by Maurice Ravel.
Editions Durand.
Classical. Book only.
Editions Durand
#DR0673904. Published by
Editions Durand
(HL.50564177).
UPC:
073999328134.
Inch.
...this work is likely to
become a standart work
very quickly and is to be
recommended to all
schools where recorder
studies are undertaken
inch. (Oliver
James,Contact Magazine) A
novel and comprehensive
approach to transferring
from the C to F
instrument. 430 music
examples include folk and
national songs (some in
two parts), country dance
tunes and excerpts from
the standard treble
repertoire ofBach,
Barsanti, Corelli,
Handel, Telemann, etc. An
outstanding feature of
the book has proved to be
Brian Bonsor's
brilliantly simple but
highly effective practice
circles and recognition
squares designed to give,
in only a few minutes,
concentrated practice on
the more usual leaps to
and from each new note
and instant recognition
of random notes. Quickly
emulating the outstanding
success of the descant
tutors, these books are
very popular even with
those who normally use
tutors other than the
Enjoy the Recorder
series.
Violoncello - Level 5 SKU: BA.BA11071 Composed by Matthias Pintscher. In ...(+)
Violoncello - Level 5
SKU: BA.BA11071
Composed by Matthias
Pintscher. In a folder.
Part II of the cycle
Profiles of Light.
Performance score.
Composed 2015. 4 pages.
Baerenreiter Verlag
#BA11071_00. Published by
Baerenreiter Verlag
(BA.BA11071).
ISBN
9790006562015. 42 x 29.7
cm
inches.
“Now
II†is the second
part of a triptych of
chamber pieces entitled
“Profiles of
Lightâ€. The first
part is written for solo
piano (Now I, BA 11073),
the second for
unaccompanied cello. The
two instruments are then
combined in the
concluding third part,
Uriel (BA
11013).
All three
pieces were inspired by
the Abstract
Expressionist paintings
of the American artist
Barnett Newman. Newman's
work has had a formative
impact on Matthias
Pintscher's artistic
philosophy: what does it
mean to reduce things to
essentials while seeking
maximum immediacy of
expression? Several of
Newman's paintings have a
radiant light of uncommon
intensity, yet resembling
a dark illumination. The
same sort of thing is
found in the late works
of Franz Schubert, where
a comparable profundity
and retrospective
yearning likewise shine
through the surface of
even the brightest
tonalities.
This
is a piece about
resonances, about the
inward and outward givens
of existence, about life
itself: 'I find the cello
a highly suitable
instrument for depicting
such existential
conditions'.
Cello SKU: HL.49047413 Cello Solo. Composed by Johann Sebastian Ba...(+)
Cello
SKU:
HL.49047413
Cello
Solo. Composed by
Johann Sebastian Bach.
Arranged by Daisuke
Kitaguchi. String Solo.
Classical. Softcover.
Zen-On #ZN337037.
Published by Zen-On
(HL.49047413).
ISBN
9784113370373. UPC:
196288216544.
9.0x12.0x0.16
inches.
“[Bach's]
six unaccompanied cello
suites bring together
three voices - two upper
voices and a bass - into
one line. If so, the
Goldberg Variations,
which have the same
structure, might also be
reproduced for
unaccompanied cello. This
sudden idea led me to the
arrangement of the piece.
Of course, it is
impossible to reproduce
every single note, but I
aimed to arrange it in a
way that all the notes
would sound in our mind.
When combining the three
lines into one, the most
crucial consideration
was, 'What would Bach
do?' I carefully read
materials and scores,
repeatedly listened to
recordings, performed my
arrangement in concerts,
and revised it over and
over. That time was not
painful, but pure joy,
and it was a time to
immerse myself in 'being
Bach.' It is no
exaggeration to say that
it was more a time of
recreation rather than
arrangement. The
articulations and slurs
are fundamentally based
on the facsimile of the
first edition (the
edition by Anne Fuzeau
Productions) that Bach
himself owned. It is a
highly credible edition
with corrections in red
written by Bach.”
Arrangement period:
2017-2023 Premiere:
December 8, 2020 at
Daisuke Kitaguchi Cello
Recital; Muramatsu
Recital Hall Shin-Osaka
(Osaka).
Cello SKU: HL.50600796 (From the 44 Violin Duets). By Arpad Pejtsi...(+)
Cello
SKU:
HL.50600796
(From
the 44 Violin Duets).
By Arpad Pejtsik. By
Bé, k, and la
Bartó. Arranged by
Á, d Pejtsik, and
rpá. EMB.
Classical. Softcover. 36
pages. Editio Musica
Budapest #Z14961.
Published by Editio
Musica Budapest
(HL.50600796).
ISBN
9790080149614. UPC:
888680676605.
9.0x12.0x0.121 inches.
Hungarian, English,
German, French. Bela
Bartok; Arpad
Pejtsik.
Bela
Bartok composed his 44
Violin Duos in 1931, at
the urging of the German
violin pedagogue Erich
Doflein. With two
exceptions, all the
pieces are based on
original folk music
themes, most of which the
composer himself
collected in the course
of his numerous
collecting trips to the
Carpathian Basin and in
Algeria. Although
conceived as parts of a
pedagogically motivated
set, these little pieces
are highly effective in
concert performance as
well. The transcription
follows Bartok's original
faithfully. The
publication includes
fingerings added by the
editor.