Cello (Violoncello) SKU: BA.BA07894-82 Suite for Orchestra. Compos...(+)
Cello (Violoncello)
SKU: BA.BA07894-82
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
112. 6 pages.
Baerenreiter Verlag
#BA07894_82. Published by
Baerenreiter Verlag
(BA.BA07894-82).
ISBN
9790006564231. 32.5 x
25.5 cm inches.
In
the style of commedia
dell'arte
In
1918 Gabriel Faure, then
73 years old, received a
commission from Prince
Albert I of Monaco to
write stage music
invoking the atmosphere
of the commedia
dell'arte. The
four-movement orchestral
suite op. 112, consisting
of Ouverture, Menuet,
Gavotte and Pastorale,
combines previously
unpublished parts of this
stage music. The
Pastorale of 1919 was
Faure's last composition
for orchestra, the
Ouverture originated in a
piece of 1864 for piano
duet and the original
version of the Gavotte
was written for piano as
early as 1869. The
op. 112 orchestral
suite demonstrates how
the composer, now older
and more experienced,
reworked and improved his
earlier
music.
This
scholarly-critical
edition of the
four-movement Masques et
Bergamasques op. 112 is
based on Gabriel Faure
The Complete Works,
Volume IV/2.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello (Violoncello) SKU: BA.BA08966-82 Composed by Charles Francois Gouno...(+)
Cello (Violoncello)
SKU: BA.BA08966-82
Composed by Charles
Francois Gounod. Edited
by Hans Schellevis. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. 12
pages. Baerenreiter
Verlag #BA08966_82.
Published by Baerenreiter
Verlag (BA.BA08966-82).
ISBN 9790006564088.
32.5 x 25.5 cm
inches.
Sacred
works occupy a large part
of Charles Gounod's
oeuvre. It was the Messe
solennelle en l'honneur
de Sainte Cecile that
established his fame as a
church composer. Its
melodic invention and
effective handling of the
orchestra reveal a close
proximity to opera. This
Urtext edition is based
not only on the original
print of 1856 but also on
copyists' manuscripts and
autograph sources.
Rounding off this
well-researched Urtext
edition are an
informative Introduction
and a detailed Critical
Commentary. The edition
is being published to
celebrate the 200th
anniversary of Gounod's
birth.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello (Violoncello) SKU: BA.BA07895-82 Suite for Orchestra. Compos...(+)
Cello (Violoncello)
SKU: BA.BA07895-82
Suite for
Orchestra. Composed
by Gabriel Faure. Edited
by Robin Tait. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
80. 7 pages. Baerenreiter
Verlag #BA07895_82.
Published by Baerenreiter
Verlag (BA.BA07895-82).
ISBN 9790006564286.
32.5 x 25.5 cm
inches.
Incidental
music with the famous
Sicilienne
Faure
wrote Pelleas et
Melisande in 1898
originally as incidental
music to Maurice
Maeterlinck's like-named
play. After the premiere
and subsequent
performances, he set
about reworking the
musical material into an
orchestral suite. The
premiere of the
originally three-movement
suite took place in
February 1901 under the
baton of Camille
Chevillard.
In
December 1912, the
four-movement version of
Pelleas et Melisande was
finally premiered. The
additional movement, the
Sicilienne, was taken
from the third interlude
of the incidental music.
This delightful piece
would later become one of
Faure's most popular
compositions and now
exists in countless
arrangements.
BA
$?renreiter's new
scholarly-critical
edition of the
four-movement orchestral
suite Pelleas et
Melisande op. 80 is based
on Gabriel Faure The
Complete Works, Volume
IV/2 which appeared in
2016.
* First
Urtext edition *
Based on Gabriel Faure
The Complete Works *
Score and orchestral
parts in a large format
(25.5 x 32.5 cm).
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Cello Part SKU: HL.366160 For Female Voice, Solo Cello (opt), Boys' Vo...(+)
Cello Part
SKU:
HL.366160
For
Female Voice, Solo Cello
(opt), Boys' Voices,
Tubular Bells and Strings
Cello Part. Composed
by John Tavener. Choral.
Softcover. Chester Music
#CH88150-01. Published by
Chester Music
(HL.366160).
ISBN
9781705137383. UPC:
840126963434.
Mah&a
acute;mátar is
written for Oriental or
Middle-Eastern female
voice, distant boys'
voices (in a vast
acoustic), tubular bells
and muted strings. The
music is an invocation to
the Great Mother
Mahámátar
in Sanskrit, and to the
Theotóke
(God-bearer) in Greek.
Originally written to
accompany a film by
Werner Herzog which deals
with South American
Indians who travel for
many miles on their knees
to venerate the
miraculous Ikon of The
Mother of God of
Guadalupe.
Mahámátar
may be performed by a
solo voice or
alternatively the melody
could be played by a solo
cello, with decorations
and improvisations by the
singer.